Projects tagged "Installation"

Subway Therapy
Practitioner:
Matthew Chavez
Date:
Oct 8 2016
Matthew “Levee” Chavez sits at a table in New York City’s Union Square, sporting a thrift store suit and tie, holding a sign that reads “Subway Therapy.” This act of social practice, which started as an invitation for conversation, went viral after he set up shop at the subway the day after the 2016 presidential election. He wrote “Express Yourself” on a Post-It and stuck it to the tiled wall.
Artist cages Boston's "Make Way for Duckings" statue
Practitioner:
Karyn Alzayer
Date:
Aug 9 2019
Alzayer put cages around Boston's "Make Way for Ducklngs" statues, separating the baby duckling statues from the mother. The original statues were created in 1987 by Nancy Schon and the mallard family is based on the children's book by Robert McCloskey.
Eclipse
Practitioner:
Hannes Bend
Date:
Apr 27 2012
"Nearly 2 million decaying Goodyear tires lie submerged off the coast of South Florida, decrepit hunks of rubber that have gradually succumbed to the pressures of tides and tropical storms. The steel cables that once strung them along the ocean floor have snapped, and many have drifted into the natural reefs only 70 feet away, permanently scarring them. What is now a 36-acre underwater junkyard was once the
Break Down
Practitioner:
Michael Landy
Date:
Jan 1 2001
Artist Michael Landy catalogued, inventoried, and systemically destroyed all of his possessions for the 2001 public installation Break Down, commissioned by British arts organization Artangel. It took him three years just to itemize the 7,227 objects included in the project.
Anti-Capitalism Art on the Louvre's Glass Pyramid
Practitioner:
Michelangelo Pistoletto
Date:
Apr 24 2013
For the first time since its controversial installation in 1989, the I.M. Pei-designed Louvre Pyramid has been decorated in a museum-sanctioned act of anti-capitalist activism.
MESOAMÉRICA RESISTE
Practitioner:
Beehive Collective
Date:
Jul 16 2019
The Beehive Design Collective is a wildly motivated, all-volunteer, activist arts collective dedicated to “cross-pollinating the grassroots” by creating collaborative, anti-copyright images for use as educational and organizing tools. We work as word-to-image translators of complex global stories, shared with us through conversations with affected communities.
Nongfu Spring Market
Practitioner:
Brother Nut
Date:
Jun 1 2018
The 9,000 bottles of water on display at an art gallery in Beijing last month appeared identical to those of Nongfu Spring, one of China’s most popular spring water brands, with one jarring difference. Inside each bottle was brown, murky groundwater collected from a Chinese village.
That Time Art and Activism Met in Antarctica
Practitioner:
Lucy + Jorge Orta
Date:
Jan 25 2016
With a grand total of 0 permanent residents and an average winter temperature of --56.2°F, Antarctica is a bit more than your average “no man’s land.” This didn’t deter artist duo Lucy + Jorge Orta, however, who took an expedition to the territory in 2007 on commission from The End of the World Biennale. Nine years later, the duo’s cumulative work created during the program is finally on display in NYC at Jane Lombard Gallery.
Air Pollution
Practitioner:
Olafur Eliasson
Date:
Jul 10 2019
An artist who sparked significant awareness regarding the issues of climate change was Olafur Eliasson. Eliasson’s main objective has been to catch people’s attention and make them feel emotions and care about climate change because many people do not connect to the effects of climate issues as they do with other controversial impacts solely because the effects are not played out directly in front of them.
Waterpod Project
Practitioner:
Mary Mattingly and co
Date:
Jun 1 2010
Waterpod™ was a floating, sculptural, eco-habitat designed for the rising tides. It launched in the summer of 2009, navigate down the East River, explore the waters of New York Harbor, and docked at several Manhattan piers on the Hudson River before continuing onward. The Waterpod™ demonstrated future pathways for water -based innovations.
333 Hz
Practitioner:
Antoine Bertin
Date:
Sep 29 2021
WHAT WOULD WE FEEL IF WE COULD HEAR EACH TREE FALLING IN THE WORLD? 333HZ is an installation translating deforestation monitoring data into a sensorial experience. If a tree falls in a distant forest, and no is around? does it make a sound?
There’s So Much I Want to Say to You
Practitioner:
Sharon Hayes
Date:
Jun 27 2012
At the press preview for Sharon Hayes’s new full-floor exhibition “There’s So Much I Want to Say to You” at the Whitney Museum there was a podium and a microphone set up in the center of the gallery that would eventually be used by director Adam Weinberg and curator Chrissie Iles to introduce the artist and her restless work.
'Alchemy' Series Spearheads Conversations on Sustainable Art
Practitioner:
Choi Jeong Hwa
Date:
Dec 18 2018
For one artist, the ugly and the beautiful are equivalent concepts. In 2018, designer and artist Choi Jeong Hwa featured an exhibition titled 'Alchemy' at The Artling where he uses recycled and non-biodegradable materials in his work that he has been collecting for 30 years, such as household trash, glass, and steel. 'Dandelion' is one of his masterpieces installed in the outdoors in Seoul, South Korea.
