Circus Amok is a New York City based circus-theater company whose mission is to provide free public art addressing contemporary issues of social justice to the people of New York City.
In June of 1987, a small group of strangers gathered in a San Francisco storefront to document the lives they feared history would neglect. Their goal was to create a memorial for those who had died of AIDS, and to thereby help people understand the devastating impact of the disease.
The running world will come together for a virtual run on Friday, May 8, to celebrate and honor the life of Ahmaud Arbery, who was reportedly shot and killed while out on a run on February 23.
During 2008-2009, when the United States was entering a recession, the idea of the Homeless Art Gallery was popping up across Staten Island, New York City's least populated borough and biggest underdog. This is an example of art intervention, disrupting space to question the economic and political systems of capitalism. It was also an excellent community building project.
This is a parody of 1970s American daytime television aimed at housewives. In this performance Rosler takes on the role of an apron-clad housewife and parodies the television cooking demonstrations popularized by Julia Child in the 1960s. Standing in a kitchen, surrounded by refrigerator, table, and stove, she moves through the alphabet from A to Z, assigning a letter to the various tools found in this domestic space.
Watch Gabriel Frilando (aka CheatDeathNYC) cycle through the streets of New York City in this short film of remembrance made by NYC based, Argentinian born, director/ cinematographer Nicolás de Miranda.
Speaking about this personal project Nicolás says:
"State Names" is a painting by Jaune Quick-To-See Smith. You immediately recognize the outline of the United States, but at the same time, that map is obscured and made difficult to read. It’s at once recognizable and not recognizable. She describes her use of icons as a ploy, as something that brings the viewer closer, and they think they know what they’re going to see.
Women to the Front: Perspectives on Equality, Gender, and Activism is an exhibit that showcases 15 female artists with ties to Utah who infuse their art with activism. The exhibit commemorates the centennial of the 19th Amendment and the 150th anniversary of the first vote cast by a woman in Utah.
It was 1967, and sentiment against the Vietnam War was in the air nationwide. The counterculture was flourishing on the heels of the Summer of Love. Organizers from Mobe — the National Mobilization Committee to End the War in Vietnam — initially called for a massive march on Washington.
‘‘HAMILTON,’’ the new musical biography of Alexander Hamilton created by and starring Lin-Manuel Miranda, kicks off with a doozy of a question. The houselights rise on Aaron Burr, the third vice president of the United States and, infamously, the killer of Hamilton in a duel in 1804. Burr steps to center stage and reels off several lines of verse:
In 1932, Bennett Cerf, cofounder of Random House Publishing, acquired the rights to publish James Joyce’s Ulysses in the United States, believing that the book would be as successful as it had been throughout Europe. But Cerf had a problem. The book was banned in the United States and would be seized as soon as it came off the printing press, which would lose Cerf millions of dollars.
"Brooke Shields is one of 200 famous faces that the artist Jonathan Horowitz identifies as vegetarian in head shots he has hung on the white-tile walls of a former meat locker in the south Village. Horowitz, 44, swore off meat at the age of 12, after his parents took him to a bullfight on a vacation in Mexico.
Faces of the Movement is a daily-release photo project that highlights the stories of everyday people who have joined together to fight for justice against police brutality in the United States.
The performance artist James Luna, who died in 2018 at age 68, had a wicked sense of humor, which made his explorations of the way that Indigenous people have long been objectified, especially in museums, painfully piquant.
Ronald Haeberle took a color photograph of the bloody corpses of men, women, and children after the Mai Lai Massacre during the Vietnam War in in March 1968, initially publishing it in Life magazine. Later the image was used by the Art Worker's Coalition to create the infamous poster, "And babies.," which superimposed "Q: And babies? A: And babies" in red letter across the top and bottom of the image.
Hello and thanks for viewing.
This was a little installation that took place in the beauty of West Texas. The goal was to reorientate the site specific Prada Marfa into something more relevant, TOMS Marfa. Prada Marfa, being in the middle of nowhere, a structure placed as sort of a apocalyptic trophy for the high art world meant to challenge time; TOMS Marfa was to accelerate that vision with 2014 subject matter.
"At the recent Amnesty International Annual General Meeting, we decided to do an action stating we stand with Shaima Alawadi and Trayvon Martin. Check out the action, even Asma Mahfouz, one of the founders of the April 6th Movement in Egypt and nominated for a Nobel Peace Prize participated in the action." -#MillionHijabMarch
Conquest is a compelling new collective performance conceived by acclaimed artist Pope.L (b. Newark, 1955). It is inspired by his iconic solo crawls, where the artist dragged himself across a number of different urban landscapes. Navigating the streets and parks of Downtown Manhattan, Conquest extends this irreverent and provocative forty-year tradition of public performance with an ambitious group crawl involving over 140 volunteers.
In March 1939, a 23-year-old Billie Holiday walked up to the mic at West 4th's Cafe Society in New York City to sing her final song of the night. Per her request, the waiters stopped serving and the room went completely black, save for a spotlight on her face.
What happens to explicitly political art when it’s placed inside of the White Cube? Paint the Protest, a group show curated by Nancy Spector at Off Paradise self-consciously poses this question, and further aims to reveal the place and purpose of activist art in general.
As tech leaders faced tough questions from Congress, SumOfUs, an 18 million member advocacy organization, was right outside with a larger-than-life installation of the January 6th Capitol riot that shows the role Big Tech played in sparking the insurrection.
Sunaura Taylor is an artist, writer and activist. Through painting, printmaking, writing and other forms of political and artistic engagement her work intervenes with dominant historical narratives of disability and animal oppression. Taylor's artworks have been exhibited at venues across the country, including the CUE Art Foundation, the Smithsonian Institution and the Berkeley Art Museum.
500+ snowmen appeared outside the office of Senator Chuck Schumer in Melville Monday, Feb. 15, 2021. The snowmen appear to be placed there by climate activist @pricecarbonplz. (Source: Newsday, https://www.newsday.com/long-island/photos-of-the-day-1.50139710)
"White Noise explores the seductive power of extremism. Hatred feels good. But the fix is fleeting. As the film progresses, the subjects reveal the contradictions at the heart of their world. Lauren Southern advocates for traditional gender roles, but resents the misogyny and sexism of her peers. Mike Cernovich warns that “diversity is white genocide,” but has an Iranian wife and biracial kids.