Main Gallery

SORT Random (lowest)Random (highest)Date (lowest)Date (highest)Views (lowest)Views (highest)Favorited (lowest)Favorited (highest)Social shares (lowest)Social shares (highest)Post Date (lowest)Post Date (highest)

When Patricia Stonefish returned home to the United States from Egypt in 2014, she brought with her a new outlook for conceptualizing women's self defense. Having seen firsthand the benefits and empowerment of Taekwando/ Hapkido/ Gumdo classes for Egyptian women during and after the revolution in 2011, she decided to put her decade of martial arts training to good use on home turf.

To bring attention to the widespread apathy toward climate change, nonprofit group 350action and agency Barton F. Graf 9000 got a little personal. Tapping into the meteorological legacy of naming hurricanes after people–thereby marring the good names of unsuspecting Sandys, Irenes and Katrinas everywhere–“Climate Name Change” told the same storm story, but subbed in the name of prominent politicians who refuse to acknowledge climate change.

In 2013, and again in 2014, PCI Media Impact partnered with Professor David Gere and the UCLA Art & Global Health Center, to design and facilitate a 5-week communications workshop, entitled Soap Operas for Social Change. Throughout this intensive course, students designed and produced an Entertainment Education (E-E) serial drama in response to the growing concerns about sexual assault on campus.

The Protest Mask Project was co-organized by Maggie Thompson and Jaida Grey Eagle. During the George Floyd protests, the artists' studio, Makwa Studio, created hundreds of masks to give to protestors in the city of Minneapolis where the demonstrations began.

No matter how nuanced current superhero comics may be, to the general public they are still fairly simple. Superheroes are the good guys, supervillians are the bad guys, and it’s easy to see who is who. That’s why kids like to dress up as superheroes on Halloween — and why should they have all the fun?

Lynn Neuman, director of New York City–based Artichoke Dance, became preoccupied with single-use disposability after she started wondering about waste and who was responsible for it. For some of her performances, she has collected massive quantities of discarded plastics, like bags and six-pack rings, and invited community members to contribute their own. “There’s a real aha moment when people see how quickly plastic amasses,” she says.

Last week, a dozen of female artists turned the walls of a downtown parking lot in Cairo into a street art gallery. Colourful group murals carrying personal stories and spreading messages to increase women’s visibility, and positively affect public consciousness.

SAY NO TO AI Artstation is a showcase of an artist's industry-relevant ability. AI generated imagery dilutes appreciation for the art that it mimics, and devalues the work of the artists it exploits. There are no regulations for the way that AI utilizes scraped data from the net and no recourse for artists who have uploaded their work freely for the enjoyment of others.

Pussy Riot are spreading their protests and activism beyond Russia. Away from Vladimir Putin’s censorship, they’re bringing their voices to Canada – a place where their message of resistance is resonating. On Nov. 1, as a chilling cold filled the streets of Montreal, Pussy Riot kicked off the North American leg of their Riot Days tour with a sold out show at the Rialto Theatre. The tension in the room was palpable.