Projects tagged "Violence & War"

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From the two shores of the Mediterranean, Zoukak theatre company and cultural association (Beirut) and Center for cultural decontamination CZKD (Belgrade) collaborates by sharing their experiences and knowledge in working within sociopolitical contexts in the field of art and culture.

Late last year, the New York Times published an op-ed short film written and narrated by Jay Z. The clip was called “The War on Drugs Is an Epic Fail,” and that kind of title was explicit enough for everyone to grasp the entertainment mogul’s general argument, whether they knew anything about drug war or not.

In 2023, it is impossible to be an apolitical artist in Eastern Europe. As war rages on in Ukraine, art serves as a powerful and necessary tool, according the members of the Sunflower Solidary Community Center in Warsaw: Maria Beburia, Sebastian Cichocki, Kuba Depczyński, Taras Gembik, Yulia Krivich, Kaja Kusztra, Natalia Sielewicz, and Bogna Stefańska.

DAMN. Kendrick Lamar opened the 2018 GRAMMYs with a powerful and political performance of his hit, "XXX.'" The rapper featured an army of face-covered soldiers marching in the background of an American flag, that quickly turned into a "satire" taking a jab at the current political climate in the United States.

Kenyan-based photographer Boniface Mwangi has captured his country's political and civic turmoil since the controversial presidential election in 2007. The violence and disorder he witnesses daily motivated him to take action, setting up a creative hub for activism called PAWA 254.

Pray the Devil Back to Hell is the extraordinary story of a small band of Liberian women who came together in the midst of a bloody civil war, took on the violent warlords and corrupt Charles Taylor regime, and won a long-awaited peace for their shattered country in 2003.

A performance by artist Santiago Sierra, titled THE NAMES OF THOSE KILLED IN THE SYRIAN CONFLICT, BETWEEN 15th OF MARCH 2011 AND 31st OF DECEMBER 2016, took place for a total duration of eight days from May 21 to 29, across four cities on three continents.

It’s the summer of 1971 and tourists flock around one of Washington DC’s most famous hotspots – the Capitol steps. Journalist Art Goldberg recalls ‘a squad of soldiers moving through the space. They are grubby-looking troopers, clad in jungle fatigues. Jumping a low fence, they begin shouting at a group of tourists. “All right! Hold it! Hold it! Nobody move. Nobody move!” Their voices full of tension and anger. A man runs from the crowd.

Located in Thomas Paine Plaza, across the street from City Hall, Hank Willis Thomas’s All Power to All People was a public art intervention that dealt with racial identity and representation in Philadelphia.

“Baraye,” the anthem of Iran’s “Woman, Life, Liberty” protest movement—a song woven together entirely from a Twitter hashtag trend in which Iranians express their investment in the current protests—continues to unite Iranians in their opposition to the Islamic Republic several weeks after it was first released online.

The snapshots are thrust at us urgently, as if they were passports being shown at a border crossing, official proofs of national identity. Mostly, they are prosaic pictures of family members or houses. Sometimes a diploma will be offered up instead, or theater reviews clipped from newspapers or a membership card to a duck-hunting club. Later, other, more frightening, pictures will be shown, but they all serve the same function.

With delicate composition, striking details and strong emotion, five editorial posters drawn by Wuheqilin have attracted some half million followers to his account on Sina Weibo, China's Twitter-like social media platform. His political views expressed in his art have led to some netizens dubbing him the "Wolf Worrier artist."