Founded by Bobby Gordon and Nayeli Adorador Knudsen, The Melrose Poetry Bureau is a public intervention involving a whole lot of typewriters, a public space, and the chaos that ensues. Once a location is picked for an intervention, Bobby and Nayeli pack up their collection of old and new, sleek and saggy typewriters and transport them to that place. They set up tables, distribute the typewriters, and invite people to come write poetry.
For more than 20 years, Metronome, which includes a 62-foot-wide 15-digit electronic clock that faces Union Square in Manhattan, has been one of the city’s most prominent and baffling public art projects.
At a time when the city of Portland was considering stripping Martin Luther King Jr.'s name off a local street, a covert organization calling itself Group X changed the name of another downtown street to Malcolm X Street in a clandestine overnight action.
David Opdyke’s wry, panoramic visions of an America perceptibly in the grips of climate crisis were born of an artistic crisis—of “needing to come up an idea by digging somewhere other than my own brain.” Having drawn on his imagination to conjure up the trenchant, ecologically-inflected critiques of American imperialism and late-stage capitalism that have defined his work for twenty years, he wondered what more he might, artistically speaking, say.
The nativity scene at Fellowship Congregational Church in Tulsa, Okla., looks a little different this year: There is a chain-link fence surrounding Mary, Joseph and the baby Jesus.
The display has been up since the beginning of December, but it drew news coverage this week after the church changed the message on its marquee to read, “The holy family was a migrant family,” and posted photos of the nativity on Facebook.
A site-specific art intervention intended as a call to action in response to Brazil's water crisis. Strategically planned to coincide with UN World Water Day, Gota D'Agua gathered onlookers around an abandoned Olympic size swimming pool at the foot of Edificio Raposo Lopes, a towering luxury condominium building situated on a steep incline overlooking Rio de Janeiro.
Dismaland was an experimental and interactive art installation that mimicked and mocked similar attractions and characters of the Disney franchise. He later referred to it as a ‘bemusement park.’ Although the bemusement park seemed to disappear as suddenly as it arrived, the exhibition lives on in the collective memory of the British public.
On Nov. 6, the day after the presidential election, the artist Hank Willis Thomas was at his studio in Brooklyn. His production assistants were poring over tables strewed with blobby red white and blue silk-screen prints of the words “Fragile/ Democracy / Handle With Care” in capital letters.
Strap into your scuba gear — this museum is worth it.
Installation began on Museo Atlantico — the latest project of underwater sculptor James deCaires Taylor — this week, 14 meters underwater in Lanzarote, one of the Spain’s Canary Islands off the coast of West Africa. Taylor, whose creations have spanned the waters from the Bahamas to London, calls it the first underwater contemporary art museum in Europe and the Atlantic Ocean.
The Women Are Heroes project has various steps in Africa, in Kenya, Sierra Leone, Liberia and Sudan.
In January 2009, 2000 square meters of rooftops are covered with photos of the eyes and faces of the women of Kibera, in Kenya. Most of the women have their own photos on their own rooftop and for the first time the material used is water resistant so that the photo itself will protect the fragile houses in the heavy rain season.
After winning the TED Prize on March 2, 2011, the French-artist JR launched the Inside Out Project, in his first TED Talk. Using his own artistic practice as inspiration, this participatory platform helps individuals and communities to make a statement by displaying large-scale black and white portraits in public spaces. Through their “Actions,” communities around the world have sparked collaborations and conversations.
By COREY KILGANNON
There was something odd about the ice cream truck that pulled up to the curb on Park Avenue near 67th Street on Friday, with its proletarian color scheme and its overdressed driver with the subversive grin.
NAME OF PROJECT: ‘CHILDREN SHOULD BE SEEN AND HEARD’
TEAM MEMBERS: Caroline, Yasir, Sile, Audrey & Mary
GLOBAL CHALLENGE: To give children a voice and create empathy
among adults for children
♯childrenshouldbeseenandheard
Buses serving several routes in central Seoul have acquired a new and highly controversial passenger: a barefoot “comfort woman”, wearing a traditional hanbok dress with her hands resting on her knees.
Matthew “Levee” Chavez sits at a table in New York City’s Union Square, sporting a thrift store suit and tie, holding a sign that reads “Subway Therapy.” This act of social practice, which started as an invitation for conversation, went viral after he set up shop at the subway the day after the 2016 presidential election. He wrote “Express Yourself” on a Post-It and stuck it to the tiled wall.
About 6 months before the fall of the Berlin Wall in November 1989, installation artist Marc Thompson began conceptualizing and constructing an installation that would reflect the absurdities of the divided city. Thompson´s work was part of the Ressource Kunst exhibition.
Northeast Minneapolis is going to have the first full-fledged water bar of its kind, an establishment where you can sit and drink a variety of local tap waters to your heart’s content. Their delightful motto: “Water is all we have.”
HONG KONG — It started when a single box of free sanitary pads appeared in a middle school classroom in October. Then a plastic container with pads was attached to the walls of four bathrooms in a university in Shanghai. By Monday, boxes and bags of individually wrapped pads had popped up outside bathrooms in at least 338 schools and colleges across China. Each carried a version of the same instructions: “Take one, then put one back later.
RACC Satellite Space in Garden City
1205 Franklin Avenue, 3rd Floor, Garden City, NY 11530
June 26, 10 am – July 28, 7 pm
Monday – Friday, 10 am – 7 pm, free admission
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
Debuting at Cleveland Triennial for Contemporary Art, July 14 – September 30 for FRONTart 2018 is ‘The American Library’ by Yinka Shonibare MBE, a celebration of the diversity of the American population. It aims to be an instigator of discovery and debate. The thousands of books in this art installation are covered in the artist’s signature Dutch wax printed cotton textile.
After researching several potential sites as far afield as Baltimore, Eisenbach and Ruppert “became attracted to the library because the plaza has never been used,” Eisenbach says, citing the fact that the library’s second-level entrance onto the plaza is locked.
Four days before the U.S. presidential election, three Ukrainian activists gathered at a stranded fence in New York City’s East Village to hang an expansive information poster. “19546+ Ukrainian Children Abducted by Russia,” reads its headline in bold. From a black canvas, white letters jump out at the passersby, a haunting reminder of the toll the Russian invasion continues to inflict on Ukrainian families.