UNLESS by Stephanie Cardon is a vibrant floor-to-ceiling installation that fills the main entryway of Boston’s landmark Prudential Center. Commissioned by Boston Properties and curated and produced by Now + There, UNLESS explores sustainability, climate justice, and how taking action together can create positive change.
The Guggenheim Museum in New York City temporarily closed off its entrance on Saturday afternoon, November 11, after eight artists and cultural workers took to the institution’s iconic spiral ramp to denounce the Israeli military’s ongoing killing of Palestinian children in Gaza.
After being contacted by a member of the Occupy Wall Street Alternative Banking group , illustrator Marc Scheff agreed to do a few drawings for a deck of cards depicting some of the people and institutions responsible for causing the Great Recession.
The Whitney Museum of American Art’s pay-what-you-wish Fridays are typically busy. For two-and-a-half hours out of the 53 the museum is open each week, visitors can enter without paying the usual $25 admission fee, a brief and temporary, but recurrent, leveling of the playing field for art lovers.
A couple of weeks ago Danish chef Rasmus Munk made Michelin-starred dishes, now he prepares pasta salad and tartlets for the homeless in Copenhagen.
In the past few weeks, COVID-19 has forced several restaurants in Denmark to close, including the well-known Alchemist.
Slippery When Wet proposes a wet ontology of Hong Kong—a city in ongoing transfiguration shifting into an uncanny vision of itself. Hong Kong secretes, leaving a trail of ink, tears, humidity, logistic flows, and leaks.
On August 14th 2014 several prominent statues within the city centre and the southern suburbs of Cape Town got redressed in green blankets, equipped with miner gear or carrying grocery bags. The statues – mainly of which represent colonial figures – were redressed in light of what has come to be known as the Marikana Massacre: the shooting of 34 miners by the local police force of Marikana, South Africa on August 16th, 2012.
Sara Hendren is an Enabler. Hendren's writing, research, and "knowledge-building" propels conversations of ability and disability in such a way that activates a creative dialogue as well as provides a scholarly basis for cultural critique.
Grammy nominee and Rolling Stone cover star Sam Smith unveiled the video for his new single "Lay Me Down," the latest track off his platinum-selling debut album In the Lonely Hour. The video, filmed at the parish church of St.
Ladies’ Room, lasting fewer than six and a half minutes, offers a behind-the-scenes look at a women’s washroom in a nightclub located in a Beijing hotel. A male patron of Cui Xiuwen’s studio first took her there, and she acknowledges being drawn to the ladies’ room precisely because her host did not have access to it.
The large crowds and brightly coloured placards of the school climate strikes became some of the defining images of 2019.
“There would be lots of chanting and the energy was always amazing,” says Dominique Palmer, a 20-year-old climate activist from London who has been involved with the strikes for more than a year. “Being there with everyone in that moment is truly an electrifying feeling. It’s very different now.”
Ronald Haeberle took a color photograph of the bloody corpses of men, women, and children after the Mai Lai Massacre during the Vietnam War in in March 1968, initially publishing it in Life magazine. Later the image was used by the Art Worker's Coalition to create the infamous poster, "And babies.," which superimposed "Q: And babies? A: And babies" in red letter across the top and bottom of the image.
In a sleepy town in Iranian Kurdistan, people take off their winter coats. It is evening, and outside one can just about discern the silhouettes of the mountains that lead to the Turkish and Iraqi borders. Inside, some 60 people fill the small community centre with a clammy heat. But it is not just warmth they are after. They have come for poetry.
This protest installation was first used in 2016 at Standing Rock when the community banded together to protect the Missouri River from a Dakota Access Pipeline.
In an effort to provide abused children with a safe way to reach out for help, a Spanish organization called the Aid to Children and Adolescents at Risk Foundation, or ANAR for short, created an ad that displays a different message for adults and children at the same time.
This is a prime example of the marriage of art and activism. The Silence = Death poster is simple but extremely powerful representation of the obstacles the AIDS movement was facing (suppression of gay people + their problems, lack of awareness surrounding the pandemic).
The new Oscar-nominated documentary, All the Beauty and the Bloodshed, focuses on world-famous photographer Nan Goldin, her life, her work, and the protests she led at museums that accepted funding from the Sackler family. Their company, Purdue Pharma, manufactured and unscrupulously marketed OxyContin. We'll talk with Goldin and director Laura Poitras.