Projects tagged "Violence & War"

Putting LSD in Chicago's water supply
Practitioner:
Paul Krassner and the Yippies
Date:
Aug 20 1968
As the Yippies prepared for protests at 1968 Democratic National Convention, Yippie Paul Krassner rattled Chicago leaders by suggesting that the Yippies were planning to put LSD in the city water supply. As Abbie Hoffman said at the Chicago Seven trial: "I read in the paper the day before that they had 2,000 troops surrounding the reservoirs in order to protect against the Yippie plot to dump LSD in the drinking water.
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What Else Could We Speak About?
Practitioner:
Teresa Margolles
Date:
Sep 1 2009
DEATH IN VENICE by: Kaelen Wilson-Goldie
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The Scream: 21st Century Edition
Practitioner:
Jim Costanzo
Date:
May 1 2007
"The Scream: 21st Century Edition" was created by New York-based artist Jim Costanzo in response to the Iraq War. The piece is directly inspired by Edward Munch's painting, "The Scream." Costanzo expresses anger and frustration at the illegal American war and the attack on our civil liberties.
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Threads of Resistance
Practitioner:
Artist Circle Alliance
Date:
Jul 15 2017
A juried exhibition of fiber art created by the Artist Circle Alliance to protest the Trump administration’s actions and policies. This is a traveling exhibition to 13 venues across the U.S. All work in the exhibition, as well as the nearly 560 pieces submitted for jurying, are shown on our website.
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Cop d' ull
Practitioner:
Enmedio, TAF!
Date:
May 1 2002
This project was born a few days after a demonstrator lost an eye after being hit by a rubber bullet shot from police guns in Barcelona. Unfortunately, it was not the first time. "Cop d' ull" means a "a blow to the eye" and also "at a glance”, which is a perfect description of this project.
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#NoMásMáscaras - campaña contra ataques con ácido
Practitioner:
Fundación Natalia Ponce de León
Date:
Mar 29 2016
Entre el 2004 y el 2014 se registraron 982 víctimas de ataque con ácido en Colombia. En el 41 por ciento de los casos, el agresor no fue identificado. El aumento de casos llevó a que en enero pasado se promulgara una ley que endurece los castigos contra ese flagelo y con la que se busca reducir al máximo esta situación en todo el país.
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Domestic Tension
Practitioner:
Wafaa Bilal
Date:
May 1 2007
Wafaa Bilal's childhood in Iraq was defined by the horrific rule of Saddam Hussein, two wars, a bloody uprising, and time spent interned in chaotic refugee camps in Kuwait and Saudi Arabia. Bilal eventually made it to the U.S. to become a professor and a successful artist, but when his brother was killed at a U.S. checkpoint in 2005, he decided to use his art to confront those in the comfort zone with the realities of life in a conflict zone.
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The State of Things
Practitioner:
Ligorano/Reese
Date:
Jan 1 2006
The State of Things was first performed in the spring of 2006 on the 3rd anniversary of the Iraq war. On September 1st, 2008 in collaboration with Northern Lights as part of the UnConvention, Ligorano/Reese recreated The State of Thing’s Democracy ice sculpture, weighing over 1,000 pounds and measuring 5 feet high and 20 feet wide, in front of the State Capitol Building in St. Paul, Minnesota.
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The Second October Revolution
Practitioner:
Dmitry Borshch, Regina Khidekel
Date:
Aug 14 2018
"The Second October Revolution" 105 NY-110, Melville, NY 11747 August 14, 11 am – September 8, 7 pm Tuesday – Saturday, 11 am – 7 pm, free admission Please write to racc.ny@mail.ru or call (347) 662 1456 The artist is available for interviews
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Artists Across Myanmar Are Making Protest Art to Share Their Struggle for Democracy With the World
Practitioner:
Artists in Myanmar
Date:
Feb 1 2021
Myanmar has been engulfed in protest since February 1, when Burmese army general Min Aung Hlaing seized control of the government in a military coup, refusing to accept the landslide election victory of the National League for Democracy and its leader, Aung San Suu Kyi.
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The Realist
Practitioner:
Asaf Hanuka
Date:
Feb 27 2015
Asaf Hanuka is a cartoonist and illustrator based in Tel Aviv, Israel. His illustrations span the themes of technology, revolution, war, Judaism, and depictions of family life and the individual in modern day society.
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Palas Por Pistolas, or “Shovels for Guns"
Practitioner:
Pedro Reyes
Date:
Jan 1 2007
An artist in Culiacan, Mexico—which has the highest rate of gun deaths in the country—has found a way to transform the agents of death into seeds of life. In 2008, artist Pedro Reyes started running television ads urging locals to exchange their guns for food coupons to be redeemed at local stores. The campaign—Palas Por Pistolas, or “Shovels for Guns"—collected 1,527 guns, which Reyes publicly smashed with a steamroller.
