Projects tagged "Violence & War"

dronestream
Practitioner:
Josh Begley
Date:
May 10 2013
Josh Begley, a Data Artist and NYU Student, took publicly available information on recorded drone strikes and designed an interface for people to connect and sympathize with the reality of U.S. drone attacks.
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Mesmerizing Flesh: The Visceral Corporeality of Tamara Kostianovsky's Textile Sculptures
Practitioner:
Tamara Kostianovsky
Date:
Feb 3 2023
For artists exploring themes of violence towards humans and animals, there is a fine line between thoughtfully engaging and needlessly shocking the viewer; being sensationally explicit can turn people away while being tacit or innocuous may fail to make an impact.
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Iraq War Veterans Against the War
Practitioner:
Jose Vasquez - Executive Director
Date:
Jul 1 2004
Iraq Veterans Against the War (IVAW) was founded by Iraq war veterans in July 2004 at the annual convention of Veterans for Peace (VFP) in Boston to give a voice to the large number of active duty service people and veterans who are against this war, but are under various pressures to remain silent. From its inception, IVAW has called for:
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What Kind of Man are You?
Practitioner:
aleXsandro Palombo
Date:
Mar 7 2014
In a dark nod to International Women's Day, artist aleXsandro Palombo has turned to the world of cartoon characters to shed light on the horrors of domestic violence. His series, "No Violence Against Women," transforms iconic animated women into victims of abuse, resulting in a familiar yet ultimately disturbing collection of illustrations.
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Queer vernaculars and visual narratives IRANTI
Practitioner:
Iranti
Date:
Jan 3 2012
ONGOING ORGANIZATION: CALLED: Iranti [pronounced írantì] is the Yoruba word for ‘memory’. Largely found in South West Nigeria and parts of Benin Republic, the Yoruba people consider memory a prized form of intelligence which determines how often one remembers what they see and hear.
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Foreigners out! Schlingensiefs Container
Practitioner:
Christoph Schlingensief
Date:
Jun 11 2000
Foreigners out! Schlingensiefs Container (Ausländer raus! Schlingensiefs Container), alternately named "Wien-Aktion", "Please Love Austria—First European Coalition Week", or "Foreigners Out—Artists against Human Rights", is an art project and television show from 2000 that took place within the scope of the annual Wiener Festwochen. It was created by Christoph Schlingensief and directed by Paul Poet.
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As the Taliban Curbs Women’s Rights, Advocates Demand Action
Practitioner:
Afghan women walk along a road in Kandahar, Afghanistan, on July 29, 2022.
Date:
Feb 15 2023
In December – as many around the globe were preparing for the holidays – Sama, a former attorney, remained hunkered down in her house in Kabul, Afghanistan, trying to comprehend how her world had changed.
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Refugees tell their stories by starring in Danish ballet
Practitioner:
Christian Lollike, Royal Danish Theatre
Date:
Jan 29 2016
As Denmark moves to deter refugees from crossing its borders, a new theater production dramatizing their plight seeks to change how many in the country perceive their new neighbors. Uropa: An Asylum-Seeker’s Ballet, [is] a dance piece performed in part by refugees portraying themselves.
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Bicycles as a vehicle for protest in Guatemala
Practitioner:
Guatemalean girls
Date:
Feb 13 2021
Non-profit organizations and a multitude of Guatemalan girls protested together demanding justice and security from the government. Guatemala's insecurity and cases of girls' disappearances have increased over the years. The protest started outside the Government Ministery (Ministerio de Gobernación) early in the morning, where protestors gathered riding their bikes.
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Young Women For Change: Fashion as Activism
Practitioner:
Young Women For Change
Date:
Feb 2 2013
Founded in April 2011, Young Women for Change (YWC) is an independent non-profit organization committed to empowering Afghan women and improving their lives through social, economical , political empowerment, participation, awareness and advocacy. YWC was co-founded by Noorjahan Akbar and Anita Haidary and consists of dozens of volunteer women and male advocates across Afghanistan.
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Irish Reactions to Palestine and Israel
Practitioner:
Pro-Palestinian Activists in Ireland
Date:
Nov 1 2023
Palestinian and Israeli flags flutter in pro-Irish and pro-UK neighbourhoods in Northern Ireland, tapping into its own history of conflict and division that still affects everyday life despite a 1998 peace deal that largely ended violence.
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Typing...SYRIA
Practitioner:
Joi
Date:
Apr 1 2015
(SUBSCRIBE AT http://typingsyria.com/) Typing…SYRIA is a one month socio-artistic performance piece where any individual can subscribe to witness a WhatsApp conversation between two Syrian characters play out in real time.
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The Aphrodite Project
Practitioner:
Norene Leddy
Date:
Jan 1 2000
In the past, prostitution was intrinsically tied to religion ritual and public policy, and it wasn't considered a taboo. Taking up from the idea of ancient sandals worn by prostitutes, the artist has created platform shoes that specifically focused on their protection and safety nowadays, with a GPS tracker that can send emergency signals to 911 or a sex workers' rights group.
