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After the economic crisis of December 20, 2001 in Argentina, there was a growth in the participation in all types of protests and claims of the different sectors affected by the crisis (against banks by savers, roadblocks and mobilizations of picket movements, state employees in municipalities and government houses, neighborhood assemblies, etc). The situation that was experienced led the protesters to seek new and varied reporting strategies.

FACELESS was produced under the rules of the 'Manifesto for CCTV Filmmakers'. The manifesto states, amongst other things, that additional cameras are not permitted at filming locations, as the omnipresent existing video surveillance (CCTV) is already in operation.

In many of his works, the Belgian-Mexican conceptual and performance provocateur Francis Alÿs questions the relationship between action, effort, and outcome. His works tend to inspire one toward a blurring of lines between the actions done in artistic expression and those in social response, making the viewer question the value and effect of the toil.

Late last year the Spanish government passed a law that set extreme fines for protesters convening outside of government buildings. In response to the controversial Citizen Safety Law, which will take effect on July 1, Spanish activists have staged the world's first ever virtual political demonstration.

Non-profit organizations and a multitude of Guatemalan girls protested together demanding justice and security from the government. Guatemala's insecurity and cases of girls' disappearances have increased over the years. The protest started outside the Government Ministery (Ministerio de Gobernación) early in the morning, where protestors gathered riding their bikes.

Zhang Huan is a very talented performance artist in China. In the famous work "Twelve Square Meters", he was covered with fish oil and honey sitting in a dirty public toilet in Beijing's East Village for an hour, not only making swarms of flies greedily surround him, but also People feel extremely uncomfortable and even nauseous.

LONG BEFORE WOMEN finally — though incompletely — won the right to vote in the United States in 1920, they were finding ways to influence politics. In late 18th-century New England, colonial women would make muster cakes — spiced, doorstop-heavy confections flecked with candied fruit and soaked in alcohol — for soldiers being gathered (or “mustered”) to fight in the Revolutionary War.

Acting on a tip from a disgruntled neighbor, two comedians dressed as drag queens confronted parking officers in broad daylight. The pair wanted to know why the officers, who so ruthlessly enforced parking limits, had never so much as given a warning to the local fruit salesman, whose battered Ford Explorer sat illegally parked all day, every day, in the upper-class neighborhood of Polanco.

Initially organized to respond to holes in service provision following Hurricane Katrina, Burners Without Borders has since 2005 "emerged as a community led, grassroots group that encourages innovative, civic participation that creates positive change locally." One ongoing project headed by BWB's Will Ruddick is a complementary currency program in Mombasa, Kenya.