From a distance they look like supermarket promotion ads, but up close, the text says the reverse: it details the skyrocketing food prices.
This is the proposal of the action “Bolsocaro”, which spread posters (those known as lambe-lambes) by walls in different regions of the São Paulo capital accompanied by phrases such as “It’s very expensive”, “It’s in Bolsonaro’s account” and “This account it is not ours.
A troupe of approximately thirty women and men of various ages, sizes, ethnicities and performance backgrounds marched through the performance art space of SESC-Vila Mariana in Sao Paulo and then through the streets of downtown Sao Paulo, silent, blind folded, dressed in business attire, and covered completely with a gray mud. The performances walked slowly in unison at turtle's pace.
The odd spaces exiting under bridges and viaducts around the world are often left aside, urban spatial residues mostly abandoned or occupied informally by homeless people drug users etc. The former pro boxer Nilson Garrido saw the space under the Alcantara Machado viaduct (in the Mooca neighborhood of Sao Paulo) as an opportunity to create a Boxing Academy.
Mayor Gilberto Kassab passed a Clean City Law that banned all public advertising in Sao Paulo, one of the world's most populous cities. The mayor gained the support of the city's elites in pressing the law as an anti-pollution measure targeting "visual pollution". The city was quickly stripped of its ubiquitous billboards, signs, graffiti and other public ads.
"Brazilian artist Mundano is used to spending his time on the road and in the streets, making art as an act of protest. Known for leaving his colorful works of graffiti on walls around the world, Mundano is especially dedicated to issues of environmental and social justice and spotlighting the overlooked work of Brazil’s trash collectors through his Pimp My Carroça campaign.
To show the harmful effects of cocaine on a drug addict, Brazilian advertising agency Talent created ‘living’ poster ads that are consumed by live mealworms over time.
Printed on dough, the ads initially show the faces of drug addicts.
However, as time passes, the mealworms slowly eat away at the posters, causing holes to form on the printed faces—highlighting the harmful effects of the drug.
From this article: https://www.bbc.com/news/magazine-27632527
A campaign by one of Brazil's biggest football clubs to encourage fans to become organ donors has led to a massive rise in the number of life-changing transplants and reduced waiting lists for organs in the area almost to zero.
From a Universe of Trash, Recycling Art and Hope
By STEPHEN HOLDEN
“We are not pickers of garbage; we are pickers of recyclable materials,” Tião, an impoverished Brazilian catadore, or trash picker, declares to a talk-show host in Lucy Walker’s inspiring documentary “Waste Land.”
Imagine if back in the 1960s, creators Jack Kirby and Stan Lee had found inspiration for The Avengers in Yoruba mythology. Instead of Iron Man, we'd have the warrior Oxaguiã. Taking the place of the blue-eyed, blonde-haired Norse god Thor would be the equally strong and black-skinned Xangô, the ruler of justice — who also happens to carry a hammer.
All those who practice surfing know firsthand the serious problem our beaches face: pollution. While some only complain, others do something about it. Two Brazilian surfers decided they could help raise public awareness of the need to protect nature of the proliferation of plastics used in the oceans through a novel idea: create surfboards plastic bottles.
Thousands of Indigenous activists and environmentalists have converged in one of the Amazon’s biggest cities to voice their hopes and fears about the future of the world’s biggest rainforest.
The Brazilian city of Belém will this week host a two-day conclave bringing together the presidents of eight Amazon nations including Brazil, Colombia, Peru and Venezuela.
Over the course of 3 years, from 2006 until 2009, the production team behind the film Wasteland (2010), also known as "Lixo Extraordinário" followed Brazilian, Brooklyn-based mixed-media artist, Vik Muniz, as he traveled back to Brazil to create self portraits with the catadores (tr. garbage pickers) of Jardim Gramacho, one of the largest city dumps in the Americas.
The Shifting View on Anthropofagia
Tarsila is closely associated with the establishment of the Brazilian art movement known as cultural “cannibalism,” or “Anthropofagia”: the then-radical idea that a truly Brazilian art would emerge by ingesting all the different cultures that intermingled within the country, rather than simply copying European styles.
In Women Are Heroes, JR introduces women who sometimes look death in the face, who go from laughter to tears, who are generous, have nothing and yet share, who have had a painful past and long to build a happy future.
An artist in Brazil, who remains anonymous, placed red blindfolds on the eyes of statues across the city of Rio de Janeiro to protest the country's political crisis.
Through his environmental, social justice organization, Instituto-E, Dr. Oskar Metsavaht, the creative director behind ethical fashion brand, Osklen, joined forces with Rainer Nolvak, founder of international civic sanitation movement, Let's Do it and Umer Pter, head of External Relations and Estonian delegate at the Rio+20 U.N.
BRASILIA (AFP).- Despite the economic crisis, Brazil announced Thursday it planned to give workers here a 50-real ($25) monthly stipend for cultural expenses like movies, books or museums. "In all developed countries, culture plays a key role in the economy," Culture Minister Marta Suplicy said in an interview on national television.
While governmental support for arts and culture is often meager, the Brazilian national government has recently demonstrated great interest in the industry. They've just introduced a "cultural stipend," which provides workers with 50 real (roughly $25) per month for arts and cultural expenses. The allowance covers personal spending on things like movies, concerts, books or museums.
In the context of the PhD research “Consciousness-raising: Activism in Digital Art” (by Ana Barata, Faculdade de Ciências Sociais e Humanas da UNL, Lisbon, Portugal) Carlos Latuff was interviewed concerning his political graphical work that focuses on present conflicts and issues.
Vem Pra Rua is a nonpartisan, democratic, and pluralist movement that emerged in response to society’s fight for a better Brazil. Brazilians of all regions, social classes, and ages began mobilizing at the end of 2014—building on the 2013 marches that protested corruption, inequality, and other socio-economic and political problems.
Acción #CronicaDaMorteAnunciada que consistió en la creación de 9 estandartes con informaciones sobre asesinatos a “País do Santo” para denunciar sus muertes por motivos de racismo afroreligioso en la ciudad de Belém, Brasil.