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The SlutWalk protest marches began on April 3, 2011, in Toronto, Ontario, Canada, and became a movement of rallies across the world. Participants protest against explaining or excusing rape by referring to any aspect of a woman's appearance.

This series of protests began on the UCT campus in an effort to remove the bronze statute of Cecil Rhodes in the center of campus due to the belief that Rhodes represents the oppressive colonization of South Africa that eventually led to apartheid.

This month’s blast of arctic air may have roused climate-change skeptics. But the composer Laura Kaminsky and the painter Rebecca Allan were unfazed. Holed up in their apartment in Riverdale in the Bronx on one of the coldest days in decades, these longtime artist-activists were doing what came naturally: fighting the planet’s warming.

On February 14, 2012, three female college student volunteers wore blood-stained wedding dresses and appeared as "wounded brides" in Beijing Qianmen Pedestrian Street.

“The Feminist Zine Fest showcases the work of artists and zine makers of all genders who identify on the feminist spectrum, and whose politics are reflected in their work. For the second consecutive year, Barnard proudly hosts the zine fest, welcoming approximately 40 zine-makers eager to share their work.

Is your favorite apparel brand a fashion trendsetter, greenwasher, or laggard? Find out by taking a spin on Greenpeace International's "Detox Catwalk" . Unveiled Thursday, the interactive online platform examines which companies are "walking the talk" to a toxic-free future.

"Disasters of War" 335 Nassau Boulevard, Garden City Park, New York 11040 November 23, 11 am – December 19, 7 pm Monday – Saturday, 11 am – 7 pm, free admission Please write to racc.ny@mail.ru or call (347) 662 1456 The artist is available for interviews

With American Prison Perspectives, Gielen intends tol illustrate how prison complex designs reflect the politics, economic priorities and anxieties of society, yet there would be so much more to say with pictures inside the prisions.

I am a visual activist. Most of what I have done over the years focuses on black LGBTQIA+ and gender-non-conforming individuals from South Africa and other neighbouring countries. It’s about making sure we exist in the visual archive. I call myself a visual activist — or, rather, a cultural activist, because this work is not only about the arts; I’m focusing on education, I’m dealing with culture in a way that confronts a number of issues.