Nanjing Yangtze River Bridge Suicide Intervention Program
Practitioner:
Artist Qiu Zhijie
Date:
Jul 8 2008
The Nanjing Yangtze River Bridge, completed in 1968, is one of China’s most iconic infrastructural projects and a potent symbol of national pride. Spanning over 6,700 meters across the Yangtze River, it was the first double-decked road-rail truss bridge designed and built entirely by Chinese engineers, without foreign assistance, during a time of intense geopolitical isolation.
Bed-Stuy Aquarium
Practitioner:
Hajj-Malik Lovick and Gav and Je-Quan Irving
Date:
Aug 1 2024
The Bed-Stuy Aquarium (also known as the Hancock Street Bed-Stuy Aquarium) is a makeshift goldfish pond located on a sidewalk in the Bedford-Stuyvesant, Brooklyn neighborhood of New York City. The pond, originally formed by a puddle from a leaky fire hydrant, garnered attention from locals and the press beginning at the time of its creation in August 2024.
Stumble Stones
Practitioner:
Gunter Demnig
Date:
Apr 13 2013
The late, late snow has finally disappeared from Berlin’s streets. Visible once again, here and there, are the “stumble stones” –Stolpersteine in German – with their brief, tragic messages. Many Berlin tourists will enjoy the night life. They may also look upwards – at the giant TV tower, the Brandenburg Gate, at ancient and less ancient churches. There is a wide assortment of memorial monuments, some impressive, some uninspiring.
Trump Death Clock seeks to bring ‘accountability for reckless leadership’
Practitioner:
Eugene Jarecki
Date:
May 6 2020
Donald Trump has been accused of personally causing the deaths of 40,000 Americans through his “reckless” handling of the Covid-19 pandemic, in a new website launched on Wednesday under the provocative title Trump Death Clock.
Coco Fusco and Paula Heredia’s The Couple in the Cage: Guatinaui Odyssey
Practitioner:
Coco Fusco and MoMA
Date:
Jan 1 1993
The Couple in the Cage documents the travelling performance of Guillermo Gómez -Peña and Coco Fusco, in which they exhibited themselves as caged Amerindians from an imaginary island. While the artists’ intent was to create a satirical commentary on the notion of discovery, they soon realized that many of their viewers believed the fiction, and thought the artists were real “savages”.
Art Show Captures the Wrenching Effects of Closing a School
Practitioner:
reForm
Date:
Aug 28 2015
A school may be made of bricks and mortar, but when one closes, the loss can feel like a death in the family. So, when Philadelphia started to close 31 public schools three years ago, there was an outpouring of protests, grief and tears — emotions captured in “reForm,” a show that opened on Friday and focuses on one shuttered school and its neighborhood.
Homeless Art Gallery
Practitioner:
SicoLab
Date:
Jul 19 2009
During 2008-2009, when the United States was entering a recession, the idea of the Homeless Art Gallery was popping up across Staten Island, New York City's least populated borough and biggest underdog. This is an example of art intervention, disrupting space to question the economic and political systems of capitalism. It was also an excellent community building project.
The Aesthetic and Conceptual Impact of El Anatsui's Sculptures
Practitioner:
El Anatsui
Date:
Jan 1 2004
El Anatsui, a visionary originally from Ghana, blends discarded materials into breathtaking sculptures that, in themselves, advocate for change and prompt us to reimagine our relationship with the environment.
The Police are Present
Practitioner:
Luzinterruptus
Date:
Aug 6 2014
If you happened to be walking in the neighborhood of Madrid's Congress of Deputies this month, you might have noticed a strange sight.
When Art Meets Science: The Hyberbolic Crochet Coral Reef
Practitioner:
Margaret Wertheim, Christine Wertheim
Date:
Oct 16 2010
The “Hyperbolic Crochet Coral Reef,” a unique exhibition and thought-provoking fusion of science, conservation, mathematics, and art, is on display in Washington, D.C., at the Smithsonian’s National Museum of Natural History. By engaging local communities to crochet coral reefs, the exhibition celebrates the reefs' beautiful diversity and speaks to the urgent need to protect these vanishing ecosystems.
Her Story homeless people
Practitioner:
Participants of the Creativity and Change course Cork City
Date:
Apr 13 2017
Brainstorm of ideas and collection of the group individual experiences and input. Preparation and design of the action. Interview of a member of local organization that is working with homeless. Research of data,concrete stories. Build up the scenario to establish the environment to raise awareness of the rising local issue of homeless, specifically female homeless and their challenges in daily life.
Transforming Memory into Action: The Climate Crisis Through Vintage Visions
Practitioner:
David Opdyke
Date:
Oct 8 2022
David Opdyke’s wry, panoramic visions of an America perceptibly in the grips of climate crisis were born of an artistic crisis—of “needing to come up an idea by digging somewhere other than my own brain.” Having drawn on his imagination to conjure up the trenchant, ecologically-inflected critiques of American imperialism and late-stage capitalism that have defined his work for twenty years, he wondered what more he might, artistically speaking, say.

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