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Bug Splat
Practitioner:
Bug Splat Project
Date:
Apr 12 2014
A giant art installation targets predator drone operators In military slang, Predator drone operators often refer to kills as ‘bug splats’, since viewing the body through a grainy video image gives the sense of an insect being crushed.
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The Mirror Casket Project
Practitioner:
De Andrea Nichols, Marcis Curtis, Sophie Lipman, Damon Davis, Mallory Nezam, Derek Laney, Elizabeth Vega
Date:
Sep 24 2014
The Mirror Casket project is a sculpture, performance, and visual call to action designed and orchestrated by a collaborative of St. Louis community artists in response to the shooting death of Michael Brown on August 9, 2014 in Ferguson, MO.
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Joey Skaggs and Santa’s Missile Tow
Practitioner:
Joey Skaggs
Date:
Nov 13 2012
On November 13, 2012, Joey Skaggs dressed up as Santa Claus and rode a three-wheeler to the United Nations in New York, NY. Skaggs’ bike was equipped with a fake mobile rocket launcher and a sign that read “ Peace on earth, or else!” A group of elves also accompanied Santa to the UN, and they alternated between handing out green toy soldiers to bystanders and singing their altered version of Jingle Bells, as seen below:
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A Performance workshop “Misplaced Women?”
Practitioner:
Tanja Ostojic and participants of the workshop
Date:
Oct 29 2015
“Misplaced Women?” is an art project-workshop by Tanja Ostojic in which she and project`s participants – artists , art students , cultural workers and activists: Nela Antonovic, Gorana Bacevac, Nadezda Kircanski, Tatjana Beljinac, Milica Jankovic, Tamara Bijelic, Irena Djukanovic, Bojana Radenovic, Marija Jevtic, Irena Mirkovic, Jelena Dinic, Sanja Solunac and Suncica Sido showed the everyday life activities that are characteristic for migrants, refugee
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Just Be - Challenging perceptions & changing attitudes on forced migration
Practitioner:
Participants of the Creativity and Change course Cork City
Date:
Apr 13 2017
The participants are taking part in a one week empathy to action training in Cork.
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MIS(S)PLACED WOMEN?
Practitioner:
Tanja Ostojić
Date:
May 10 2009
Mis(s)placed Women? (2009-2022), is a collaborative art project, consisting of performances, performance series, performance art workshops and delegated performances, including contributions by over 180 individuals from six continents. Many of them are artists, mainly identifying themselves as women from diverse backgrounds. Mis(s)placed Women?
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The “Radical Edits” of Alexandra Bell
Practitioner:
Alexandra Bell
Date:
May 4 2017
The artist Alexandra Bell‘s “Counternarratives” series highlights journalism’s tendency toward obfuscation and slant.
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The Wheelbarrow
Practitioner:
The Wheelbarrow Collective
Date:
May 1 2020
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive? The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
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“Un violador en tu camino” (“A rapist in your way”)
Practitioner:
LASTESIS
Date:
Nov 1 2019
Last month, on the International Day for the Elimination of Violence Against Women, dozens of women gathered outside the supreme court building in Santiago, Chile—a country now beset by popular uprisings against inequality—for a feminist flash mob.
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New Prints / Newsprints * Black Male / Blackmail
Practitioner:
Adam Void, Chelsea Ragan
Date:
Jun 7 2013
The prints exhibited June 2013 at Firestorm in Asheville NC, will comprise two separate bodies of work; Chelsea Ragan’s combination screen print / woodblock print / painting / drawings graphically detail police shootings of young black males from across the country, and Adam Void’s hand-painted screen prints state the facts of important national news stories that have been swept under the rug of mainstream corporate media.
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As the Taliban Curbs Women’s Rights, Advocates Demand Action
Practitioner:
Afghan women walk along a road in Kandahar, Afghanistan, on July 29, 2022.
Date:
Feb 15 2023
In December – as many around the globe were preparing for the holidays – Sama, a former attorney, remained hunkered down in her house in Kabul, Afghanistan, trying to comprehend how her world had changed.
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Outrage in China over pressure on student to stop activism amid growing Me Too movement
Practitioner:
Yue Xin
Date:
Apr 26 2018
BEIJING – Before Yue Xin became a central figure in China’s burgeoning movement against sexual harassment, she recorded herself singing a revamped version of the 1960s pop classic “Que Sera Sera.” “Will we be equal? Will we be free?” sang the Peking University senior in a voice clip posted online, putting her own spin on Doris Day’s “Will I be pretty? Will I be rich?”
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All of Us or None - Responses and Resistance to Militarism
Practitioner:
American Friends Service Committee
Date:
Jun 1 2015
A CALL TO ARTISTS: The American Friends Service Committee (AFSC) has created a new, nationally touring poster exhibit called All of Us or None: Responses and Resistance to Militarism. The exhibit will launch in June and is already scheduled to travel to Chicago, Greensboro, Providence, and San Francisco with many other stops anticipated. We are looking for some additional work to include in this show.
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