A Well Within" is a collaborative art and education project that inspires people - young and old - to confront the global water crisis in a personal way. This interactive experience tells the story of Alile, a young East African girl affected by drought, who struggles to give her grandmother a precious drink of water.
At Rio+20 we present a bread tank with a garden inside to underline the realistic possibility of eradicating hunger and extreme poverty by redirecting military spending.
A unique piece captured significant attention at the Central Academy of Fine Arts undergraduate graduation exhibition in June. The work featured an "anime-style" girl's skull linked to a human skeleton and internal organs, all encased within a thin film. As visitors entered the exhibit area, her breathing and gaze would alter accordingly.
Founded by Bobby Gordon and Nayeli Adorador Knudsen, The Melrose Poetry Bureau is a public intervention involving a whole lot of typewriters, a public space, and the chaos that ensues. Once a location is picked for an intervention, Bobby and Nayeli pack up their collection of old and new, sleek and saggy typewriters and transport them to that place. They set up tables, distribute the typewriters, and invite people to come write poetry.
A striking new cultural space is taking shape in New York’s Hudson Valley. Alex Grey and Allyson Grey, co-founders of CoSM, Chapel of Sacred Mirrors, have launched a Kickstarter campaign to build Entheon, sanctuary of visionary art, to ask for support to complete the build.
Activists are working to bring a steel sculpture of a 45-foot-tall nude woman to Washington, where she will temporarily face the White House from a perch on the National Mall.
Transporting the sculpture from its home in San Francisco will be an undertaking, but its artist, Marco Cochrane, said he saw it as an opportunity to start a conversation about violence against women.
Vetements' trademark is for subverting the fashion industry’s ways of doing things. Following its recent return to the runway after a short one season break, designer Demna Gvasalia has unveiled his latest project.
MONUMENT #1 is a series of sculptures by the Bulgarian artist and designer Erka, created in collaboration with Fine Acts. The work seeks to raise awareness about the lack of monuments honoring notable women in Sofia, the capital of Bulgaria - a EU member state.
The brightly-coloured busts were placed at some of the most central locations across Sofia during a covert early-morning action on Wednesday, March 22.
Notice Nature was a public engagement action undertaken by participants in the Erasmus+ funded training 'Creativity and Change: Empathy 2 Action - nurturing response-able global citizens' which took place in Cork from 8th - 13th April 2017. The team members were Marie-Michele Tessier, Aoife Dare, Ann Foulds, Zsofi Toth and Claire Faithorn.
The following description is taken from the website of Aljazeera America (find link below):
In early December, Ju Hyun-u, a student at South Korea’s elite Korea University, taped up two white sheets filled with his handwriting on a campus bulletin board. His message began with a question, “Are you doing all right?”.
Sirens of the Lambs
By Banksy
A slaughterhouse delivery truck touring the meatpacking district and then citywide for the next two weeks.
http://www.banksyny.com/#
Video here:
http://www.youtube.com/watch?v=WDIz7mEJOeA
Peter Marks Review from the Washington Post:
“As Far as My Fingertips Take Me,” a performance piece about the ordeal of seeking refuge by Tania El Khoury that’s being presented for the next 2½ weeks in the lobby of Woolly Mammoth Theatre. For this hypnotic, one-audience-member-at-a-time experience, you pass through the door of a white-walled booth and slip into a white lab coat before putting on a pair of headphones.
You’ll find Johanna Toruno on the streets of NYC plastering pictures of her flower-filtered poetry, Kendrick Lamar, and Selena on blank walls, street lights and buildings. When I came across The Unapologetically Brown Series on Instagram I was intrigued not only by the name but by the concept of being unapologetic and brown as the premise for a body of street art.
"Sun Mu is not the artist’s actual name. It’s a nom de plume that uses a combination of two Korean words that translate to ‘The Absence of Borders’. It not only represents what he feels is the transcendence of art but also the literal military demarcation line that keeps the Korean people separated.
No Home Gallery is a traveling gallery that curates exhibitions and happenings in various living and studio spaces in New York City. In an attempt to make contemporary art accessible and inviting, No Home offers emerging artists and art enthusiasts a forum for collaboration and creation.
Benjamin Von Wong’s latest art-as-activism installation looks like something Photoshopped onto reality. A large brass-looking faucet, suspended in the air, pours a river of plastic out of its spout.
500+ snowmen appeared outside the office of Senator Chuck Schumer in Melville Monday, Feb. 15, 2021. The snowmen appear to be placed there by climate activist @pricecarbonplz. (Source: Newsday, https://www.newsday.com/long-island/photos-of-the-day-1.50139710)
In response to shootings across the United States, and in sympathy with students’ demands for more gun control, artist Jenny Holzer wrote text that animates issues of the firearms industry and gun violence. Her hyperactive black-and-white writing flashed on mobile LED screens, with text popping in quick succession like free-association poetry, and sometimes in the awful rapid-fire of semi-automatic weapons.
By COREY KILGANNON
There was something odd about the ice cream truck that pulled up to the curb on Park Avenue near 67th Street on Friday, with its proletarian color scheme and its overdressed driver with the subversive grin.
The "Democracy Wall" in the Carroll Gardens section of Brooklyn, New York was established in 2009. This wall is a long-term, community art activist project that is part wall mural, part past information archive.
David Opdyke’s wry, panoramic visions of an America perceptibly in the grips of climate crisis were born of an artistic crisis—of “needing to come up an idea by digging somewhere other than my own brain.” Having drawn on his imagination to conjure up the trenchant, ecologically-inflected critiques of American imperialism and late-stage capitalism that have defined his work for twenty years, he wondered what more he might, artistically speaking, say.
From Public Delivery:
For Ice Watch (2014), he extracted 30 blocks of glacial ice from the waters of Greenland and in 2018 strategically placed them in front of Tate Modern in London . The ice was left here to melt. Ice Watch was to inspire public action against climate change, advocating for a rapid public response.
About 6 months before the fall of the Berlin Wall in November 1989, installation artist Marc Thompson began conceptualizing and constructing an installation that would reflect the absurdities of the divided city. Thompson´s work was part of the Ressource Kunst exhibition.