Cassils' Becoming an Image confronts issues of queer and trans visibility, bodily violence, and the politics of witnessing. The performance uses a powerful blend of media—including live action in darkness, flash photography, clay sculpture, and sound—to explore how trauma and resilience are physically and symbolically inscribed onto the queer body.
We at "Left Youth ['solid] Kreuzkölln" have been around long enough of this policy and its lousy consequences for us. But how to solve the problem now? The problem is clearly the capitalist society for us. Even at school you will be prepared for competition and profit motive. We say: Stop it!
The manifesto:
Barbie Dream House in Berlin? Not with us!
"Eight-year-old Christian Bucks from Roundtown Elementary School noticed that some of his classmates did not have any friends to play with during recess.
His solution was to introduce a “Buddy Bench”, where lonely classmates could choose to sit if they wanted a playmate. If two children were seated there, they could ask each other if they wanted to play or talk.
Lynn Neuman, director of New York City–based Artichoke Dance, became preoccupied with single-use disposability after she started wondering about waste and who was responsible for it. For some of her performances, she has collected massive quantities of discarded plastics, like bags and six-pack rings, and invited community members to contribute their own. “There’s a real aha moment when people see how quickly plastic amasses,” she says.
Eva Koťátková is one of the most outstanding contemporary artists of the Czech Republic, working in the interdisciplinary art genre, emphasizing themes of the human body, society, and psychology. Her art often occupied the space of the thorny, tangled, and complicated human environment and did not remain indifferent.
Empty chairs were laid out in Sarajevo today in honour of the 11,541 people killed in the city during the Bosnian war which began exactly 20 years ago.
The seats - lined up along the city's main street - were left empty in memory of the victims of the 44-month Serb siege of the city.
Hundreds of the chairs are small representing the children slain in the conflict.
A new exhibition titled “Afrofuturism: A History of Black Futures” will debut at the National Museum of African American History and Culture (NMAAHC) to examine Afrofuturist expression and culture as it relates to music, activism, art, and more.
David Opdyke’s wry, panoramic visions of an America perceptibly in the grips of climate crisis were born of an artistic crisis—of “needing to come up an idea by digging somewhere other than my own brain.” Having drawn on his imagination to conjure up the trenchant, ecologically-inflected critiques of American imperialism and late-stage capitalism that have defined his work for twenty years, he wondered what more he might, artistically speaking, say.
A new, three-minute ad by Coca-Cola, "Small World Machines," starts with a relatively straightforward premise: India and Pakistan do not get along so well. It ends with the promise of peace: "Togetherness, humanity, this is what we all want, more and more exchange," a woman, either Indian or Pakistani, narrates as the music swells. Sounds great. How do we get there? By buying Coke, of course.
Renowned French artist JR and Oscar-nominated American filmmaker Darren Aronofsky have collaborated on The Standing March, a major public artwork exhibited in Paris during the UN’s COP21 climate conference. The video projection will remind leaders that the world is watching as they gather to negotiate a deal aimed at keeping global warming below 2°C.
Artists in Rio de Janeiro have staged a pop-up street show to protest against the closure by the new far-right state government of an exhibition because of a performance attacking dictatorship-era torture.
A large chair installation work featuring the Chinese name of detained artist and activist Ai Weiwei was set up in Taipei Saturday --the 22nd anniversary of the Tiananmen SquareMassacre -- to call for Ai's release.
Bei Ling, an artist from China who has been barred from enteringhis home country since 2000, used 1,001 empty chairs to piece together the three characters of Ai's name in Liberty Square at 6: 04p.m.
It is exceedingly difficult to organize peaceful protests in Russia. Since the Kremlin’s “Special Operation” began on Feb. 24, police have detained nearly 15,000 people across the country in connection with peaceful demonstrations. On March 4, the Kremlin expanded the scope of illegal activity with two laws that criminalize war reporting and antiwar protest. As of March 15, 180 charges have been lodged against protesters.
When Europeans of the 18th and 19th centuries established their grandest museums, each building meant to unite the world’s cultural heritage under a single roof, they had no doubt as to who should explain it all: themselves. They took a Eurocentric view, categorizing the spoils of colonial enterprise by nation and region, splitting art from craft, and nature from culture.
Forensic Architecture's Cloud Studies is a project that investigates the impact of toxic clouds on colonised and oppressed communities. The clouds, originating from sources like tear gas, industrial emissions, chemical weapons, and forest fires, often go unaddressed due to doubt and denialism.
Cleve Jones's powerful vision for memorializing those lost to AIDS was realized in October 1987 in Washington D.C. It showcased the artistic contributions of people who'd lost loved ones to the virus from a number of US metropolitan centers. The quilt has continued to grow for the nearly 40 years since. By 1992, the AIDS Memorial Quilt included panels from every state and 28 countries.
From October to December 2020, Chinese university students nationwide launched a viral movement to install “menstrual pad mutual aid boxes” in women’s restrooms—free, wall-mounted containers stocked with disposable pads on a take-one, replace-one basis. Nearly 250 campuses joined within weeks. Some sustained their boxes for over a year, while others saw them vanish after bureaucratic pushback, logistical hurdles, or dwindling volunteer resources.
Coal Seam Greed was going to be a simple satire showing Katso and Nowhereman posing as a mining company called Reed Gas and erecting notices stating their intent to explore for unconventional gas or CSG in inner-city Brisbane. The idea was that residents would see the signs, phone and leave messages in response, which would then be incorporated into the video.
A minibus is parked on the side of the road with a series of pipelines wrapped around it. One end of the pipeline is connected to the exhaust port of the minibus, and the other end is put into the car, so that the exhaust gas can be directly introduced into the car, forming a " Street gas chamber".
UNLESS by Stephanie Cardon is a vibrant floor-to-ceiling installation that fills the main entryway of Boston’s landmark Prudential Center. Commissioned by Boston Properties and curated and produced by Now + There, UNLESS explores sustainability, climate justice, and how taking action together can create positive change.
For more than 30 years, the Guerrilla Girls have travelled the world exposing sexism and inequality in the art industry, and this week they proved Hong Kong was no exception.
Three members of the anonymous feminist collective—calling themselves Frida Kahlo, Käthe Kollwitz and Zubeida Agha—spoke at the University of Hong Kong on Monday, dressed in their signature black outfits and gorilla masks.
For an art project about the effects of white privilege and the disturbing ways in which its effects are built into our society, Risa Puno’s The Privilege of Escape is a surprisingly fun, even enjoyable experience.