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2016
Create for Change

Projects tagged "Installation"

There’s So Much I Want to Say to You
Practitioner:
Sharon Hayes
Date:
Jun 27 2012
At the press preview for Sharon Hayes’s new full-floor exhibition “There’s So Much I Want to Say to You” at the Whitney Museum there was a podium and a microphone set up in the center of the gallery that would eventually be used by director Adam Weinberg and curator Chrissie Iles to introduce the artist and her restless work.
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Street gas chamber
Practitioner:
Brother Nuts
Date:
Sep 27 2016
A minibus is parked on the side of the road with a series of pipelines wrapped around it. One end of the pipeline is connected to the exhaust port of the minibus, and the other end is put into the car, so that the exhaust gas can be directly introduced into the car, forming a " Street gas chamber".
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100 'Radioactive Figures' Haunt Hamburg Landscape
Practitioner:
Luzinterruptus
Date:
Aug 28 2011
ART COLLECTIVE LUZINTERRUPTUS has created an installation made up of 100 glowing “radioactive” figures for the Dockville Festival in Hamburg. The human-size figures appear to be wearing special white protective clothing and marching, heads down, across the landscape. The eerie structures contain a number of lights which make them appear to glow ominously in the dark.
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I Wish this Was
Practitioner:
Candy Chang
Date:
Nov 12 2010
I Wish This Was began in New Orleans in November 2010. It was inspired by vacant storefronts. There are a lot of them where Candy lives in New Orleans. There are also a lot of people who need and want things. What if we could easily voice what we want, where we want it? How can we influence the businesses and services in our neighborhoods? 
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Support for birds in Skopje
Practitioner:
Anonymous urban artists
Date:
Apr 12 2017
Anonymous urban artists set up art installations, large nest eggs, at several locations in Skopje, wanting to alarm the growing number of trees in the city. In the nest read a message "You cut all the trees, where do we make nests? Birds".
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Teeter-Totter Wall
Practitioner:
architecture studio Rael San Fratello
Date:
Jul 1 2019
An installation by architecture studio Rael San Fratello, which connected children in the US and Mexico via a trio of seesaws slotted into the countries' border wall, has been crowned the Design of the Year. Dubbed the Teeter-Totter Wall, the project was in place for only around 40 minutes in July of 2019 and hoped to foster a sense of unity at the divisive border, which was highly politicised under the Trump administration.
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Nikeplatz
Practitioner:
Coachella Valley
Date:
Sep 1 2003
In September 2003 the news went out nationwide: Karlsplatz, one of Vienna's main squares, is soon to be renamed Nikeplatz. Apart from the new name, it appears that a huge monument in the shape of Nike's famous "Swoosh" logo will be built in Nikeplatz. Needless to say, it is all fake.
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Experimental Wall #27
Practitioner:
La Fiambrera
Date:
Jun 1 1999
This action was suggested in the workshop assembly by a neighbor of Arrayán street itself. At the end of this street giving the market there was a wall in a state of collapse that concerned the neighborhood. On several occasions, either neighbors or from the same Peña Bética in front of them, they had given by the City Council, but without results. And every day having to go all the way through that gorge with two
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Activism by Duplication: "Untitled" (Death by Gun) (1990)
Practitioner:
Felix Gonzalez-Torres
Date:
Jan 1 1991
Activism through print media is often done through duplication: posters, flyers, magazines, manifestos. But with these media, each individual duplicate holds the same, political message. In Felix Gonzalez-Torres's "Untitled" (Death by Gun) (1990), a stack of posters are placed in the gallery space for people to take with them. As the pile is depleted, more posters are printed.
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1
Street Art Critiques Car Culture
Practitioner:
Peter Gibson/Roadworth
Date:
Nov 30 2000
In 2001, Peter Gibson, a street artist, began by painting bike additional bike lanes onto the streets in Montreal because he was tired of how cars dominated the road. This transferred into more works criticizing car culture in general. Some of his work includes a crosswalk turned into a large footprint and lines on the road transformed into life lines.
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Thinking About Tea
Practitioner:
Claire O'Brien, Tommy Lysaght, Jenny Dungan, Cathy Martin
Date:
Apr 28 2018
We built a conversation space where members of the public were invited to enjoy a free cup of tea. We used a vertical garden which spelled out the word 'TEA' in easily available plants and herbs that can be used to make tea.
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Naming the Lost Memorials
Practitioner:
Naming the Lost, Make the Road, CityLore, Great Small Works, Fund Excluded Workers coalition, artists around the country, folklorists around the country
Date:
May 25 2020
In May 2020, a team of artists, activists, folklorists, and people who lost loved ones to Covid-19 came together to make monthly memorial sites in New York City to remember victims of the Covid-19 pandemic. They continued installing memorials around New York City every month during the summer of 2020.
