This country belongs to whoever shows up. And do you know who shows up for every election? Old people. But only 46% of people18-34 years old voted in the last election.
So the elderly have a disproportionate influence on our politics and our country. And a lot of them would like to keep it that way.
The initiators collaborated with the Street Vendor Project (SVP) of the Urban Justice Center to campaign against New York City Council Member Jessica Lappin’s 2010 law project. The bill, intended to revoke permits issued to street vendor trucks if they got parking tickets, was so restrictive that it threatened to put most food trucks out of business.
The incident began when two clowns, Hannah Morgan and Louis Jargow, scaled the steel barricades protecting the landmark. The clowns began spanking and climbing the beast, traditional ways of coaxing a bull into anger in preparation for a Castilian corrida, or bullfight.
#makeamericagreatagain is a group exhibition of diverse media that ran during February and coincided with the initial Democratic and Republican primaries. The exhibition’s title is culled verbatim from Donald Trump’s campaign slogan.
Step into the captivating world of Zanele Muholi, the activist and masterful photographer from South Africa. Through their lens, they unveil the realities found within LGBTQI+ stories, challenging norms and reshaping perceptions of beauty. Each intimate and evocative portrait captured by Muholi becomes a vessel for social change, dismantling stereotypes, and amplifying the voices of those historically silenced.
Jes Baker, 26, created a campaign called Abercrombie and Fat in response to the CEO of Abercrombie and Fitch. In 2006, the CEO released a statement that his target consumer is the cool, All American kid who has a lot of friends. He continues to say that his business is exclusive and a lot of people do not belong in his clothes.
ŠTO TE NEMA is a public monument created as a response to Europe’s worst atrocity since World War II - the systematic killing of 8,372 Muslim men and boys in the UN-protected safe area of Srebrenica in Bosnia and Herzegovina in July of 1995.
A satirical TV comedy show caused a security alert after coming within yards of George Bush's hotel at a top-level government conference in Australia.
The Chaser's War on Everything, which airs on the ABC network, sent a team to the Apec summit in Sydney with spoof security passes saying "joke", "insecurity" and "It's pretty obvious this isn't a real pass".
In Portland, Ore., organizers of the “Reparations Happy Hour” invited black, brown and indigenous people to a bar and handed them $10 bills as they arrived, a small but symbolic gift mostly funded by white people who were asked not to attend.
By Evan Mulvihill, Queerty.
When Tea Party activists gathered in Boston yesterday afternoon, they weren’t given license to shout their Small Government slogans at disinterested passersby—liberal activists of all stripes showed up to shout them down.
Who doesn’t love a good counter-protest?
It was September 1738, and Benjamin Lay had walked 20 miles, subsisting on “acorns and peaches,” to reach the Quakers’ Philadelphia Yearly Meeting. Beneath his overcoat he wore a military uniform and a sword — both anathema to Quaker teachings. He also carried a hollowed-out book with a secret compartment, into which he had tucked a tied-off animal bladder filled with bright red pokeberry juice.
Artistic Activist, Charlotte Claire, is at the forefront of initiating revolutionary change in mental health care. Her project, The Babyfacedassassin, is dedicated to improving mental health care and inspiring people to care for their mental health.
Savages are an all-female post-punk band that attempt to motivate people to be informed and take part in politics. They "try to give people a platform to express their own ideas" as Fay Milton of the band explains.
The following is the manifesto Savages wrote for their 2016 album, Adore Life:
According to the World Health Organization, China is home to two-thirds of the world's women who wear IUD devices. This is a form of contraception that was developed after World War II, and in essence, comes from discrimination against women. In 2014, artist Zhou Wenjing made a work of IEDs, which was recently exhibited in Beijing.
A fat cat, a pig wearing a top hat and five rats. All seven inflatables faced the 34th Street entrance of the Empire State Building last Thursday, two weeks into a protest by members of Laborers Local 79 who rallied, hundreds strong, in the afternoon shadow of the props.
Direct Cause: The event that on November 24, several people died in a fire in a residential building in Urumqi, Xinjiang province, due to delayed disaster relief due to the COVID-19 lockdown policy in China, and the indifference of the government towards the incident and the block of message.
Primary Cause: The three-year-long lockdown policy and the government’s excessive control over speech and thought led to social discontent.
Mounica Tata launched Doodleodrama as an online journal to improve representation for her body type in mainstream media. “I’ve always been an overweight person and bullied and shamed for the same. Only fairly recently I’ve learned to make my peace with my body. My own journey with my body inspired/continues to inspire me to talk about it.”
Our key beliefs and principles are the very pillars that form the backbone of our movement:
‘Taking Up Space’: We believe marginalised voices must take up their rightful space in this world and deserve to have their voices heard, lived experiences believed, and should be visible in a world of constant erasure.
FROM THE NEW YORK TIMES:
" While filming a documentary about divisive oil refinery ventures in the subzero cold of Fort McMurray, Alberta, the director David Dufresne said he wasn’t considering only pollution in that Canadian boomtown or the vast tar sands beneath its frozen ground. He was also thinking deeply about technology, about making a new kind of hybrid media, a docugame.
Tina Takemoto is an artist and associate professor of visual studies at California College of the Arts in San Francisco. Her work examines issues of race, queer identity, memory, and grief. Her current project explores the hidden dimensions of same-sex intimacy and queer sexuality for Japanese Americans incarcerated by the US government during World War II.