From Women's News NetworkYEMEN: Even though the connection to the
internet has been intermittent at best and often too slow, women
advocates in Yemen are now working to push digital tech as a means to
improve society and gain human rights. As women continue to
battle extreme sexual harassment on the streets of Cairo, Egypt, women
Renowned Cuban artist Tania Bruguera surprised a Bogota audience in September when she lined up three people directly involved in the Colombian conflict for a chat. The real performance however, started when a waitress emerged with a tray of neatly organised lines of cocaine, and began offering them to members of the audience.
The video: https://www.youtube.com/watch?v=Rg58d8opQKA
From Flavorwire:
“Another world is possible!” — so goes the popular activist chant at rallies and marches. Yet one of the most difficult aspects of sustaining a grassroots political movement can be imagining that other world and persisting even when it seems far away.
One of the oldest forms of human expression is art, so it’s no surprise that art is constantly used to critique another of humanity’s oldest practices, violence and war. In the world of art activism, the power of creativity and innovation has been used to create commentary about war since the beginning of time. Art that speaks out against the atrocities of violent conflict embodies empathy, care, and a plethora of other human emotions.
In a dark nod to International Women's Day, artist aleXsandro Palombo has turned to the world of cartoon characters to shed light on the horrors of domestic violence. His series, "No Violence Against Women," transforms iconic animated women into victims of abuse, resulting in a familiar yet ultimately disturbing collection of illustrations.
It’s the radiant baby, the barking dog and the dancing man; the badges and the t-shirts; the unmissable mural spelling out CRACK IS WACK. Keith Haring’s career was short but spectacular, and he leaves behind a lasting legacy. From his chalk drawings in city-wide subway stations, to his collaborations with the superstars of his day, Haring’s life was founded on a belief in the power of people to change the world.
Students at the March for Our Lives rallies across the country and world today, March 24, are wearing a “price tag” of $1.05. The reason? March organizers have argued that $1.05 is the amount each student is worth to Florida Republican Senator Marco Rubio.
In 1988, rap group the N.W.A from Compton, California released their second album, “Straight Outta Compton”. Without any radio play or media coverage, the album still managed to become an underground hit, and the notorious rap group successfully introduced socially conscious gangsta rap into the mainstream.
The US-Mexico border wall has become a battleground for political theater, but also various artistic interventions. One of these outstanding artworks is the pink seesaws. They went viral after they were installed by the two creative architects Ronald Rael and Virginia San Fratello. Between the erect giant steel posts of the border fence lie small gaps a couple of inches apart. It is this space where they installed the seesaws.
Human rights activism relies on an ability to tell stories to diverse audiences that will inspire action toward justice. Distributing information through journalism, whether it be traditional or new media, is the standard method of raising awareness. Globalization and the movement of people means that activists and artists from affected communities may cooperate to mutual benefit and find new audiences in the process.
This installation of 13 photographic self-portraits explores European-American heritage, my family and their role in the history of racism, colonization, genocide, and classism. The ancestors, real and imagined, span over 2000 years from the Celtic Iron Age to the present day. The life size portraits are accompanied by audio diaries from the perspective of each character.
The prints exhibited June 2013 at Firestorm in Asheville NC, will comprise two separate bodies of work; Chelsea Ragan’s combination screen print / woodblock print / painting / drawings graphically detail police shootings of young black males from across the country, and Adam Void’s hand-painted screen prints state the facts of important national news stories that have been swept under the rug of mainstream corporate media.
Non-profit organizations and a multitude of Guatemalan girls protested together demanding justice and security from the government. Guatemala's insecurity and cases of girls' disappearances have increased over the years. The protest started outside the Government Ministery (Ministerio de Gobernación) early in the morning, where protestors gathered riding their bikes.
The notorious, wanted, and merciless leader of the Sinaloa drug cartel in Mexico,"Jouquin "El Chapo" Guzman, was captured by Mexican Marines last month. This marked a small victory for Mexico's fight to rid the country of its corrupted drug trade. How did this happen? Through intelligence of course, but let us remember Anonymous in Mexico.
For the past few years, I've been creating what I call "art of social conscience:" tv spots, viral emails, paintings and posters, but none of it has engaged viewers as much as this series of "historical" markers, each one a small story containing a discrete point of view.
The image is stark. And shocking.
A black man, his ankles shackled, his head hanging away from the viewer, stands in relief on a field of white. Chains stretching to the image's borders on the left and right pull his arms taut. Fourteen crimson marks crosshatch his back. Within the dark fabric that frames "86 Lashes to Go," a small rectangle is labeled simply "salt."
Palestinian and Israeli flags flutter in pro-Irish and pro-UK neighbourhoods in Northern Ireland, tapping into its own history of conflict and division that still affects everyday life despite a 1998 peace deal that largely ended violence.
In time for the 30th Anniversary of the famed EDSA People People Revolution, a two-day pop-up museum in Camp Aguinaldo serves as a vivid reminder of a significant period in Philippine History.
The interactive museum, which is composed of nine halls, recreates the martial law victims’ struggle for democracy, including the events that led to the bloodless revolution in 1986.
"On Friday, March 15, 2013, for the launch of the 20th edition of the Bayeux-Calvados Award for War Correspondents, the theatre company Map performed Jusqu’au bout, a play directed by David Ropars based on a text by the photojournalist Eric Bouvet. It was a great success! The monologue was given a magnificent interpretation by the actor Jean-Pierre Morice.
This is the sixth piece of the series Tatlin’s Whisper which examines the relationship between apathy and anaesthetization of the images in the mass media. This series intends to activate images, well-known because of having been repeatedly seen in the press, but are here decontextualized from the original event that gave way to the news and staged as realistically as possible in an art institution.
By David Gonzalez
Leslie Thomas wants to shock you. She wants to anger you. And above all, she wants you to do something.
She’s not talking about run-of-the-mill, “Hey buddy, watch your step” angry or TMZ sleaze shock. She’s talking about the great humanitarian and social crises of our time, like in Darfur, Afghanistan or Myanmar. And yes, she’s talking to you.
The U.S./Iraq War Memorial is an augmented reality public art project and memorial, dedicated to the thousands of individuals who have died on both sides of the conflict.