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Three Weeks in May
Practitioner:
Suzanne Lacy
Date:
Jan 6 2012
In May of 1977, artist Suzanne Lacy mapped every reported rape in LA for a period of three weeks. This project, aptly named "Three Weeks in May", was part of an extended performance which Lacy utilized as a means to expose LA's problem of violence against women. As a centerpiece for this project, Lacy used a large map where she recorded every reported rape in the area with the word RAPE.
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Elegy: GTA USA Gun Homicides
Practitioner:
Joseph DeLappe
Date:
Jul 4 2018
A computer game as a data visualizer - a daily reenactment of the total number of USA gun homicides since January 1st, 2018. The project works from a daily update of gun homicides as scraped from the Gun Violence Archive.
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Inflatable Cobblestones
Practitioner:
Tools for Action, Eclectic Electric Collective, Los Reflectantes
Date:
May 1 2012
On the 25th revolutionary 1st of May demonstration in Berlin-Kreuzberg, protesters were throwing huge inflatable cobblestones, made of silver-reflective foil and tape. The creative intervention was initiated by the former art-activist collective “eclectic electric collective” (e.e.c.) and was meant as a celebration of an object which is both a symbol and a material weapon of anti-authoritarian struggle everywhere.
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Speech/Acts at ICA Philly
Practitioner:
Jibade-Khalil Huffman, Steffani Jemison, Tony Lewis, Tiona Nekkia McClodden, Kameelah Janan Rasheed, and Martine Syms
Date:
Sep 1 2017
In “Speech/Acts,” a group exhibition organized by Meg Onli at the Institute of Contemporary Art in Philadelphia, Kameelah Janan Rasheed and Tiona Nekkia McClodden stood out as artists who take up voices, histories, and experiences that can help audiences move forward and endure in the future.
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LOGIC'S '1-800-273-8255' OFFERS AN HONEST TAKE ON SUICIDE & AMERICAN YOUTH
Practitioner:
Logic
Date:
Apr 28 2017
Logic, a rapper known to incorporate meaningful messages with his music, recently released his newest track, “1-800-273-8255.” Covering topics of depression and suicide, the song and its subsequent music video uses the phone number of a national suicide hotline as its title.
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Pussy Riot Bring Their Music and Activism To Montreal
Practitioner:
Pussy Riot
Date:
Nov 1 2023
Pussy Riot are spreading their protests and activism beyond Russia. Away from Vladimir Putin’s censorship, they’re bringing their voices to Canada – a place where their message of resistance is resonating. On Nov. 1, as a chilling cold filled the streets of Montreal, Pussy Riot kicked off the North American leg of their Riot Days tour with a sold out show at the Rialto Theatre. The tension in the room was palpable.
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Former NRA president tricked into gun violence prevention video
Practitioner:
Change The Ref
Date:
Jun 4 2021
A gun violence prevention group has released videos in which they trick famous pro-gun figures into addressing a sea of empty chairs, representing children and teenagers who were shot and killed before they could graduate from high school. Change the Ref, a gun safety organization founded by Patricia and Manuel Oliver, whose son Joaquin was murdered in the Parkland, Florida, school shooting, released the videos Wednesday.
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Eric Bouvet’s Chechnya On Stage
Practitioner:
Theatre company Map
Date:
Mar 15 2013
"On Friday, March 15, 2013, for the launch of the 20th edition of the Bayeux-Calvados Award for War Correspondents, the theatre company Map performed Jusqu’au bout, a play directed by David Ropars based on a text by the photojournalist Eric Bouvet. It was a great success! The monologue was given a magnificent interpretation by the actor Jean-Pierre Morice.
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Cop d' ull
Practitioner:
Enmedio, TAF!
Date:
May 1 2002
This project was born a few days after a demonstrator lost an eye after being hit by a rubber bullet shot from police guns in Barcelona. Unfortunately, it was not the first time. "Cop d' ull" means a "a blow to the eye" and also "at a glance”, which is a perfect description of this project.
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No to War! Peace & Love!
Practitioner:
No name
Date:
Sep 27 2026
These two works on canvas were made with my own blood, using the severed distal phalanx of my index finger as the painting instrument. They are connected to my solo anti-war action in Copenhagen in September 2026. Their central messages are “No to War!” and “Peace & Love!” The index finger—the finger used to pull a trigger—became the central symbol of my refusal to participate in aggression and the killing of other people.
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Somalia guerrilla artists dare to paint reality
Practitioner:
Muhiyidin Sharif Ibrahim
Date:
Mar 5 2013
“I want to show the people how bad the troubles were," says artist Muhiyidin Sharif Ibrahim of Mogadishu, Somalia. "That’s the message we’re going to send to people.” (Robyn Dixon, Los Angeles Times)
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Tupac's “Changes”
Practitioner:
Tupac
Date:
Oct 13 1998
Late last year, the New York Times published an op-ed short film written and narrated by Jay Z. The clip was called “The War on Drugs Is an Epic Fail,” and that kind of title was explicit enough for everyone to grasp the entertainment mogul’s general argument, whether they knew anything about drug war or not.
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