These are called "anti-homeless spikes." They're about as friendly as they sound.
Photo courtesy of CC BY-ND, Immo Klink and Marco Godoy.
As you may have guessed, they're intended to deter people who are homeless from sitting or sleeping on that concrete step. And yeah, they're pretty awful.
A thirty-nine-foot banner was unfurled in the rotunda of a sparsely-attended Guggenheim Museum this evening, the latest action carried out by the Gulf Ultra Luxury Front (G.U.L.F.) activist group. Decrying labor abuse at the museum’s planned Abu Dhabi outpost, the banner announced the forthcoming “Countdown” campaign by Gulf Labor, the larger collective of artists and activists of which G.U.L.F. is an offshoot.
Craftsmanship in Istanbul is under the danger of extinction with all the knowledge accumulated with generations of masters and apprentices. After visiting some workshops in the city, craftsmen shared with the initiators how their condition and businesses have changed since they started working.
Conceived and curated by Bushwick native Joe Ficalora, the Bushwick Collective has evolved into an extraordinary open-air gallery since its first mural surfaced in 2011.
Attracting a wondrous array of local, national and international artists, it showcases first-rate street art -- from legendary Blek Le Rat stencils to huge collaborative walls by such world-renowned artists as Case Ma'Claim and Pixel Pancho.
"Story Time" emphasizes the significance of knowing the cultural histories of various nations and milieus, for it is precisely this knowledge that represents the first common point on the way towards understanding other cultures arriving in Europe with migratory flows. The invited artists will reinterpret cultural histories and cultural contexts from both European and Arabic worlds.
Wafaa Bilal's childhood in Iraq was defined by the horrific rule of Saddam Hussein, two wars, a bloody uprising, and time spent interned in chaotic refugee camps in Kuwait and Saudi Arabia. Bilal eventually made it to the U.S. to become a professor and a successful artist, but when his brother was killed at a U.S. checkpoint in 2005, he decided to use his art to confront those in the comfort zone with the realities of life in a conflict zone.
"The campaign for the neologism "santorum" started with a contest held in May 2003 by Dan Savage, a columnist and LGBT rights activist. Savage asked his readers to create a definition for the word "santorum"[1][2] in response to then-U.S. Senator Rick Santorum's views on homosexuality, and comments about same sex marriage.
Watch Chadwick Boseman's Black Panther in Captain America: Civil War, and you'll see a charismatic character who fills a void in the conflicted do-gooder group. This T'Challa is accessible, awe-inspiring and perhaps most importantly, human. "I think the question that I'm trying to ask and answer in Black Panther is, 'What does truly mean to be African?'" the filmmaker recently told Rolling Stone.
'Casseroles'protests, based on the tradition of 'cazerolazo,' consists of protesting by banging on pots and pans in the street. This took place in May of 2012 in Montreal and across Quebec, in response to the government's proposed tuition increases and the controversial "Bill 78" passed to control and dissuade dissent.
ACE Bank was a hoax bank developed as part of a bigger campaign by Netwerk Vlaanderen, a Belgian organization concerned with banks’ responsibilities for what they invest in. ACE bank was an elaborate deception, with a headquarters in central Brussels, parodying other banks. It claimed to be investigating whether there was a market for its special way of doing business.
Vermin Supreme is an American performance artist, anarchist and activist who is known for running as an alternative candidate in various local, state, and national elections in the United States since 1988. Supreme is known for wearing a boot shaped hat and carrying a large toothbrush. Vermin Supreme's four-plank platform is simple, yet elegant:
1) Mandatory tooth-brushing laws.
2) Zombie preparedness.
"In 2006 members from a coalition of environmental groups posed as a government agency—the Oil Enforcement Agency—that should have existed, but didn’t. Complete with SWAT-team-like caps and badges, agents ticketed SUVs, impounded fuel-inefficient vehicles at auto shows, and generally modeled a future in which government takes climate change seriously."
Anonymous urban artists set up art installations, large nest eggs, at several locations in Skopje, wanting to alarm the growing number of trees in the city.
In the nest read a message "You cut all the trees, where do we make nests? Birds".
Burners Without Borders (BWB) is a grassroots, volunteer-driven, community leadership organization whose goal is to unlock the creativity of local communities to solve problems that bring about meaningful change. Supporting volunteers from around the world in innovative disaster relief solutions & community resiliency projects, BWB is known for the unbridled creativity they bring to every civic project they do.
At the New Orleans Swing Dance Festival the all African-American dance troupe The Rhythm Ambassadors were presented along side an African-American iteration of the Preservation Hall All-Star band with African-American vocalist Taryn Newborne to deliver the message that the African-American Lindy Hoppers were going to be protest until their rhythm is better presented...i.e.