In 2016, the Guggenheim Museum commissioned its very first robotic artwork called Can’t Help Myself (Wannmann, 2016). The artwork is created by two of China’s most controversial artists Sun Yuan and Peng Yu and can be described as a robotic arm that has one specific, life-long duty: to prevent the deep-red, bloodlike liquid, which constantly oozes outwards, from straying too far (Weng, n.d.).
A thirty-nine-foot banner was unfurled in the rotunda of a sparsely-attended Guggenheim Museum this evening, the latest action carried out by the Gulf Ultra Luxury Front (G.U.L.F.) activist group. Decrying labor abuse at the museum’s planned Abu Dhabi outpost, the banner announced the forthcoming “Countdown” campaign by Gulf Labor, the larger collective of artists and activists of which G.U.L.F. is an offshoot.
Better Cotton Initiative (BCI) was registered in 2009 and headquartered in Geneva, Switzerland. It is a non-profit international membership organization with representative offices in China, India, Pakistan, and London. It has more than 400 member organizations around the world, mainly including cotton growers, cotton textile enterprises, and retail brands. The group aims to promote what it calls "Better Cotton" around the world.
In May 2020, a team of artists, activists, folklorists, and people who lost loved ones to Covid-19 came together to make monthly memorial sites in New York City to remember victims of the Covid-19 pandemic. They continued installing memorials around New York City every month during the summer of 2020.
“He describes it as a “family theme park unsuitable for small children” – and with the Grim Reaper whooping it up on the dodgems and Cinderella horribly mangled in a pumpkin carriage crash, it is easy to see why.
Banksy’s new show, Dismaland, which opened on Thursday on the Weston-super-Mare seafront, is sometimes hilarious, sometimes eye-opening and occasionally breathtakingly shocking.
In state capitals and street protests, women’s rights activists have been wearing red robes and white bonnets based on “The Handmaid's Tale,” the 1985 novel that is now a series on Hulu.
Silent, heads bowed, the activists in crimson robes and white bonnets have been appearing at demonstrations against gender discrimination and the infringement of reproductive and civil rights.
A fat cat, a pig wearing a top hat and five rats. All seven inflatables faced the 34th Street entrance of the Empire State Building last Thursday, two weeks into a protest by members of Laborers Local 79 who rallied, hundreds strong, in the afternoon shadow of the props.
Whose Utopia? is a color film which is 19 minutes 58 seconds long. It was originally commissioned by the Siemens Arts Program back in 2005. The projector-style video is based on the work and social lives of assembly line workers at OSRAM’s light bulb factory in the Pearl River Delta in China. This area has received huge numbers of immigrants from inland provinces seeking work and better lives in the wake of Beijing’s booming economy.
On November 26, 2012, about ten college students “flash mobbed” the front of the human resources and social welfare department of Hubei Province in central China. "Refuse to take off pants for inspection," "Ask about menstrual history, what does it have to do with being a civil servant." According to the current admission regulations, female candidates for civil service positions must go through a detailed gynecological examination.
This is the sixth piece of the series Tatlin’s Whisper which examines the relationship between apathy and anaesthetization of the images in the mass media. This series intends to activate images, well-known because of having been repeatedly seen in the press, but are here decontextualized from the original event that gave way to the news and staged as realistically as possible in an art institution.
El Sistema, also known as The National System of Youth and Children’s Orchestra and Choir, was established in Venezuela in 1975 by José Antonio Abreu, a Venezuelan educator, musician and activist. The music education program operates within the voluntary sector and is funded publicly.
Shackles. Cotton. The Big House.
Americans tend to think of slavery in terms of chattel slavery. Plantation Slavery. Slavery where human beings are bought, sold, and owned. The kind outlawed in the United States by the Emancipation Proclamation in 1863.
Slavery as a relic of the 19th Century.
“Six of us lived, worked, slept in a 10-by-10 (foot) room without a bed, bathroom, or clean water,” Nasreen Sheikh remembers.
National Public Radio (NPR):
There's no historical marker outside Jacob Lawrence's childhood home in New York City's Harlem neighborhood.
But Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture, has an idea of what it might say: "Here lived one of the 20th century's most influential visual artists, a man named Jacob Lawrence, who was a child of southern migrants."
Born on June 30, 1902, in Mexico City, Leopoldo Méndez would become one of Mexico’s most significant and beloved graphic artists of the twentieth century. Méndez was one of eight children in a poor household. At a young age, Méndez used art as a means to bring joy to the Mexican community and attended the Academy of San Carlos located in Mexico City.
"May you live in interesting times" is the familiar Chinese saying, usually spat out as a curse. You can see why in "A Touch of Sin," a film by renowned director Jia Zhang-ke. That kind of time is now, in the history of his country. With four vignettes inspired by real-life "ripped from the headline" events, he shows what the great economic expansion of China is doing to the majority of its people.
Sewing and textiles have always been a part of the artist Aram Han Sifuentes’ life. Her South Korean immigrant parents operated a dry cleaning business, and she mended her own clothing from a young age.
Malteros are the porters who transport luggage and goods between the border of the US and Mexico. Working with a group of maleteros in 2005, artist Mark Bradford collaborated on a system of maps and signs that placed the marginalized work of the unofficial maleteros alongside that of the sanctioned labor of policemen and taxi drivers.
On a warm summer afternoon in the Italian city of Bologna, a group of around 15 young people march through the crowded city centre to a high-end pastry shop in Strada Maggiore.
After winning the TED Prize on March 2, 2011, the French-artist JR launched the Inside Out Project, in his first TED Talk. Using his own artistic practice as inspiration, this participatory platform helps individuals and communities to make a statement by displaying large-scale black and white portraits in public spaces. Through their “Actions,” communities around the world have sparked collaborations and conversations.
Just over a decade ago on May 15, 2011, a wave of social outrage began as the Spanish people collectively decided that they had had enough of the corruption, cuts, and inequalities affecting their country.
Photographer Sim Chi Yin spent more than three years documenting a Chinese gold miner who is suffering from the deadly lung disease silicosis. Despite the odds, his loving relationship with his wife has kept him alive much longer than anyone expected.
Work ideology centers around sustainable work. Through fifteen interviews, workers and prospective workers were interviewed about their experiences with work and the job search. Those interviews are analyzed and compiled on work ideology. However, work ideology goes further than showcasing the interview results, it allows for anonymous responses to be entered as well, expanding the research’s accessibility to every worker.
On April 24, 2013, more than 1,000 lives were taken in the Rana Plaza Collapse. While history remembers this tragic event as the deadliest garment factory accident, activist and photographer Taslima Akhter reveals a story of dreams crushed by structural murder. Dedicating her career to the lives and struggles of garment workers in Bangladesh, she has continued to foster a community rallying together for safer working conditions.
Omelia Contadina was born out of the concern of JR and director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy.
LEGOVC is a fictional, made up, 100% fake, plastic, 'pantomime villain' Vice Chancellor of a fake British University struggling as his utter managerial brilliance crumbles in the face of sustained strike action by his staff after their pension scheme is slashed.