The message we keep hearing over and over again from government and health officials is that it’s imperative to practice social distancing during the COVID-19 crisis: To benefit public health, we have to stay at home. But what if your home isn’t a safe space?
WOW started as an international women's theatre festival in October of 1980 in NYC. Within 18 months Wow found a permanent location and produced works by women and trans people all year around. In 1984 it moved into its current home at 59-61 East 4th Street.
Come across a poster like the two above on your commute recently? Laid out in classic MTA style, but adorned with Orwellian imagery and an appropriately ambiguous hashtag, they warn of two possible hazards to your health: an upcoming “airborne non-toxic test” in which the NYPD will disperse “harmless, colorless gas” around the five boroughs, and an at-risk nuclear reactor that’s just 28 miles from NYC.
Alexandria "Lexi" Aniyah Rubio was looking forward to playing volleyball when she got to junior high. She dreamed of going to law school one day, and she loved astrology, butterflies, and the color yellow.
Destin from the Youtube channel Smarter Every Day has started the "Hunstville Fighting Covid" website in order to mobilize and teach those who have 3D printers how to print Personal Protective Equipment to aid medical professionals fighting the COVID-19 epidemic.
Instagram and Zines have become a tool for activists worldwide, and Vienna Rye (@vrye) has amassed over 126,000 followers by promoting education, mutual aid, and advocacy. They are a self-taught visual artist and revolutionary community organizer, which translates into their artwork. Vienna visualized a better world to build it. To do this, they use her art to confront settler colonialism, racism, and patriarchy.
Inspired by the Laughing Farmers of Karnataka, protesters in New York make Carlos Slim's visit to New York uncomfortable while he appears on a "Live From NYPL" program. This excellent video summarizes the action.
In 2006, art historian Claire Bishop lit a fire under the collective seat of the art world with her Artforum piece “The Social Turn: Collaboration and its Discontents.” It set off — as much as any essay in the hermetic and staid world of contemporary art theory can — an uproar. The article inspired Grant Kester, an art historian also specializing in relational art practices, to respond:
Art in Odd Places (AiOP) presents visual and performance art in unexpected public spaces. AiOP also produces an annual festival along 14th Street in Manhattan, NYC from Avenue C to the Hudson River each October.
In this series featured in the 2019 Whitney Biennial, artist Alexandra Bell edited headline pages from the New York Daily News in 1989 concerning the case of the Central Park 5. Through redaction, highlighting, and censoring, Bell shows how the teens accused of this crime were painted as a pack of animals by the media.
3-part webseries where Life Line Booths are set up with donated items in homeless communities for anyone's taking.
In addition to practical aid, we provide blank canvases, paper and markers for visitors to express their thoughts and share their stories. Through these shared stories, we hope to shatter the stigmas about homelessness at large.
From an Art Net News Article: ""The installation is called Ghost Forest, a term used to describe vast acreages of woodland that have died out–often due to rising sea tides, which overwhelm forests near estuaries with saltwater, choking out their ability to get nutrients from the earth. In 2012, Sandy caused seawater levels to surge, leaving swaths of ghost forests in its wake.
Runners and walkers planning to take part in a 5K race in Asheville early next month might do better with a compass — a well-tuned political compass, that is.
In 1932, Bennett Cerf, cofounder of Random House Publishing, acquired the rights to publish James Joyce’s Ulysses in the United States, believing that the book would be as successful as it had been throughout Europe. But Cerf had a problem. The book was banned in the United States and would be seized as soon as it came off the printing press, which would lose Cerf millions of dollars.
As part of a nationwide day of action against fossil fuel pipelines from Pennsylvania to Texas, several hundred New Yorkers succeeded Monday in halting construction of a radioactive pipeline threatening the West Village--after unrelenting daily vigils at the Spectra pipeline site over the past several weeks.
A woman’s head is bisected by a line that splits her face into positive and negative halves. Over the image, a commanding text, stated in the second person, reads: “Your body is a battleground.”
In this short documentary, Latinos grapple with defining their ethnic and racial identities
http://www.nytimes.com/2016/02/29/opinion/a-conversation-with-latinos-on...
A change in the programmed entertainment at last night's Asia-Pacific Economic Cooperation (APEC) gala left a few world leaders slack-jawed, though most seemed not to notice that anything was amiss.
Journalist and playwright Xandra Clark began creating Polylogues, a one woman show exploring non-monogamy, in 2017. The show is created from interviews Clark conducts around the world with people of different ages, genders, and races about their relationship with non-monogamy or polyamory (hence the name of the performance Polylogues).
At the same site where Dr. Martin Luther King, Jr. delivered his "I Have a Dream" speech, we lit thousands of candles - one for each signature on our petition - to commemorate the legacy of brave freedom fighters Andrew Goodman, James Chaney, and Michael Schwerner and to stand up for the rights that are once again in peril.
The Climate Comedy Cohort is an unprecedented network of comedians who are coming together to learn, collaborate, and create hilarious new comedy informed by the hottest climate science. The Climate Comedy Cohort functions as a 9-month fellowship.