Artist Nathaniel Ruleaux leads a community project called “To See If I Could Go Home: A True History Paste-Up” at the Union for Contemporary Art in Omaha on Thursday. His son, Luca, 3, walks away after handing Ruleaux a print to use to demonstrate the project. A member of the Oglala Lakota Nation, Ruleaux often uses his art to bring attention and activism to Native stories.
Western Flag depicts the site of the 'Lucas Gusher' - the world's first major oil find - in Spindletop, Texas in 1901, now barren and exhausted. The site is recreated as a digital simulation the center of which is marked by a flagpole spewing and endless stream of black smoke.
"Artbus is a non-profit organization devoted to the promotion and dissemination of contemporary art. Supported by contributions from individuals, foundations and corporations Artbus facilitates public access to current artistic expressions and fosters creativity and production by living artists.
As the death toll from Israel’s attacks on the besieged Gaza Strip continues to rise, a guerrilla projection on May 13, 2021 illuminated a building in Brooklyn’s Dumbo neighborhood with messages of solidarity with Palestinians.
A new, three-minute ad by Coca-Cola, "Small World Machines," starts with a relatively straightforward premise: India and Pakistan do not get along so well. It ends with the promise of peace: "Togetherness, humanity, this is what we all want, more and more exchange," a woman, either Indian or Pakistani, narrates as the music swells. Sounds great. How do we get there? By buying Coke, of course.
Huff Post Latino Politics
The Huffington Post
While drug-related deaths continue to escalate as the Mexican drug war wages on, Mexican youth have resorted to peaceful and artistic forms of protest against the violence.
Last Sunday, activists met on Mexico City's Zocalo Square in an effort to demonstrate against the war. They covered the public space with chalk outlines of human bodies.
ZERO1 is thrilled to commission artist Chico MacMurtrie/Amorphic Robot Works(ARW) Border Crosser during the week leading up to SB50. Rising 40 feet from the ground and arching across an imaginary border before forming a bridge and touching down on the “other side,” Border Crosser is the first of a series of large-scale inflatable robotic sculptures that poetically explore the notion of borders by artist Chico MacMurtrie/ARW.
Activists have taken a Trojan horse into the grounds of the British Museum to protest against its sponsorship deal with the oil corporation BP.
Protesters dressed as ancient Greek warriors snuck their 13ft-tall wooden horse through a side gate at 7.30am on Friday and pulled it on to the forecourt in front of the museum’s entrance.
Sebastián Mahaluf stands out as an artist deeply engaged in weaving the complex threads of human connection, community, and the interplay of personal and collective experiences. His notable work, "CONTRADICTION AND TENSION," showcases his approach to art as a participatory experience that bridges individual perceptions with communal narratives.
The protagonism of the body in the dramatization of marginalized groups is also central to Emilio García Wehbi's Proyecto Filoctetes, an urban intervention staged November 15, 2002, on the streets of Buenos Aires. The project consisted in placing twenty-five lifelike latex mannequins in central, highly trafficked locations around the city in varying positions of injury, physical distress, and abandonment.
There is no embassy of Iran in Jerusalem.
We ask why.
We are a group of artists living and creating in Jerusalem, trying to create a new reality. one which we can identify with. A reality of dialogue between the people, not dominated by mass media and governments.
The Embassy as we imagine it will be functioning as a bridge for trading ideas, dreams and giving silent voices a sound through art.
UNLESS by Stephanie Cardon is a vibrant floor-to-ceiling installation that fills the main entryway of Boston’s landmark Prudential Center. Commissioned by Boston Properties and curated and produced by Now + There, UNLESS explores sustainability, climate justice, and how taking action together can create positive change.
The late, late snow has finally disappeared from Berlin’s streets. Visible once again, here and there, are the “stumble stones” –Stolpersteine in German – with their brief, tragic messages.
Many Berlin tourists will enjoy the night life. They may also look upwards – at the giant TV tower, the Brandenburg Gate, at ancient and less ancient churches. There is a wide assortment of memorial monuments, some impressive, some uninspiring.
Late last month, Chinese citizens took up a creative means of protest over the nation’s strict “zero-COVID” policy. In a place with little tolerance for large public demonstrations, protesters have been holding up blank pieces of paper. Their ingenuity inspired a local artist Yolanda He Yang to stage a public art demonstration to subtly communicate their dissent.
In 1982, for documenta 7, Beuys proposed a plan to plant 7000 oaks throughout the city of Kassel, each paired with a basalt stone. The 7000 stones were piled up on the lawn in front of the Museum Fridericianum with the idea that the pile would shrink every time a tree was planted. The project, seen locally as a gesture towards green urban renewal, took five years to complete and has spread to other cities around the world.
CENTRO San Antonio's Art Everywhere Project will celebrate its 5th anniversary in May.
As of May 2024, the project had seen numerous artists from the city's urbancore decorate areas of the city with elaborate murals reflecting the city's history and the diversity of cultures in the city.
Omelia Contadina was born out of the concern of JR and director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy.
Together with a group of homeless New Yorkers, Wodiczko constructed the Homesless Vehicle as an instrument of survival for urban nomads. A modified shopping cart that facilitates refundable bottle and can collection, it also provides temporary shelter. As a house on wheels intended for New York City sidewalks, the Homeless Vehicle embodies Wodicko’s practice of ‘Interrogative Design’.
In 2010, the College Republicans used tens of thousands of dollars from student fees to bring Ann Coulter to speak at the University of Wisconsin-Milwaukee.
SAO PAULO, May 16 (Reuters) - At one of Latin America's largest commuter bus terminals in Brazil's gritty downtown Sao Paulo, 84-year-old Rerizenil de Paula Santos waits on a bus decorated with neon lights and bright graffiti amid the hustle and bustle of rush hour.
A giant art installation targets predator drone operators
In military slang, Predator drone operators often refer to kills as ‘bug splats’, since viewing the body through a grainy video image gives the sense of an insect being crushed.