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Melting Men
Practitioner:
UK
Date:
Jul 1 2014
Néle Azevedo (born 1950) is a Brazilian sculptor, visual artist and independent researcher. She is best known for her "Melting Men" installations.
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NYC Artist Is Using Her Unapologetically Brown Identity to Empower Others
Practitioner:
Johanna Toruno
Date:
Jul 1 2017
You’ll find Johanna Toruno on the streets of NYC plastering pictures of her flower-filtered poetry, Kendrick Lamar, and Selena on blank walls, street lights and buildings. When I came across The Unapologetically Brown Series on Instagram I was intrigued not only by the name but by the concept of being unapologetic and brown as the premise for a body of street art.
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0
Per os
Practitioner:
Markus Sjöborg
Date:
Jun 11 2020
Per os is a research-based art project about the pharmaceutical companies' role in our society, psychiatry and healthcare. Using surveys I have conducted over the past three years and a large amount of anger at how wrong and corrupt the system is, I would like to interpret this research artistically in order to develop material for an exhibition and interventions.
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0
Homeless Art Gallery
Practitioner:
SicoLab
Date:
Jul 19 2009
During 2008-2009, when the United States was entering a recession, the idea of the Homeless Art Gallery was popping up across Staten Island, New York City's least populated borough and biggest underdog. This is an example of art intervention, disrupting space to question the economic and political systems of capitalism. It was also an excellent community building project.
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1
Ghost Forrest Installation
Practitioner:
Maya Lin
Date:
Jun 8 2020
From an Art Net News Article: ""The installation is called Ghost Forest, a term used to describe vast acreages of woodland that have died out–often due to rising sea tides, which overwhelm forests near estuaries with saltwater, choking out their ability to get nutrients from the earth. In 2012, Sandy caused seawater levels to surge, leaving swaths of ghost forests in its wake.
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0
Mexican Activists Protest Drug War Through Public Art
Practitioner:
Mexican Activists
Date:
Mar 6 2012
Huff Post Latino Politics The Huffington Post While drug-related deaths continue to escalate as the Mexican drug war wages on, Mexican youth have resorted to peaceful and artistic forms of protest against the violence. Last Sunday, activists met on Mexico City's Zocalo Square in an effort to demonstrate against the war. They covered the public space with chalk outlines of human bodies.
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1
APEX: Ed Bereal
Practitioner:
Portland Art Museum, Ed Bereal
Date:
Apr 16 2021
Legendary activist and artist Ed Bereal will be able to have his work displayed again in the newly reopened Portland Art Museum. He is a complex figure, gaining fame in LA in the 1960s for his abstract works and radical performances. His work also includes critiquing politicians in a satirical way.
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Weapons Of Mass Instruction
Practitioner:
Raul Lemesoff
Date:
Apr 9 2012
If you're a bibliophile you'll get a kick out of the car-turned-library that can be found in Buenos Aires, Argentina. Artist Raul Lemesoff took an old 1979 Ford Falcon, a popular mode of transport amongst the military forces of its time, and transformed it into a mobile library shaped like a tank.
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1
Pineapple
Practitioner:
Lloyd Jack & Ruairi Gray
Date:
May 11 2017
How did a pineapple become a postmodern masterpiece? The aesthetic merits of tropical fruit inadvertently entered Britain’s national cultural conversation after two students jokingly placed a store-bought pineapple on an empty table at an art exhibition this month at Robert Gordon University in Aberdeen, a port city in northeastern Scotland.
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1
333 Hz
Practitioner:
Antoine Bertin
Date:
Sep 29 2021
WHAT WOULD WE FEEL IF WE COULD HEAR EACH TREE FALLING IN THE WORLD? 333HZ is an installation translating deforestation monitoring data into a sensorial experience. If a tree falls in a distant forest, and no is around? does it make a sound?
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For ‘Equal Pay Day’, An ATM That Gives Less Money To Men
Practitioner:
Publicis Zurich, International Women’s Media Foundation (IWMF)
Date:
Oct 24 2013
As we’ve already found out, gender inequality exists in all parts of the world, but besides discriminative attitudes, women also suffer from wage discrimination. According to statistics, women’s earnings in the US “were 77% of men’s in 2011”, while in Switzerland, women earned “roughly 20% less than equally skilled men in comparable positions”.
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1
Artbus
Practitioner:
Artbus
Date:
Apr 8 2005
"Artbus is a non-profit organization devoted to the promotion and dissemination of contemporary art. Supported by contributions from individuals, foundations and corporations Artbus facilitates public access to current artistic expressions and fosters creativity and production by living artists.
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0
Pandas on Tour
Practitioner:
Paulo Grangeon
Date:
Jul 1 2008
Grangeon's long-running traveling exhibit, Pandas on Tour, features 1600 papier-mâché pandas. That's approximately one for as many as there are left in the world (recent estimates actually place the number slightly below that, at 1596).
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