Play Safe is a documentary film series created and directed by NYU alum Eddie Einbinder. The film, much of which now appears for free on YouTube, was originally released in 2013 after being filmed between 2011 and 2012. It debuted at the International Harm Reduction conference in Vilnius, Lithuania in 2013.
Following the murders of George Floyd and Breonna Taylor, corporations jumped on the opportunity to commodify the Black Lives Matter movement. In June of 2020, Netflix launched a Black Lives Matter collection, and by December, they had released Cops and Robbers, an animated short about racial injustice.
#IfTheyGunnedMeDown Shows How Black People Are Portrayed in Mainstream Media. The hashtag demonstrates that the narrative the media continues to portray regarding black people isn’t always truthful.
In September 1971, after years of mistreatment and months of simmering tensions, more than 1,200 of the 2,200 inmates at the Attica Correctional Facility in upstate New York took control of the prison in protest of its substandard conditions and openly racist corrections officers.
When you design an economy to be based on short term profit to the benefit of giant corporations, the results over the long term will be a country so hostile to human life that the unreasonable and unthinkable becomes an every day reality. Wealth inequality, mass poverty, a crumbling welfare state aside, the prison system perfectly illustrated the madness of the American capitalist system.
In Halt, a new solo piece premiered at
NYU Gallatin, dancer and choreographer
Jamar Roberts examined the language of
the body in protest. The work focuses
on what it means for human beings-the
committed individual and the organized
collective- to be equally the subjects
of progressive change and the targets
of unjust corporeal punishment.
Independent producer and longtime WWNO collaborator Eve Abrams brings us Unprisoned: Stories From The System. From New Orleans and Louisiana, the world’s incarceration capital, we meet those serving time inside and outside the criminal justice system.
The prints exhibited June 2013 at Firestorm in Asheville NC, will comprise two separate bodies of work; Chelsea Ragan’s combination screen print / woodblock print / painting / drawings graphically detail police shootings of young black males from across the country, and Adam Void’s hand-painted screen prints state the facts of important national news stories that have been swept under the rug of mainstream corporate media.
The Harlem Festival of Culture not only pays homage to the past but also envisions a brighter future. It serves as a platform to showcase the rich diversity and dynamism of Harlem's artistic community, while also acting as a catalyst for social change and community empowerment. The festival boasts a lineup of artists from various genres and backgrounds, including jazz, soul, hip-hop, gospel, blues, rock, Latin, and Afrobeat.
"WILD: Act I" is a film demonstrating the power of creativity in constraint. Using moving choreography performed by Elijah Lancaster and vivid imagery displayed on three walls in a mock cell, Jeremy McQueen gives voice to young Black and Brown men caught in the criminal 'justice' system.
A march took place Wednesday evening in Manhattan calling for justice in the case of Trayvon Martin. He was an unarmed black teenager who was shot to death by a neighborhood watch captain in Florida last month.
Heroin sold in the northeast, specifically in New York, Pennsylvania, and New Jersey tends to come in little glassine baggies. The art comes from the individual and unique "stamp" on said baggie sold to a user.
Haeryun Kang reported the following for NPR on February 24, 2016:
"On the eve of South Korean President Park Geun-hye's third anniversary in office, protesters gathered in Seoul... to condemn the administration's increasing crackdown on free speech. These protesters were unlike any others Seoul has seen. They were holograms"
Upon its original release on N.W.A.’s Straight Outta Compton LP in 1988, the song was safely titled “_ _ _ _ Tha Police (Fill in the Blanks),” and the album cover was among the first to feature the infamous “Parental Advisory” label, warning moms and dads about the album’s explicit lyrics. A censored version of the LP even omitted the song entirely.
In keeping with his activist turn on 2016’s 4 Your Eyez Only, J. Cole’s new album, KOD, is an exploration of addiction. The title has three different meanings that all speak to this aim: Kids On Drugs, King OverDosed, and Kill Our Demons. Each feeds into the next in this narcotic odyssey.
DAMN. Kendrick Lamar opened the 2018 GRAMMYs with a powerful and political performance of his hit, "XXX.'" The rapper featured an army of face-covered soldiers marching in the background of an American flag, that quickly turned into a "satire" taking a jab at the current political climate in the United States.
Gran Fury was an AIDS activist artist collective from New York City consisting of 11 members, all artists - but action, not art, was the aim of the collective. Gran Fury member Loring McAlpin described the collective's mass-market ambition to “...fight for attention as hard as Coca-Cola fights for attention.”
National Public Radio (NPR):
There's no historical marker outside Jacob Lawrence's childhood home in New York City's Harlem neighborhood.
But Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture, has an idea of what it might say: "Here lived one of the 20th century's most influential visual artists, a man named Jacob Lawrence, who was a child of southern migrants."
In early 2016, I began paying attention to reports about the incredible number of unarmed black people being killed by the police. The posts on social media deeply disturbed me, but one in particular brought me to tears: the killing of Alton Sterling in my hometown Baton Rouge, La. This could have happened to any of my family members who still live in the area. I felt furious, hurt and hopeless.
In the south-western city of Chengdu, by all accounts a city on the edge coping with heavy pollution but also with authorities scrambling to put a lid on simmering discontent. That night police detained a number of artists who managed to stage a silent demonstration, while wearing face masks.
In Citizen, Claudia Rankine recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seemingly slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV—everywhere, all the time.
The resistance to Trump’s ICE militia is strong and is documented in the online art exhibition, “ABOLISH ICE” https://sites.google.com/view/abolish-ice/home The participating artists-activists are from New York, Connecticut, Pennsylvania, New Jersey and California.
Samaria Rice, left, and Terrence Spivey welcome the crowd at the Tamir Rice Sweet 16 event to raise funds for a new youth oriented cultural center Thursday, June 14th, 2018, at the Cleveland Museum of Art in Cleveland, Ohio. Photo by Tim Harrison/Special to The Plain Dealer
Inspired to carry on Tamir's legacy
The project consists of a double-sided, hand-drawn 8.5" x 11" quarter-fold sheet available to print and distribute freely.
It features such topics as basic information on police tactics (kettling, LRADS, tear gas or pepper spray), ways cops might try to get you to talk to them, and your rights as a student.
As the Yippies prepared for protests at 1968 Democratic National Convention, Yippie Paul Krassner rattled Chicago leaders by suggesting that the Yippies were planning to put LSD in the city water supply. As Abbie Hoffman said at the Chicago Seven trial: "I read in the paper the day before that they had 2,000 troops surrounding the reservoirs in order to protect against the Yippie plot to dump LSD in the drinking water.