Within the topic of terrorism, the idea of loss and memory is always a pervasive idea that cannot be avoided. Within the topic of loss and memory, the idea of monuments is always a pervasive idea that cannot be avoided because they are used to commemorate and remember those that lost their lives to the terrorists.
"On 17 December 1976, 18-year-old Eduardo Raúl Germano was abducted in Rosario, Argentina. Following the commemoration of the 30th anniversary of the 1976 coup d’état, Gustavo Germano, Eduardo’s brother, began working on the photography exhibition "Ausencias" (Absences). Born in 1964 in the Argentinean Province of Entre Río, Gustavo Germano started taking photographs of the journeys he made across Latin America in 1987.
Marking the six month anniversary of September 11th, a poster designed by artist Hans Haacke appeared on scaffolding and media walls throughout New York City. The poster itself was blank and white, consisting only of die-cut silhouettes of the World Trade Center towers. The posters effectively reminded the pubic that September 11th created a ubiquitous filter through which everyday realities have become measured or seen.
It was once the most feared address in Berlin, a place easy to enter but very hard to leave. Now the ruins of the former engine room of Nazi terror at Prinz Albrecht Strasse in Berlin have been preserved in a new exhibition space open to the public from tomorrow.
On completion the 100 Faces project will consist of 100 Portraits of Americans who have been to the theaters of war in Iraq or Afghanistan (OEF,OIF). Each portrait is accompanied by a placard featuring a statement written by the person pictured and a brief biography of the person pictured. The biographical information and the statement reflect the person at the time of the creation of the portrait.
The Stanford Daily:
There is no word short of “spectacular” that better describes the experience of examining “Pan American Unity,” Diego Rivera’s 1940 mural, housed since 2021 at the San Francisco Museum of Modern Art (SFMOMA). The piece is the crux of SFMOMA’s soon-closing exhibition, “Diego Rivera’s America,” curated by James Oles and Maria Castro.
This year, Bethlehem is sombre and quiet. There is no Christmas tree and there are no holiday lights or tourists to see them.
Instead, the city of Jesus’s birth – which is in the middle of a war zone – is marking Christmas with a powerful and poignant message: solidarity with Palestine.
Warscape Sonata is a transmedia project that documents and perform audiovisual information related to the current drug war in Mexico. Twitter hashtags, youtube viral videos and mass media are used as creative sources to document the militarized Mexico.
“I want to show the people how bad the troubles were," says artist Muhiyidin Sharif Ibrahim of Mogadishu, Somalia. "That’s the message we’re going to send to people.”
(Robyn Dixon, Los Angeles Times)
The Kurdish journalist and artist Zehra Doğan was freed yesterday after nearly three years in prison, Hyperallergic reports. Doğan first caught the attention of the Turkish authorities back in 2017 with a watercolor that depicted a Kurdish district after Turkish security forces set it on fire and largely destroyed it.
The tiny German town of Wunsiedel has for decades seen crowds of neo-Nazis pass through its streets in annual demonstrations, but this year something was different.
While the extremists received a frigid welcome in past years, they were met with colorful banners, cheering locals and a booth of free bananas during their latest march on Nov. 15.
Breach Theatre’s multimedia play The Beanfield joins a growing trend of artists using documentary inquiry to hold violent and corrupt institutions to account.
The Fourth of July is upon us, so it’s time once again to sing what is arguably our most baffling national ditty, “Yankee Doodle Dandy.” Maybe you’ve noticed: Some of the lyrics seem like the work of a prankster on acid. Who else could have conceived a vignette as bizarre as a man riding a pony into town, then sticking a feather in his cap that, for unknown reasons, he insists on calling “macaroni”?
Marisela Escobedo was 52 when she was shot dead on a sidewalk outside of the Government Palace of Chihuahua City, northern Mexico. She had set up camp in one of Mexico’s most dangerous cities – a place where people won’t leave their homes at night to protest day and night against corruption and impunity in her daughter’s murder case.
Mandela's notion of manhood changed over time. In the early days, he evoked the image of toughness to deal with an enemy that would not respond to reason. When it became possible to secure peace through talking, Mandela adapted. After his release his image was one of warmth and inclusiveness, embracing those who feared majority rule and even his former enemies.
Located in Thomas Paine Plaza, across the street from City Hall, Hank Willis Thomas’s All Power to All People was a public art intervention that dealt with racial identity and representation in Philadelphia.
This project consisted of an articulation between research, public policy and art. Corpovisionarios por Colombia was implementing a social change initiative in one of the poorest and most violents neighborhoods in Cali, Colombia. The demographic information showed that the most implicated population in the violence and murder cases were young men. They informed their masculinity through ideas of territory and its violent protection.
Human rights activism relies on an ability to tell stories to diverse audiences that will inspire action toward justice. Distributing information through journalism, whether it be traditional or new media, is the standard method of raising awareness. Globalization and the movement of people means that activists and artists from affected communities may cooperate to mutual benefit and find new audiences in the process.
Photo taken on Oct. 15, 2020 shows a "comfort women" statue in Berlin, capital of Germany. The statue was built to commemorate the more than 200,000 girls and women from 14 countries and regions, so-called "comfort women," who were sexually enslaved by the Japanese military during World War II. (Xinhua/Shan Yuqi)
The installation consists on providing postcards to gallery visitors that they can use to mail their Elected Officials to advocate for gun control. The front of the postcard shows the photograph “Mommy, what is this?” (2018), which is the hand of Ileana's son, Lucca, holding a toy bullet while making the peace sign. The back of the postcard contains a short letter with the phrase “No more children should die from gun violence.
Myanmar has been engulfed in protest since February 1, when Burmese army general Min Aung Hlaing seized control of the government in a military coup, refusing to accept the landslide election victory of the National League for Democracy and its leader, Aung San Suu Kyi.
MoMA presents the first comprehensive American survey of the leading contemporary artist Walid Raad (b. 1967, Lebanon), featuring his work in photography, video, sculpture, and performance from the last 25 years.
Her name is ISIS-chan. And she's how nerds around the world are trying to silence violent ISIS terrorist propaganda.
It starts with the vibrant worldwide community that loves Japanese anime. Some of them have created a cute animated character as a sort of ISIS mascot.
The goal? Hijack the terrorist group's message and replace it with a girl that's oh-so-adorable.
Mural artists add color and flavor on 800 South in the Granary District of downtown Salt Lake City. There’s an old-fashioned bar on the side of a locally-owned brewery, and a Southern Utah landscape on another building. Down the street, on the south corner of 800 South and 300 West, there’s a new mural that’s far more potent.