“Cabaret Con-Sensual is an effort comprised of actors, dancers, comedians, producers, writers, and other artists who strive to champion consent and discuss rape-culture through the subversive, yet expressive medium of the performing arts.”
The show was created by Bitsy La Bourbon, founder of the anti rape campaign and non profit organization More Than No.
Former colleagues of Abdulhadi Al Khawaja from Front Line Defenders today held a silent vigil at the Embassy of Saudi Arabia in Dublin to urge the King of Saudi Arabia to use his influence with Bahrain to enable Abdulhadi to travel to Denmark for medical treatment.
“As a Black woman, I can grow absolutely anywhere," Aiyanna explains. "I can adapt to any storm, any weather, any changes. In the Black community, that's something that we're really good at.”
So when Aiyanna, 25, was asked to contribute the first L in a Black Lives Matter mural made by a group of artists in downtown Charlotte, North Carolina, she knew her letter would include a flower person.
The Atacama Desert in northern Chile — the setting of Patricio Guzmán’s transfixing cinematic essay “Nostalgia for the Light” — is a place where heaven and earth converge. Or some might say heaven and hell.
Early Sunday morning, the Dallas Police Department's Twitter account tweeted for followers to download its iWatch Dallas app and share videos "of illegal activity from the protests." The police are looking to arrest lawbreakers at weekend demonstrations decrying police violence against black people. The benefit of the app, according to the tweet, was the ability for informants to stay anonymous.
By Rebecca Davis and Meena Hart Duerson
Those who believed the Occupy Wall Street movement was all but dead after its dramatic removal from Zuccotti Park last fall may have been surprised to see the group pop up again in the days after Hurricane Sandy.
But this time, they weren’t organizing protests – they were calling on their large network to come to the aid of those hit hardest by the storm.
Sophie Calle's works discuss the issue of "privacy", the composition of an individual's identity at the social level, and the relationship between "private" and "public/group/society", including personal information, personal records, public surveillance, and other topics. An obvious feature of her works is the unique and extremely subjective criteria of judgment and reference for measurement.
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
Across the street, another woman lies face down, sunbathing on a large sheet of tinfoil. The sentence "White Supremacy Is Terrorism" is inked across her white skin, which is turning pink under the hot sun.
The Dove Campaign for Real Beauty is a worldwide marketing/public relations campaign launched in 2004 that includes advertisements, video, workshops, sleepover events and the publication of a book and the production of a play. The principle behind the campaign is to celebrate the natural physical variation embodied by all women and inspire them to have the confidence to be comfortable with themselves.
Greta Thunberg has launched a campaign video of a housing burning to the ground as she calls for more action on climate change.
The shocking clip shows a family waking up, having breakfast and talking as their home is engulfed by flames and clouds of smoke.
The video was released by the Swedish climate activist's Fridays for Future, which has partnered with LA-based creative agency FF.
On March 21, just days after eight people, including six women of Asian descent, were killed in the Atlanta-area shootings, thousands gathered at Columbus Park in Manhattan for a rally against anti-Asian violence. Activists took turns addressing the surge in hate crimes and hate incidents toward the Asian American and Pacific Islander (AAPI) community, when an 8-year-old stepped onto the stage. “Stop the hatred!” Chance yelled into the mic.
"Intrabody Wireless Network" is a show of eighteen drawings and collages by Dmitry Borshch, in which he shows the architecture of such networks, their components referred to as nanomachines (biological, physical, chemical sensors, routers, antennas, interface devices), options for communicating (molecular, electromagnetic – in the terahertz band, acoustic, nanomechanical), and this type of network's applications (human, plant, industrial)
Brother Gao are two China artists. Their works are aims at reflecting the reality of Chinese society in an artistic and critical view. In 2003, the brothers held an event to invite many strangers for a dinner.
The late, late snow has finally disappeared from Berlin’s streets. Visible once again, here and there, are the “stumble stones” –Stolpersteine in German – with their brief, tragic messages.
Many Berlin tourists will enjoy the night life. They may also look upwards – at the giant TV tower, the Brandenburg Gate, at ancient and less ancient churches. There is a wide assortment of memorial monuments, some impressive, some uninspiring.
Activists gate-crashed a retirement dinner for outgoing HMRC boss Dave Hartnett in Oxford, presenting him with flowers and a fake award for allowing large companies to avoid paying tax.
I've decided to post about a recent experience, considerable an "action" in its nature, and how it felt, which was comparable to solicitation rather than activism. However, there was a sense for consciousness-raising regardless of any tangible outcome.
Flower power was a slogan used during the late 1960s and early 1970s as a symbol of passive resistance and nonviolence. It is rooted in the opposition movement to the Vietnam War. The expression was coined by the American Beat poet Allen Ginsberg in 1965 as a means to transform war protests into peaceful affirmative spectacles.
Dismaland was an experimental and interactive art installation that mimicked and mocked similar attractions and characters of the Disney franchise. He later referred to it as a ‘bemusement park.’ Although the bemusement park seemed to disappear as suddenly as it arrived, the exhibition lives on in the collective memory of the British public.