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'Gun-sharing' stations in Chicago use art to make a point about gun violence. Users can’t actually grab a gun from the stations, but its creators hope the installation will send a message about how disturbingly easy it is for a citizen to acquire an assault weapon—as easy as renting a bike. They can also make a donation to the Brady Center and learn more about the campaign's gun safety efforts.

Marisela Escobedo was 52 when she was shot dead on a sidewalk outside of the Government Palace of Chihuahua City, northern Mexico. She had set up camp in one of Mexico’s most dangerous cities – a place where people won’t leave their homes at night to protest day and night against corruption and impunity in her daughter’s murder case.

The Battle for Healthcare Agitpop joined Dawn Smith and MoveOn.org in taking on Dawn’s insurer to get the care she needs and reform our broken health care system. They traveled from Atlanta to Philidelphia to share her story and bring the voice of thousands of American’s to Cigna’s doorstep.

Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.

The Hungarian artist, undercover as an oligarch, infiltrated Manhattan’s ultra-luxury high-rises with her fake husband, Zoltan, for a book of intentionally unartful photos.

Most nights since a coup returned Myanmar to military rule on Feb. 1, a spectral symbol of protest has glowed on a mildewed side of a building. Where the next illumination will appear in Yangon, the country’s biggest city, is a mystery. But, suddenly, a projected image appears in the dark. Three fingers raised in a rebellious pose. A dove of peace. The smiling face of Daw Aung San Suu Kyi, whose government was ousted in the army putsch.

By Rebecca Davis and Meena Hart Duerson Those who believed the Occupy Wall Street movement was all but dead after its dramatic removal from Zuccotti Park last fall may have been surprised to see the group pop up again in the days after Hurricane Sandy. But this time, they weren’t organizing protests – they were calling on their large network to come to the aid of those hit hardest by the storm.

BEIJING – Before Yue Xin became a central figure in China’s burgeoning movement against sexual harassment, she recorded herself singing a revamped version of the 1960s pop classic “Que Sera Sera.” “Will we be equal? Will we be free?” sang the Peking University senior in a voice clip posted online, putting her own spin on Doris Day’s “Will I be pretty? Will I be rich?”

Close to 100 artists and activists staged a protest at the Brooklyn Museum yesterday afternoon in response to displacement — both in Brooklyn and Palestine.