“Discovering Columbus,” by the Japanese artist Tatzu Nishi.
Nishi built a living room around the sculpture in Columbus Circle in New York City. The living room is mounted on scaffolding and turns the sculpture into a domestic center-piece.
Benjamin Von Wong’s latest art-as-activism installation looks like something Photoshopped onto reality. A large brass-looking faucet, suspended in the air, pours a river of plastic out of its spout.
From March 29 to April 28, 2012, artist Angel Chen transformed Toronto's Whippersnapper Gallery into a pop-up call centre to field questions on the financial crisis. Phone lines were manned by passers-by, volunteers and guest operators, all of whom solicited callers for discussion about the current economic climate.
Many of the banks originally situated on Bank Street in Sharjah have left for more lucrative locations, so we have imagined a new, non-monetary banking model for the street.
What if we were to regard the sum total of memories and stories of the people in this area as the real capital of the street?
And what if this new currency could be invested in the new Bank Street and converted into physical objects?
A new, three-minute ad by Coca-Cola, "Small World Machines," starts with a relatively straightforward premise: India and Pakistan do not get along so well. It ends with the promise of peace: "Togetherness, humanity, this is what we all want, more and more exchange," a woman, either Indian or Pakistani, narrates as the music swells. Sounds great. How do we get there? By buying Coke, of course.
ONGOING ORGANIZATION:
CALLED: Iranti [pronounced írantì] is the Yoruba word for ‘memory’. Largely found in South West Nigeria and parts of Benin Republic, the Yoruba people consider memory a prized form of intelligence which determines how often one remembers what they see and hear.
For the past few years, I've been creating what I call "art of social conscience:" tv spots, viral emails, paintings and posters, but none of it has engaged viewers as much as this series of "historical" markers, each one a small story containing a discrete point of view.
The odd spaces exiting under bridges and viaducts around the world are often left aside, urban spatial residues mostly abandoned or occupied informally by homeless people drug users etc. The former pro boxer Nilson Garrido saw the space under the Alcantara Machado viaduct (in the Mooca neighborhood of Sao Paulo) as an opportunity to create a Boxing Academy.
"The Uni Project aims to do one thing and do it well: temporarily
transform almost any available urban space into a public reading room
and venue for learning. We start with the conviction that books and
learning should be prominent, accessible, and part of what we expect at
street-level in our cities." (From site.)
From Public Delivery:
For Ice Watch (2014), he extracted 30 blocks of glacial ice from the waters of Greenland and in 2018 strategically placed them in front of Tate Modern in London . The ice was left here to melt. Ice Watch was to inspire public action against climate change, advocating for a rapid public response.
A fat cat, a pig wearing a top hat and five rats. All seven inflatables faced the 34th Street entrance of the Empire State Building last Thursday, two weeks into a protest by members of Laborers Local 79 who rallied, hundreds strong, in the afternoon shadow of the props.
A striking new cultural space is taking shape in New York’s Hudson Valley. Alex Grey and Allyson Grey, co-founders of CoSM, Chapel of Sacred Mirrors, have launched a Kickstarter campaign to build Entheon, sanctuary of visionary art, to ask for support to complete the build.
"The massive "Above and Beyond Memorial" will be installed at the National Veterans Art Museum, The Harold Washington Library, and go on display starting Feb. 20, culminating a painstaking search to find a suitable — although temporary — home for the 58,000 replica dog tags honoring those who died as a result of their service in the war that stretched from March 1965 to May 1975.
ParaSITE: Custom built inflatable shelters designed for homeless people that attach to the exterior outtake vents of a building’s Heating, Ventilation, and Air Conditioning (HVAC) system. The warm air leaving the building simultaneously inflates and heats the double membrane structure.
Refuge is a 5 year transdisciplinary project that brings together artists, community members and emergency services to investigate arts and culture’s role in developing preparedness and building community resilience for climate related disasters.
Justin Brice Guariglia’s We Are the Asteroid employs a highway message sign to bring attention to how anthropocentric, or human-centered, attitudes have allowed for unsustainable systems that contribute to climate change. The artist generated the slogan for this work with eco-critic and professor Timothy Morton.
Brainstorm of ideas and collection of the group individual experiences and input.
Preparation and design of the action.
Interview of a member of local organization that is working with homeless.
Research of data,concrete stories.
Build up the scenario to establish the environment to raise awareness of the rising local issue of homeless, specifically female homeless and their challenges in daily life.
Chinese artist Ai Weiwei covered a Berlin landmark with thousands of refugee life jackets for his latest installation. The striking display was the activist's attempt to highlight the scale of migrants taking to the seas every day.
The US prison system is one of the world’s great shames. A quarter of the world’s prisoners are being detained in a country that represents only 5% of the world’s population. It is a system that has been compared to a modern-day version of the Jim Crow laws.
Swedish lesbian, gay, bisexual and transgender (LGBT) rights advocates offered their colorful stance on Russia's controversial anti-gay legislation over the weekend.
On the International Day of Education with students we have organized that creative action to ironizing the phenomenon of corruption in education.
We founded “University of Corrupted Sciences” as a symbol of all the issues that have characterized the education system in our transition years.
A source of delicious egg creams and daily newspapers since at least the 1930s, an unassuming shop at the corner of St. Marks Place and 2nd Avenue was renamed Gem Spa in 1957 and swiftly transformed into a meeting ground for generations of downtown artists, musicians, poets, and activists.
A school may be made of bricks and mortar, but when one closes, the loss can feel like a death in the family.
So, when Philadelphia started to close 31 public schools three years ago, there was an outpouring of protests, grief and tears — emotions captured in “reForm,” a show that opened on Friday and focuses on one shuttered school and its neighborhood.