The Dreamland Artist Club project was named after one of the famous amusement parks in Coney Island. The project consisted of more than 25 artists coming together to repaint rides and make custom signs, murals and scenic backdrops for the legendary neighborhood. Most of the artists that participated in this project were from New York City and therefore had a particular interest in the visual culture of the city.
This is a project about bushmeat: the hunting of wild meat in the forests of sub-Saharan Africa, for our purposes specifically the Democratic Republic of Congo. This bushmeat food-cart serves up information and interpretations of the
"Los Palcos del Descubridor" (The Discoverer's Box Seats) was a project created by Sebastian Burga and José Aburto in 2012 that consisted of a large-scale installation on the street and a media campaign on the Internet.
The work simulated the upcoming construction of an apartment building that would replace Lima's Teatro Colón, a historical landmark.
For an art project about the effects of white privilege and the disturbing ways in which its effects are built into our society, Risa Puno’s The Privilege of Escape is a surprisingly fun, even enjoyable experience.
This installation of 13 photographic self-portraits explores European-American heritage, my family and their role in the history of racism, colonization, genocide, and classism. The ancestors, real and imagined, span over 2000 years from the Celtic Iron Age to the present day. The life size portraits are accompanied by audio diaries from the perspective of each character.
Non-profit organizations and a multitude of Guatemalan girls protested together demanding justice and security from the government. Guatemala's insecurity and cases of girls' disappearances have increased over the years. The protest started outside the Government Ministery (Ministerio de Gobernación) early in the morning, where protestors gathered riding their bikes.
Two children stand back-to-back, but they are facing two very different Chicagos. One child blows bubbles in a park under blue skies. The other wears a gas mask against a backdrop of scrap metal and billowing smokestacks.
Máximas de Seguridad, a survival manual written and illustrated by Jhafis Quintero creates a new voice for the voiceless, vulnerable and underprivileged groups in prisons and creates empathy for those that are labeled as dangerous by society. The manual aims to provide empathy and humanity in light of the public scrutiny that ex-prisoners endure in the transition to social reintegration.
UNLESS by Stephanie Cardon is a vibrant floor-to-ceiling installation that fills the main entryway of Boston’s landmark Prudential Center. Commissioned by Boston Properties and curated and produced by Now + There, UNLESS explores sustainability, climate justice, and how taking action together can create positive change.
In 2015, Walter Scott fled for his life, stalked by a policeman who then cold bloodedly shot him in the back. We all saw the video and in response to this murder I made the artwork, “A Man Was Lynched by Police Yesterday.” This simple banner, printed with the eponymous words, is an update of an iconic flag that the NAACP flew from their national headquarters window in New York in the nineteen-twenties and thirties the day after someone was lynched.
The Creativity Movement (formerly known as the World Church of the Creater) is a self proclaimed white supremacist organization with factions across the United States. In 2004, a high ranking leader of the Montana based faction defected from the group, but not before donating over 4,000 of the group's bibles called the 'RAHOWA' (acronym for racial holy war) to the Montana Human Rights Network.
"A few months ago artists John Peña, Jon Rubin, and Dawn Weleski opened Conflict Kitchen, a take-out restaurant that only serves cuisine from countries that the United States is in conflict with. Nowadays the Iranian food is served at the counter. More precisely, the kubideh, a dish made of grilled ground meat in freshly baked barbari bread with onion, mint, and basil.
An online activist group is mimicking the critically acclaimed film Three Billboards Outside Ebbing, Missouri to troll Sen. Marco Rubio, R-Fla., with three rolling billboards in Florida calling for gun control.
“The Garment Worker” an interactive installation piece that focuses on the daily life of a garment worker and the hardships she/he encounters working in a sweatshop. The installation in Kang Wei Laundromat simulated the sounds, motions and experiences of a garment factory while providing testimonials and information from immigrant workers on their sweatshop conditions.
'Gun-sharing' stations in Chicago use art to make a point about gun violence.
Users can’t actually grab a gun from the stations, but its creators hope the installation will send a message about how disturbingly easy it is for a citizen to acquire an assault weapon—as easy as renting a bike. They can also make a donation to the Brady Center and learn more about the campaign's gun safety efforts.
The nativity scene at Fellowship Congregational Church in Tulsa, Okla., looks a little different this year: There is a chain-link fence surrounding Mary, Joseph and the baby Jesus.
The display has been up since the beginning of December, but it drew news coverage this week after the church changed the message on its marquee to read, “The holy family was a migrant family,” and posted photos of the nativity on Facebook.
In state capitals and street protests, women’s rights activists have been wearing red robes and white bonnets based on “The Handmaid's Tale,” the 1985 novel that is now a series on Hulu.
Silent, heads bowed, the activists in crimson robes and white bonnets have been appearing at demonstrations against gender discrimination and the infringement of reproductive and civil rights.
Occupy Wall Street's art offshoot, Occupy Museum, has a new initiative: deconstructing the commercial art fair model. They are calling this art fair antithesis the DebtFair. Last May at the Frieze Art Fair, Occupy Museum distributed flyers and protest literature for an Un-Frieze event.
Artist and activist Niki Lopez is a survivor. From age 11 to 25, she was trapped in a religious cult in Georgia, where she was separated from the rest of her family. The cult's leader sexually abused her. But in 2000, Lopez escaped and worked with the FBI to put him in prison. She was later given a humanitarian award from the FBI for her help in putting her abuser behind bars.
Filmed in Harlem, New York, and in Claude Monet's gardens in Giverny, France, THE GIVERNY SUITE is a cinematic poem that advocates for the safety and bodily autonomy of Black women. Employing techniques including hand-painted film animation and montage editing, Gary first developed the work during an artist residency in Giverny, where the gardens offered a space of respite.
Say hello to ArtActivistBarbie (AAB), whose modus operandi is small signs, big questions and a fabulous wardrobe. With her inviting call to arms, “Refuse to be the muse!” this fierce new incarnation of Barbie is helping to challenge art galleries and museums worldwide about their woeful lack of women and other minorities in their collections, and reluctance to consider the female gaze.
At ‘Arcadia Earth,’ Dazzle Illuminates Danger
Using augmented reality, virtual reality and installations of light and art, the creators of this pop-up exhibition hope to inspire action on climate change.
By Laurel Graeber
Oct. 23, 2019
The creators of “Arcadia Earth” want to awaken your conscience. But they also plan to make that guilt trip extraordinarily fun.
"As of October 2009, Retznei boasts a new centre. In the middle of the square the black contours of a concrete surface stand out, reminiscent of the shape of a pond. If you step on the Platform, you notice that the ground gives slightly and that it sways. Invisibly but noticeably, water reveals itself as a key component of this art work by Michael Kienzer. The water carries the Platform and us, while we are walking or standing on it.
Founded by Bobby Gordon and Nayeli Adorador Knudsen, The Melrose Poetry Bureau is a public intervention involving a whole lot of typewriters, a public space, and the chaos that ensues. Once a location is picked for an intervention, Bobby and Nayeli pack up their collection of old and new, sleek and saggy typewriters and transport them to that place. They set up tables, distribute the typewriters, and invite people to come write poetry.