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Since summer 2011, FARM’s activists have been paying people $1 each to watch a 4-minute video depicting the inherent cruelties of raising animals for food. This tactic, known as “pay-per-view,” has led 80% of participants to reduce meat consumption, sparing tens of thousands of animals from abuse and slaughter.

World Wrestling Entertainment (WWE) issued a statement on Monday detailing the latest chapter in its public feud with Glenn Beck, claiming that the conservative commentator has ducked the professional wrestling organization.

BEIJING – Before Yue Xin became a central figure in China’s burgeoning movement against sexual harassment, she recorded herself singing a revamped version of the 1960s pop classic “Que Sera Sera.” “Will we be equal? Will we be free?” sang the Peking University senior in a voice clip posted online, putting her own spin on Doris Day’s “Will I be pretty? Will I be rich?”

"100 Questions About Sex from Children" is an annual touring sex education exhibition founded and curated by Se A, a leading advocate of inclusive sex education in China. Since its launch in 2021, the exhibition has been held in major cities such as Shenzhen and Guiyang, with plans to expand into regions where sex education and gender awareness remain underdeveloped.

https://www.netflix.com/title/80220000 http://www.indiewire.com/2018/02/the-push-netflix-review-ending-derren-b... Article from IndieWire by Steve Greene

"The Shortest Way with the Dissenters;" Or, "Proposals for the Establishment of the Church" is a pamphlet by Daniel Defoe, first published in 1702. Defoe was prompted to write the pamphlet by the increased hostility towards Dissenters in the wake of the accession of Queen Anne to the throne.

The "no nos vamos, nos echan" campaign speaks to making the invisible visible through pictures, videos and global mass demonstrations. Hopefully the Spanish government and other political players in Spain and Europe will see the faces of the population forced in exile.

A couple of weeks ago, a group of activists working with Rainforest Action Network’s Energy and Finance campaign hit the streets of San Francisco to bring a little truth about Bank of America’s misdeeds to its customers—not in the lobbies of the bank’s local branches, but at its ATMs throughout the city.

This print is one of several works documenting a performance Schneemann made at Women Here and Now, an exhibition of paintings accompanied by a series of performances, in East Hampton, New York in August 1975. In front of an audience comprising mainly women artists, Schneemann approached a long table under two dimmed spotlights dressed and carrying two sheets. She undressed, wrapped herself in a sheet and climbed on the table.