The "Democracy Wall" in the Carroll Gardens section of Brooklyn, New York was established in 2009. This wall is a long-term, community art activist project that is part wall mural, part past information archive.
About us
"Path to Peace" - is a joint mosaic creation, by thousands of people, towards hope, love, and happiness among all people. The creation is placed upon the border wall that divides the Gaza Strip and Israel, adjacent to the homes of Moshav Netiv HaAsara.
The creation is seen from both sides of the wall, spreads on the gray security wall and completely changes the place's atmosphere.
Founded by Bobby Gordon and Nayeli Adorador Knudsen, The Melrose Poetry Bureau is a public intervention involving a whole lot of typewriters, a public space, and the chaos that ensues. Once a location is picked for an intervention, Bobby and Nayeli pack up their collection of old and new, sleek and saggy typewriters and transport them to that place. They set up tables, distribute the typewriters, and invite people to come write poetry.
"The massive "Above and Beyond Memorial" will be installed at the National Veterans Art Museum, The Harold Washington Library, and go on display starting Feb. 20, culminating a painstaking search to find a suitable — although temporary — home for the 58,000 replica dog tags honoring those who died as a result of their service in the war that stretched from March 1965 to May 1975.
Donald Trump has been accused of personally causing the deaths of 40,000 Americans through his “reckless” handling of the Covid-19 pandemic, in a new website launched on Wednesday under the provocative title Trump Death Clock.
We at "Left Youth ['solid] Kreuzkölln" have been around long enough of this policy and its lousy consequences for us. But how to solve the problem now? The problem is clearly the capitalist society for us. Even at school you will be prepared for competition and profit motive. We say: Stop it!
The manifesto:
Barbie Dream House in Berlin? Not with us!
The Paris-based collective Claire Fontaine displays a neon sign that spells the words ‘Foreigners Everywhere’ in Arabic. Since this sign was installed strategically above the gallery’s wall-length window – facing in the street – in the edition of the show I saw, at Parsons in New York, it interacted not only with Parsons’ exhibition site but also with the urban environment beyond it.
This installation of 13 photographic self-portraits explores European-American heritage, my family and their role in the history of racism, colonization, genocide, and classism. The ancestors, real and imagined, span over 2000 years from the Celtic Iron Age to the present day. The life size portraits are accompanied by audio diaries from the perspective of each character.
Say hello to ArtActivistBarbie (AAB), whose modus operandi is small signs, big questions and a fabulous wardrobe. With her inviting call to arms, “Refuse to be the muse!” this fierce new incarnation of Barbie is helping to challenge art galleries and museums worldwide about their woeful lack of women and other minorities in their collections, and reluctance to consider the female gaze.
Tranvía Cero is a group of artists from Ecuador who have been creating artistic projects with the aim to empact community lives and change the ideas of art as an exclusive terrain. The describe their goal as a redefinition of art through the social engaging experiences.
Officials in Thailand had an unorthodox approach to deal with visitors who left a tent filled with litter in a national park: mail the trash to the offenders.
Hello and thanks for viewing.
This was a little installation that took place in the beauty of West Texas. The goal was to reorientate the site specific Prada Marfa into something more relevant, TOMS Marfa. Prada Marfa, being in the middle of nowhere, a structure placed as sort of a apocalyptic trophy for the high art world meant to challenge time; TOMS Marfa was to accelerate that vision with 2014 subject matter.
Five leaders of British political parties called for dramatic action to confront climate change in a televised debate on Thursday, just two weeks before the country’s general election.
A melting ice sculpture stole the show.
The performance artist James Luna, who died in 2018 at age 68, had a wicked sense of humor, which made his explorations of the way that Indigenous people have long been objectified, especially in museums, painfully piquant.
“Gravity of Equilibrium” revolves around Mass Shootings in USA. Mass shootings and guns are an incredibly divisive topics, one that is nearly impossible to engage opposing viewpoints in a discussion about. The majority of gun related debates devolve into charged arguments with parties feeling threatened. This effectively creates an environment where new perspectives and inputs are unable to be processed.
Xu Bing, the internationally acclaimed Chinese artist, has brought his “Phoenix” installation to the majestic nave of the Cathedral Church of St. John the Divine on Manhattan's Upper West Side. The two phoenixes, both Feng, the male, and Huang, the female, faced the decoratively carved bronze doors of the Cathedral, as if poised to take flight in the middle of the night.
NAME OF PROJECT: ‘CHILDREN SHOULD BE SEEN AND HEARD’
TEAM MEMBERS: Caroline, Yasir, Sile, Audrey & Mary
GLOBAL CHALLENGE: To give children a voice and create empathy
among adults for children
♯childrenshouldbeseenandheard
The Last Billboard is a 36-foot art installation located in Pittsburgh, Pennsylvania. Created in 2013, it features a steel frame and removable wooden letters that must be arranged by hand. Each month a different artist, activist or individual is invited by creator and curator, Jon Rubin, to come and utilize the billboard space. The participants share messages over this medium in the form of thoughtful questions, esoteric musings, or other visual means.
Media artist Joseph DeLappe announces the completion of “The Drone Project: A Participatory Memorial” on the campus of Fresno State University in California.
Maryland Hall, in partnership with the Banneker Douglass Museum and Maryland Commission on African American History and Culture, invited Maryland-based Black artists, whose work encapsulates activism and social justice and using the creative process to educate their audiences about diversity, equity and inclusion to send proposals to take one of six 5 ft.
In the 1980s, Holzer and Lady Pink used New York as a backdrop for their artworks: Holzer wheatpasted posters and slogans on walls throughout Manhattan, and Lady Pink spray-painted graffiti on buildings and subway cars. The two also collaborated on a series of paintings on canvas, such as this work, for which Holzer composed phrases and Lady Pink did the painting.
Brick x Brick is a public art performance that builds human “walls” against misogyny. It is organized by the Public Displays of Affection, a collective of artists, designers, educators and organizers that engages in nonviolent direct art action. During the wall performances, participants wear brick-patterned jumpsuits adorned with colorful brick patches bearing statements of misogynistic violence made by US President Donald Trump.
In “Speech/Acts,” a group exhibition organized by Meg Onli at the Institute of Contemporary Art in Philadelphia, Kameelah Janan Rasheed and Tiona Nekkia McClodden stood out as artists who take up voices, histories, and experiences that can help audiences move forward and endure in the future.