MONUMENT #1 is a series of sculptures by the Bulgarian artist and designer Erka, created in collaboration with Fine Acts. The work seeks to raise awareness about the lack of monuments honoring notable women in Sofia, the capital of Bulgaria - a EU member state.
The brightly-coloured busts were placed at some of the most central locations across Sofia during a covert early-morning action on Wednesday, March 22.
A Centro Social Okupado Autogestionado (Self-Managed Occupied Social Center) or CSOA is an occupied building dedicated to the development of social and cultural activities. They are part of the “movimiento okupa” (“squatter movement”), a label created and circulated by the mainstream press.
If you assign no sound to the redaction in I'm Blue (If I Was █████ I Would Die), it has the same amount of syllables as its referent, the first line of the chorus from Eiffel 65's 1999 chart-topping single, I'm Blue. The last word in that line is spelled out "da," but when you listen to Jeffrey Jey's compressed scatting, it sounds more like "die."
“What Is Missing?” is a multi-sited memorial created by Maya Lin to raise awareness through science-based artworks about the present sixth mass extinction of species, connect this loss of species to habitat degradation and loss, and emphasize that by protecting and restoring habitat, we can both reduce carbon emissions and protect species.
Ahead of Monday’s planned protest, police set up a barricade around the presidential palace, which a spokesperson described as a “peace wall” to prevent vandalism, the Guardian reported. But protesters said the barrier was symbolic of the president’s refusal to take on the issue, noting that he frequently makes a show of traveling in drug cartel-controlled parts of Mexico but felt unsafe ahead of their protest.
There is no embassy of Iran in Jerusalem.
We ask why.
We are a group of artists living and creating in Jerusalem, trying to create a new reality. one which we can identify with. A reality of dialogue between the people, not dominated by mass media and governments.
The Embassy as we imagine it will be functioning as a bridge for trading ideas, dreams and giving silent voices a sound through art.
For more than 20 years, Metronome, which includes a 62-foot-wide 15-digit electronic clock that faces Union Square in Manhattan, has been one of the city’s most prominent and baffling public art projects.
To raise awareness among the general public about the global clean water crisis, the artist Belo created an image composed of 66,000 cups of colored rainwater simulating levels of impurities found in water all over the planet. This major work of 3,600 square feet, representing a fetus in the maternal womb, emphasizes the necessity of water, even before birth, for each living person.
"The Uni Project aims to do one thing and do it well: temporarily
transform almost any available urban space into a public reading room
and venue for learning. We start with the conviction that books and
learning should be prominent, accessible, and part of what we expect at
street-level in our cities." (From site.)
In the series The History of Korean Women, Cho's suggests that the cost of that gain cannot be paid for by a cultural amnesia masking the pain and suffering of previous generations. Here the semantic emphasis is on the official - the status of women and their contribution to the survival and growth of Korea. Their efforts have gone uncelebrated due to their relegated status within a five hundred year old social system.
When the activist group Allt åt Alla wanted to highlight the growing inequality in Sweden they decided to hit the road.
A Over Class Safari (Överklassafari) was announced and ticket were sold. The bus ride covered both a working area (Fisksätra) and it's close high-brow neighbourhood Solsidan in Saltsjöbaden. Bus travelers were told to bring cameras and also invited to hear speeches about the Swedish class society and it's history.
Ai Weiwei's installation Sunflower Seeds is a profound commentary on both historical and contemporary issues through the medium of art. First exhibited at Tate Modern in London from October 12, 2010, to May 2, 2011, the work features an astonishing one hundred million handcrafted porcelain sunflower seeds, spread across the gallery's 1,000 square meter Turbine Hall to a depth of ten centimeters.
“Gravity of Equilibrium” revolves around Mass Shootings in USA. Mass shootings and guns are an incredibly divisive topics, one that is nearly impossible to engage opposing viewpoints in a discussion about. The majority of gun related debates devolve into charged arguments with parties feeling threatened. This effectively creates an environment where new perspectives and inputs are unable to be processed.
Natalie Ball’s work challenges dominant stories of Native American identities, taking to task the historical and visual legacies that misrepresent what it means to be “Indian.” She dives deeply into Indigenous histories and forms of knowledge, the use of language, and a wide range of materials—including animal hides, clothing, and synthetic hair—to create a new narrative around Indigenous experiences and identities.
On May 12, 2008, a massive earthquake in China’s Sichuan province killed approximately 90,000 people. Ai Weiwei created this serpentine sculpture, made of backpacks, to commemorate the more than 5,000 school children who were killed when their shoddily constructed schools collapsed.
El Anatsui, a visionary originally from Ghana, blends discarded materials into breathtaking sculptures that, in themselves, advocate for change and prompt us to reimagine our relationship with the environment.
The Mirror Casket project is a sculpture, performance, and visual call to action designed and orchestrated by a collaborative of St. Louis community artists in response to the shooting death of Michael Brown on August 9, 2014 in Ferguson, MO.
Danish-Icelandic artist Olafur Eliasson has extracted 30 blocks of glacial ice from the waters surrounding Greenland and placed them in public spaces across London, where they will be left to melt.
Called Ice Watch, the temporary installation is meant to serve as a visual reminder of the impact of climate change on the environment.
The US prison system is one of the world’s great shames. A quarter of the world’s prisoners are being detained in a country that represents only 5% of the world’s population. It is a system that has been compared to a modern-day version of the Jim Crow laws.
Call it art, exhibited as an installation piece in the October 2014 show "Crossing Brooklyn," a collaboration of more than 100 artworks by 35 artists (or groups) who live or work in Brooklyn, presented at the Brooklyn Museum... or call it "A survey of Art from Brooklyn" as hyperallergic journalist Jillian Steinhauer wrote... it exists on the streets as a social practice, albeit using creative means for community-building.
By COREY KILGANNON
There was something odd about the ice cream truck that pulled up to the curb on Park Avenue near 67th Street on Friday, with its proletarian color scheme and its overdressed driver with the subversive grin.
Filip Custic (Santa Cruz de Tenerife, Spain 1993) works across photography, performance and video to address themes around identity, body and our relationship with technology. Mirrors and screens are a recurring features, a reference to our age of image-obsession and selfies, and Custic also uses symbols, references to science, and art-historical borrowings in his art.
When Europeans of the 18th and 19th centuries established their grandest museums, each building meant to unite the world’s cultural heritage under a single roof, they had no doubt as to who should explain it all: themselves. They took a Eurocentric view, categorizing the spoils of colonial enterprise by nation and region, splitting art from craft, and nature from culture.
This is the image confronting Greeks from an Athenian drain . "Hello, I live in the sewers of Athens," says the cockroach. "Yes, me too," says an Athenian walking past, apparently unfazed by the idea of an insect talking to him from a drain.