Main Gallery

52 weeks in Abu Dhabi
Practitioner:
international artists
Date:
Nov 13 2013
A coalition of international artists has begun a year-long protest against the mistreatment and exploitation of migrant workers building Abu Dhabi's £17bn cultural hub, including the world's largest Guggenheim and a branch of the Louvre.
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Participatory Chinatown: Promoting Civic Engagement
Practitioner:
MacArthur Foundation and Muzzy Lane
Date:
May 6 2010
Taken from Boston Globe Article: http://www.boston.com/bostonglobe/editorial_opinion/editorials/articles/2010/05/06/chinatown_the_video_game/ 
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Feminist protest against Fujimori and forced sterilization
Practitioner:
n/a
Date:
Mar 11 2016
Thousands took to the streets in Lima, Peru, on March 11 to protest conservative presidential frontrunner Keiko Fujimori, daughter of former dictator Alberto Fujimori, and demand that her candidacy be revoked amid accusations of vote buying.
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Tactical Urbanism
Practitioner:
Street Plans Collaborative
Date:
Jan 1 2012
"Improving the livability of our towns and cities commonly starts at the street, block, or building scale. While larger scale efforts do have their place, incremental, smallscale improvement efforts are increasingly seen as a way to stage more substantial investments. This approach allows a host of local actors to test new concepts before making substantial
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Bread and Puppet Theater
Practitioner:
Peter Schumann
Date:
Jan 1 1963
The Bread and Puppet Theater was founded in 1963 by Peter Schumann on New York City’s Lower East Side. Besides rod-puppet and hand puppet shows for children, the concerns of the first productions were rents, rats, police, and other problems of the neighborhood. More complex theater pieces followed, in which sculpture, music, dance and language were equal partners. The puppets grew bigger and bigger.
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No Shopping, Just Stop It!
Practitioner:
Buy Nothing Day Christmas
Date:
Nov 23 2012
Internet spreads word as networks shun adverts for Buy Nothing Day Duncan Campbell in Los Angeles The Guardian, Friday 24 November 2000 Today is America's Buy Nothing Day. An event that was started to poke pointed fun at consumerism is now being celebrated in more than 40 countries, embarrassing television networks and demonstrating the power of the internet as a political organising tool.
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HEARD•NY
Practitioner:
Nick Cave, Creative Time
Date:
Mar 25 2013
Public arts advocator, Creative Time, and the MTA Arts for Transit and Urban Design (AFT) partnered to present Heard NY, a public art dance and music installation facilitated by artist, choreographer, and fashion designer Nick Cave. Heard NY was created to instill a production of wonder in a quotidian landscape.
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Loophole for All
Practitioner:
Paolo Cirio
Date:
Feb 18 2013
Loophole for All is a service to democratize offshore business for people who don't want to pay for their riches. It empowers everyone to evade taxes, hide money and debt, and get away with anything by stealing the identities of real offshore companies. Loophole for All exploits tax and legal accountability loopholes available by registering a company in countries considered offshore centers.
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Untitled
Practitioner:
Hans Haacke
Date:
Mar 11 2002
Marking the six month anniversary of September 11th, a poster designed by artist Hans Haacke appeared on scaffolding and media walls throughout New York City. The poster itself was blank and white, consisting only of die-cut silhouettes of the World Trade Center towers. The posters effectively reminded the pubic that September 11th created a ubiquitous filter through which everyday realities have become measured or seen.
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8 Extraordinary Greens
Practitioner:
jenna spevack
Date:
May 2 2012
"Jenna has designed an efficient, sub-irrigated system for growing energy-packed plants (microgreens) in small, urban spaces. Her aim: to provide healthy greens to extraordinary people with ordinary incomes. As an urban agricultural design project, she envisions a way to grow food in an anthropogenic landscape for all strata of citizens, but as an art project, she hopes to facilitate conversations about
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Art Cannot Provide a Way Out
Practitioner:
Claire Bishop
Date:
Aug 1 2012
In 2006, art historian Claire Bishop lit a fire under the collective seat of the art world with her Artforum piece “The Social Turn: Collaboration and its Discontents.” It set off — as much as any essay in the hermetic and staid world of contemporary art theory can — an uproar. The article inspired Grant Kester, an art historian also specializing in relational art practices, to respond:
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Elevator Occupation
Practitioner:
NYU Divest
Date:
Apr 19 2016
"Eighteen members of NYU Divest concluded a two-day demonstration in Bobst Library on Tuesday evening, after NYU administrators threatened to suspend participating students."
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The Real Estate Show Was Then: 1980
Practitioner:
James Fuentes
Date:
Apr 17 2014
James Fuentes 55 Delancey Street Lower East Side Through April 27
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Activist Performance
Practitioner:
Drama lecturers
Date:
Jan 1 2013
The Activist Performance blog - documenting protest gestures past and present
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Aboriginal Tent Embassy
Practitioner:
Aboriginal Tent Embassy
Date:
Jan 27 1972
In the 1970s, inspired by the Black Power movement in the US, Aboriginal people were politically very active. In Sydney, Australia’s first Aboriginal legal and medical services were founded. Aboriginal people demanded land rights for the areas that they lived on since millennia. Land rights were considered the key to economic independance, and land the base to generate resources and employment.
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Sirens of the Lambs
Practitioner:
Banksy
Date:
Oct 11 2013
Sirens of the Lambs By Banksy A slaughterhouse delivery truck touring the meatpacking district and then citywide for the next two weeks. http://www.banksyny.com/# Video here: http://www.youtube.com/watch?v=WDIz7mEJOeA
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Asgarda: Amazons of the Ukraine
Practitioner:
Katerina Tarnouska, Asgarda
Date:
Jan 1 2004
In the Ukraine, a country where females are victims of sexual trafficking and gender oppression, a new tribe of empowered women is emerging. Calling themselves the “Asgarda”, the women seek complete autonomy from men. Residing in the Carpathian Mountains, the tribe is comprised of 150 women of varying ages, primarily students, led by 30 year-old Katerina Tarnouska.
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Learning to Love You More
Practitioner:
Harrell Fletcher, Miranda July
Date:
Mar 17 2009
'Learning To Love You More' is a digital and physical presentation of artistic responses from the general public. These "assignments" were facilitated under the creative direction of Harrell Fletcher and Miranda July, managed on a website by designed and curated by Yuri Ono. In 2010, the San Fransisco Museum of Modern Art acquired the website to persevere it as an archive.
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#ANOTHERLIGHTUP
Practitioner:
Faith47, Design Indaba Trust, Thinking
Date:
Feb 25 2014
In Cape Town, South Africa the design firms Design Indaba Trust and Thinking have teamed up with artist Faith47 to help raise funds to bring more light to their urban city. Their goal is to raise funds to light up 700 meters of Manwabisi Park, which will ultimately reduce the crime rate in the area through more light. In order to get the community involved in the project, they have combined street art with community engagement.
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Mining the Museum
Practitioner:
Fred Wilson
Date:
Apr 3 1993
Wilson’s intervention was a correction of the museum’s identity in the sense that it made the underlying racism apparent. Using glass cases and neat labeling, Wilson’s installations mimicked the usual methods of museum display but with a twist so that a new voice or persona was created. As he said it himself: “By bringing things out of storage and shifting things already on view, I believe I created a new public persona for the historical society.”
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