For artists exploring themes of violence towards humans and animals, there is a fine line between thoughtfully engaging and needlessly shocking the viewer; being sensationally explicit can turn people away while being tacit or innocuous may fail to make an impact.
El Sistema, also known as The National System of Youth and Children’s Orchestra and Choir, was established in Venezuela in 1975 by José Antonio Abreu, a Venezuelan educator, musician and activist. The music education program operates within the voluntary sector and is funded publicly.
Los Angeles is at a critical moment when it comes to art. Not because it's "underappreciated as a world art center" as The New York Times informed us in 2011. Or because it's a "burgeoning art capital" as The New York Times revised in 2014. No, it's because L.A. has actually moved past the "up-and-coming" stage into a fully integrated part of the art world.
In Louis Armstrong’s study in the Queens home he shared with his fourth wife, Lucille, bookshelves were filled with reel-to-reel recordings he made as a sort of audio diary. Those tapes and his letters — read by the rapper Nas — lay the foundation for the director Sacha Jenkins’s documentary “Louis Armstrong’s Black & Blues.”
Omelia Contadina was born out of the concern of JR and director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy.
In the early 1980s Keith Haring created hundreds of drawings in the New York subway system. He used chalk to paint on unused advertising space, which was covered with black sheets of paper. Haring was caught and fined numerous times.
An exhibition of textile-based work by disabled artists, organised in protest at the inaccessibility of an exhibition by a popular artist, when it came to Leeds.
Beyoncé delivered an intensely, unapologetic celebration of Black and HBCU culture at the Coachella Festival 2 weekends in a row. Not only were her performances some of the best live performances to date but they sent a pretty significant message to the world.
Here are some assessments of this beautiful demonstration of Blackness and Black Girl Magic:
From BBC News:
The Democracy Machine! is a performative sculpture that gives participants the opportunity to experience the thrill of democracy in action, in a competitive game that challenges people to work together toward understanding a better society. Using the spectacle and play of performance drawn from Las Vegas Casinos, gambling machines and game shows, The Democracy Machine!
To state or chant ‘BLACK LIFE’S MATTER’ is not to say other lives don’t matter, it’s a reminder that four hundred years and counting, black lives didn’t matter enough. Not during the dark era of slave trade and its horrors on the African, not after slavery ended and blacks were left holding the short end of the stick.
"Today there is literature coming out of Syria that we could have never even dreamed of just a few years ago," Atrash says.Rather than relying on metaphors and allegorical images, these new poems rely on literal, visceral descriptions, with a newfound emphasis on a united Syrian identity instead of religious symbols.
Ghada al-Atrash, a Syrian-Canadian writer and translator, has been studying Syrian poetry for decades.
Early Sunday morning, the Dallas Police Department's Twitter account tweeted for followers to download its iWatch Dallas app and share videos "of illegal activity from the protests." The police are looking to arrest lawbreakers at weekend demonstrations decrying police violence against black people. The benefit of the app, according to the tweet, was the ability for informants to stay anonymous.
I am traveling Australia sticking up 1000 poster of Monga Khan, the Aussie folk hero.... The photograph of Monga Khan was taken 100 years ago in Australia. He was one of thousands of people who applied for exemptions to the White Australia Policy. Cameleers, Hawkers and other traders were granted exemptions because their work was essential to Australian's growing economy. For 70 years they played a crucial role...
Comusitària is a Community Cultural Development agency based in Barcelona run by Noemi Rubio and Laia Serra. They work in the production, management, research and dissemination of artistic projects that build social capital and enable citizens to live more active, critical and creative lives.
Before Chance the Rapper performed at sold-out concert venues, he practiced his rhymes in front of an intimate crowd of roughly a dozen people at Harold Washington Library. Now the rapper is trying to return the favor, one open mic at a time.
In 2023, it is impossible to be an apolitical artist in Eastern Europe. As war rages on in Ukraine, art serves as a powerful and necessary tool, according the members of the Sunflower Solidary Community Center in Warsaw: Maria Beburia, Sebastian Cichocki, Kuba Depczyński, Taras Gembik, Yulia Krivich, Kaja Kusztra, Natalia Sielewicz, and Bogna Stefańska.
Ghana ThinkTank is an international collective that “develops the first world” by flipping traditional power dynamics, asking the “third world” to intervene into the lives of the people living in the so-called “developed” world.
Up Against the Wall: Art, Activism, and the AIDS Poster is the traveling version of the first major exhibition devoted to the University of Rochester's collection of HIV/AIDS-related posters. It illustrates to a broad audience that "AIDS affects everyone" and through the use of language and imagery, shows how messaging and information around HIV is shared to different groups, audiences, and people throughout the world.
Rokudenashiko is on a mission to free the vagina. In her native country of Japan, the vaginal slang word “manko” is considered taboo while the penis equivalent, “chinko,” is used freely. Rokudenashiko (the pseudonym of artist Megumi Igarashi) uses her manko art to destigmatize the vagina, using it as the basis for whimsical figurines, iPhone cases, dioramas, and, in her most infamous piece, a kayak.
Collective Creativity in the Beginning
Project Row Houses (PRH) is, and has always been, a unique experiment in activating the intersections between art, cultural and historic preservation, affordable and innovative housing, community engagement and development, neighborhood revitalization, and human empowerment.
Urban Landscape as Canvas
Mine is not Arts for the sake of Arts. It is a revolutionary INSGINA carved into the artistic plaque of my DNA to speak FREEDOM of expression and then freedom after EXPRESSION. The footprints of my revolutionary walk are dipped in the paths of RESISTANCE. My Ideological Swag -word is CREATIVITY. My spiritual birth mark is RESILIENCE. My revolutionary slogan is a nonviolent but a poetic fist of MASS INSTRUCTION. I am non-selfish believer.
When Europeans of the 18th and 19th centuries established their grandest museums, each building meant to unite the world’s cultural heritage under a single roof, they had no doubt as to who should explain it all: themselves. They took a Eurocentric view, categorizing the spoils of colonial enterprise by nation and region, splitting art from craft, and nature from culture.
The veteran Malian master puppeteer Yaya Coulibali, born in 1959 in the village of Koula, around 100 kilometres north-east of Bamako, has more than half a century of experience in puppetry and has toured the world to perform his art.
Conscious Lee is a public awareness project to help people value and protect their rivers. Rivers are rich sources of life and are vital for clean water. They are beautiful spaces to connect with nature. We all need to appreciate our rivers. We can all help river wildlife and protect this natural amenity for future generations.