Filip Custic (Santa Cruz de Tenerife, Spain 1993) works across photography, performance and video to address themes around identity, body and our relationship with technology. Mirrors and screens are a recurring features, a reference to our age of image-obsession and selfies, and Custic also uses symbols, references to science, and art-historical borrowings in his art.
For more than 30 years, the Guerrilla Girls have travelled the world exposing sexism and inequality in the art industry, and this week they proved Hong Kong was no exception.
Three members of the anonymous feminist collective—calling themselves Frida Kahlo, Käthe Kollwitz and Zubeida Agha—spoke at the University of Hong Kong on Monday, dressed in their signature black outfits and gorilla masks.
Peter Marks Review from the Washington Post:
“As Far as My Fingertips Take Me,” a performance piece about the ordeal of seeking refuge by Tania El Khoury that’s being presented for the next 2½ weeks in the lobby of Woolly Mammoth Theatre. For this hypnotic, one-audience-member-at-a-time experience, you pass through the door of a white-walled booth and slip into a white lab coat before putting on a pair of headphones.
Traditional wind turbines may require vertical shafts higher than 40m and spinning blades over 50m long in order to capture wind energy efficiently. While these devices are some of the best at capturing clean energy, their height and shape put large limitations on the way that they can be used.
“Mapping skin deep” is an audiovisual public installation consisting of portraits with testimonies from refugee/undocumented immigrants currently residing in Montreal and elsewhere. Their bodies have been scarred in post-production tracing the route they took from their homeland to Montreal, hence mapping them skin deep.
The Miss Rockaway Armada is both a collection of
individuals and an idea. At its most basic, the idea is this: we’re
going to float down the Mississippi River from Minneapolis to New
Orleans on rafts that we built ourselves. The crew can be called many
things: artists, musicians, builders, travelers, organizers, dreamers.
Ask one of the people who help build and move these crafts for the
When Tracey Emin aired her dirty laundry in the 1999 Turner Prize exhibition at Tate Britain, she set a new standard for confessional art. She conceived of the installation, titled My Bed (1998), after a long, bedridden bender following a bad break-up. When Emin finally left her sheets, she examined the mess she’d created.
For an art project about the effects of white privilege and the disturbing ways in which its effects are built into our society, Risa Puno’s The Privilege of Escape is a surprisingly fun, even enjoyable experience.
DISAPPEARED IN AMERICA is an ongoing project by Visible Collective/Naeem Mohaiemen that uses films, installations, and lectures to trace migration impulses, hyphenated identities, and the post-9/11 security panic. Excerpts of the project have been shown at various venues, including the 2006 Whitney Biennial.
Bellefaire JCB, an organization that provides care, education, and advocacy to better the emotional, physical and intellectual well-being of children, young adults and families has launched Take A Closer Look, a campaign which aims to raise public awareness about the issues surrounding homeless and missing youth and educate communities on how they can help.
“Works in Progress” highlights artists across a range of disciplines whose work deals with ecological themes. Considering the particular role that artists play in the climate movement, this column shares their voices and provides a glimpse behind the curtain into their creative processes and experiences.
A group of young adults under the name of "Love Tijuana" (Amemos Tijuana) celebrated the one year "Birthday" of a pothole located at the Via Rapida (Tijuana's Freeway) with balloons, banners, and even hats.
Caucus-goers in Des Moines will arrive to a disturbing sight on Monday, with dozens of chain-link cages appearing to hold migrant children cropping up across the city overnight.
Coal Seam Greed was going to be a simple satire showing Katso and Nowhereman posing as a mining company called Reed Gas and erecting notices stating their intent to explore for unconventional gas or CSG in inner-city Brisbane. The idea was that residents would see the signs, phone and leave messages in response, which would then be incorporated into the video.
Paris inaugurates its first fresco, on the Human Rights Wall, in tribute to six contemporary activists. To be discovered in the capital's 12th arrondissement, this XXL work of committed street art is by Mahn Kloix.
In São Paulo, just like in many other metropolitan regions, public transport is not as effective as it could be. Buses and trains usually run overcrowded, late and on limited hours, so that owning a car increases a lot one’s comfort. But not everybody can afford to have one, so a clear and recurrent class distinction occurs: public transport is mostly used by poor people.
The pro-democracy protests in Hong Kong have a new mascot: a roughly 12-foot-high figure of wood blocks holding a bright yellow umbrella in its outstretched right hand. The students call it Umbrella Man.
Umbrellas emerged as a symbol of the demonstrations after dozens of students wielded them on the night of Sept. 28 to fend off pepper spray as they jostled with the police.
The artist has assembled a set of 300 installations around New York City, based around the concept of fences and borders, to showcase the ‘narrow-minded’ attempts used to ‘create some kind of hatred between people’
On the 6th February 2013, 40 activists across 6 states plastered 110 ANZ ATMs with 'Out of Order' notices, sharing them on social media the following day. The objective was to use a hoax style action to exploit mainstream media sensitivity around ANZ Bank's unethical funding of fossil fuel projects that had been generated by Jonathan Moylan's Whitehaven Hoax a week earlier.
In 1994, the human rights and environmental activist KenSaro-Wiwa was arrested and accused of incitement to murder. Eighteen months later, following a show trial condemned by human rights organisations, he and eight other leaders of the Movement For the Survival of the Ogoni People were executed by hanging, an act that propelled the story on to the front pages of newspapers worldwide.
Activism through print media is often done through duplication: posters, flyers, magazines, manifestos. But with these media, each individual duplicate holds the same, political message.
In Felix Gonzalez-Torres's "Untitled" (Death by Gun) (1990), a stack of posters are placed in the gallery space for people to take with them. As the pile is depleted, more posters are printed.