Over the past twenty-five years or so, ever since her spectacular New York début at the Drawing Center, in 1994, the now forty-four-year-old artist Kara Walker’s visual production—sculptures, cutouts, drawings, films—has been diaristic in tone.
The two Puerto Rico-based artists Jennifer Allora and Guillermo Calzadilla have worked together to make captivating artworks. Allora and Calzadilla are known for their interactive art pieces in public, often addressing social and political issues and engaging questions of history, geopolitics, and culture.
A dark cloud hovers above a stand of Eastern cottonwood trees in Tifft Nature Preserve, a 264-acre woodland nature refuge on Lake Erie. But this is no ordinary cloud; it is a high-tech habitat for one of the world’s most misunderstood species—bats.
Filmed in Harlem, New York, and in Claude Monet's gardens in Giverny, France, THE GIVERNY SUITE is a cinematic poem that advocates for the safety and bodily autonomy of Black women. Employing techniques including hand-painted film animation and montage editing, Gary first developed the work during an artist residency in Giverny, where the gardens offered a space of respite.
A young man melting into a puddle of himself is something you don’t see everyday, much less in a busy public square. Yet this humourous but surprisingly effective spectacle is the latest effort by the Red Cross of Argentina to raise awareness about climate change.
Lu Yang attempts to bring the negative notion of Cancer cell into a “Kimo Kawa” object of love and/or pain and hopes to open a dialogue that brings awareness to the acceptance and tolerance of living with cancer cells.
In 2015, Walter Scott fled for his life, stalked by a policeman who then cold bloodedly shot him in the back. We all saw the video and in response to this murder I made the artwork, “A Man Was Lynched by Police Yesterday.” This simple banner, printed with the eponymous words, is an update of an iconic flag that the NAACP flew from their national headquarters window in New York in the nineteen-twenties and thirties the day after someone was lynched.
When Fred Wilson did an installation at the Maryland Historical Society in 1992, he shook up the museum world. Co-sponsored by the historical society and the Contemporary Museum, Mining the Museum did not involve artwork made by the artist; rather, it involved reinstalling items from the historical society's collection in such a way as to make us reconsider them.
At a time when the city of Portland was considering stripping Martin Luther King Jr.'s name off a local street, a covert organization calling itself Group X changed the name of another downtown street to Malcolm X Street in a clandestine overnight action.
Does it vex you, the environmental impact of Olafur Eliasson’s Ice Watch? Do you hear about the transportation of 30 icebergs from the Nuup Kangerlua fjord in Greenland to be displayed in London as a memento mori for our inhabitable environment and judge the project a bit of an own-goal, sustainability-wise? You would not be alone – on personal evidence, this seems a popular response.
This is the sixth piece of the series Tatlin’s Whisper which examines the relationship between apathy and anaesthetization of the images in the mass media. This series intends to activate images, well-known because of having been repeatedly seen in the press, but are here decontextualized from the original event that gave way to the news and staged as realistically as possible in an art institution.
The Dreamland Artist Club project was named after one of the famous amusement parks in Coney Island. The project consisted of more than 25 artists coming together to repaint rides and make custom signs, murals and scenic backdrops for the legendary neighborhood. Most of the artists that participated in this project were from New York City and therefore had a particular interest in the visual culture of the city.
It was once the most feared address in Berlin, a place easy to enter but very hard to leave. Now the ruins of the former engine room of Nazi terror at Prinz Albrecht Strasse in Berlin have been preserved in a new exhibition space open to the public from tomorrow.
An A.I. generated video of Donald Trump sucking Elon Musk's toes was broadcast at the Department of Housing and Development headquarters in DC in February of 2025. As an actual art piece, we can debate if the video itself is art. However, the caption, subject matter of the fake video, and chosen location to broadcast is definitely a strategic work of creative activism.
From the New York Times:
On August 14th 2014 several prominent statues within the city centre and the southern suburbs of Cape Town got redressed in green blankets, equipped with miner gear or carrying grocery bags. The statues – mainly of which represent colonial figures – were redressed in light of what has come to be known as the Marikana Massacre: the shooting of 34 miners by the local police force of Marikana, South Africa on August 16th, 2012.
A Centro Social Okupado Autogestionado (Self-Managed Occupied Social Center) or CSOA is an occupied building dedicated to the development of social and cultural activities. They are part of the “movimiento okupa” (“squatter movement”), a label created and circulated by the mainstream press.
The war against London's "anti-homeless" spikes escalated today from sign-waving to radical criminal action In the small hours of the morning, some activists dressed as builders poured concrete over the metal spikes outside a Tesco Metro on Regent Street, before vowing to strike again.
The Bed-Stuy Aquarium (also known as the Hancock Street Bed-Stuy Aquarium) is a makeshift goldfish pond located on a sidewalk in the Bedford-Stuyvesant, Brooklyn neighborhood of New York City. The pond, originally formed by a puddle from a leaky fire hydrant, garnered attention from locals and the press beginning at the time of its creation in August 2024.
Power Call is a nomadic, interactive energy commons in San Francisco to the Bay Area. Using low-tech systems, Power Call harnesses, stores and dispenses energy for recharging a variety of cell phones. Anyone can contribute to the energy commons by spending a few minutes pumping the machine, creating a charge for yourself or a future person in need.
A collective endeavor of Greek antiquity — no less than eighty different artists worked on the frieze alone — the Parthenon was built between 447 BC and 438 BC under the orders of Pericles, following a democratic debate, and overseen by the sculptor Phidias. It measures ten meters high and approximately seventy meters long by thirty meters wide.
For the first time since its controversial installation in 1989, the I.M. Pei-designed Louvre Pyramid has been decorated in a museum-sanctioned act of anti-capitalist activism.
Chim↑Pom, a Tokyo-based art collective, garnered significant attention with their provocative project "Super Rat," which debuted in 2011. This work involved capturing urban rats from Tokyo's bustling Shibuya district, taxidermying them, and transforming them into real-life representations of Pikachu, the iconic character from the Pokémon franchise.