The political artist I chose to investigate is Ruth Peche, a Spanish sculptor and photographer. Her themes tend to center around plastic waste and the impact it has on the environment, using this as a muse for describing the relationship human society has with the natural world. Peche’s interest in art activism, particularly with themes of preserving the environment, is something that was sparked for her in during her childhood years.
A thirty-nine-foot banner was unfurled in the rotunda of a sparsely-attended Guggenheim Museum this evening, the latest action carried out by the Gulf Ultra Luxury Front (G.U.L.F.) activist group. Decrying labor abuse at the museum’s planned Abu Dhabi outpost, the banner announced the forthcoming “Countdown” campaign by Gulf Labor, the larger collective of artists and activists of which G.U.L.F. is an offshoot.
Girl Be Heard is a theatre company founded by Artistic Director, Ashley Marinaccio and Executive Director, Jessica Greer Morris, which melds talent and background to create social justice theatre. The company has performed throughout New York City and worldwide to tackle global issues. Their productions include 9mm America, a Theatrical Uprising Against Violence, Girlpower: Survival of the Fittest, Trafficked, Project Girl: Congo, and Child Bride.
"Rainer’s early choreography celebrated, among other things, ordinary movements: the expressive capacities of kneeling, of shaking your head, of rolling on the floor. And when she went through periods of sickness, those movements became an even more important part of her repertoire. In her 1966 Hand Movie, an 8mm film she shot on her sickbed, we see a dance she choreographed for just her hand, while her body rests.
Kanami Kusakima, also known as the woman who dances in Washington Square Park with the long black hair and the paint, was happy to allow the Mayor's Office of NYC use her image as a promotional tool for a "post-coivd" New York. Yet, she has had multiple encounters with police who want to shut her performance down.
I was just shy of 18 when I bought the hooded sweatshirt — a metallic silver thing that cost about $10 on the Aeropostale clearance rack — to take with me to Northwestern University in the Chicago suburbs, knowing my parents would be worried when they saw it.
Former colleagues of Abdulhadi Al Khawaja from Front Line Defenders today held a silent vigil at the Embassy of Saudi Arabia in Dublin to urge the King of Saudi Arabia to use his influence with Bahrain to enable Abdulhadi to travel to Denmark for medical treatment.
At TED2009, audience member Cindy Gallop gave a 4-minute presentation that became one of the event’s most talked about. Speaking from her personal experience, she argued that hardcore pornography had distorted the way a generation of young men think about sex, and talked about how she was fighting back with the launch of a website to correct the myths being propagated.
A video collaboration betweenHayley Silverman and Emily Shinada. Using clips from a Japanese pornography film, the video highlights fears of interpersonal connection and explores the objectification of women. It was on view at Alogon Gallery for theWomen Get Fucked exhibition.
For the Midsummer Festival in Cork, Ireland, SUPERFLEX encouraged Lord Mayor of Cork Cllr. Dara Murphy to bring a proposal to the city council that would ban the use of the word 'Recession' in the city.
In São Paulo, just like in many other metropolitan regions, public transport is not as effective as it could be. Buses and trains usually run overcrowded, late and on limited hours, so that owning a car increases a lot one’s comfort. But not everybody can afford to have one, so a clear and recurrent class distinction occurs: public transport is mostly used by poor people.
Spearheaded by Latitude Artist Community, Project Easy Access Lexington (PEAL) organized team 'Bricksquad' to help make the sidewalks and streets of downtown Lexington, KY more wheelchair accessible. Armed with only a canvas bag of few bricks, sand, and some tools the teams would make their way through the sidewalks restoring bricks as needed. The damage to the sidewalks was such that the gesture was symbolic more than effectual initially.
From Creative Time, Social Practice Archive: Produced by the Windsor, Canada-based collective Broken City Lab—an artist-led interdisciplinary research group—Cross-Border Communication was a performative public art project that took place in November 2009 between the cities of Windsor and Detroit, which are separated by the Detroit River. For three nights, Broken City Lab projected a series of messages across the river which were visible in Detroit.
"This Ain't a Eulogy" is both a staged performance and a durational, outdoor, public performance that reclaims and takes public space. The artist statement is as follows:
The Free Breakfast for School Children Program was initiated at St. Augustine's Church in Oakland by the Black Panther Party. The Panthers would cook and serve food to the poor inner city youth of the area.
Un hombre trajeado viaja en el Metro. Utilizando frases clásicamente asociadas a la mendicidad, las invierte. En vez de anunciar precariedad económica y un estado de necesidad, afirma ser un banquero, sin cargas familiares, que no está perseguido por la justicia. Ofrece monedas a los viajeros, diciendo que si las cogen, ello le hará sentir mejor.
Jordan Peele discovered halfway through the making of “Get Out” what story he wanted to tell: A horror-thriller for black audiences that delivered a searing satirical critique of systemic racism.
Mukti Caravan, the Campaign on Wheels, is a mobile cultural group of former child bonded labourers. Started by the Bachpan Bachao Andolan (Save Childhood Movement), a movement started by now Nobel laureate Kailash Satyarthi, it involves activists visiting villages to create awareness about need for education, emphasizing on the need for improving access to education and quality of education, to completely eradicate child labour from the society.
On the 6th February 2013, 40 activists across 6 states plastered 110 ANZ ATMs with 'Out of Order' notices, sharing them on social media the following day. The objective was to use a hoax style action to exploit mainstream media sensitivity around ANZ Bank's unethical funding of fossil fuel projects that had been generated by Jonathan Moylan's Whitehaven Hoax a week earlier.