https://vimeo.com/114980972
"Probably one of the most important and timely shorts for America this year. Reinaldo Marcus Green's film addresses the upsetting aspects of New York City's stop-and-frisk policies with sensitivity and insight."
-Jeff Bowers, VICE (http://bit.ly/1mU7HHQ)
Stephanie H. Shih is a Brooklyn-based ceramist who explores Asian American identity through clay interpretations of grocery items. The ceramicist has created life-size painted clay Sriracha bottles, Pocky cartons, soy sauce gallons, and instant ramen as part of a series Shih conceived in 2018 called Oriental Grocery, to explore nostalgic foods of the Chinese American diaspora.
Children in marginalized communities often lack access to healthy foods, especially fresh fruits and vegetables. Poor nutrition, in turn, has significant negative impacts on a child’s health and ability to focus in school. Learning and academic achievement often plummet.
In the wake of hate crimes against Asian-Americans, the New York designer has moved his studio to Chinatown and refocused his energies toward advocacy and fundraising on behalf of the AAPI community. As he said, ‘I can no longer separate Phillip the person from Phillip Lim the brand.'
The Monument Quilt is an on-going collection of stories of survivors of rape and abuse. By stitching our stories together, we are creating and demanding public space to heal. We are building a new culture where survivors are publicly supported rather than publicly shamed. From 2013-2016, more and more stories will be added to The Monument Quilt as participants make their own squares, host workshops, and organize local displays of the quilt.
Vacated reverse engineers Google Street View to highlight the changing landscape of various neighborhoods throughout Manhattan and Brooklyn. The project finds buildings constructed in the past four years using the NYC Department of City Planning's PLUTO dataset, and it leverages Google Street View's cache to visualize absent lots just before new buildings were constructed.
Registered Nurses will be holding a protest in front of the White House on Tuesday, April 21 to call attention to the tens of thousands of health care workers nationwide who have become infected with COVID-19 due to lack of personal protective equipment (PPE). The nurses, members of National Nurses United (NNU), the largest union of RNs in the country, will be practicing social distancing and will read aloud the names U.S.
CNN
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Dior is facing accusations of cultural appropriation after Chinese social media users – and protesters outside one of the label’s Paris stores – claimed that a $3,800 skirt was inspired by a centuries-old traditional garment.
The enforcement of city and state law pertaining to graffiti, advertising, and other signage has enormous power to visually shape public space. In New York City, enforcement is heavily skewed to ignore illegal commercial advertising, while simultaneously aggressively targeting graffiti and, in some cases, symbols of dissent.
The Creativity Movement (formerly known as the World Church of the Creater) is a self proclaimed white supremacist organization with factions across the United States. In 2004, a high ranking leader of the Montana based faction defected from the group, but not before donating over 4,000 of the group's bibles called the 'RAHOWA' (acronym for racial holy war) to the Montana Human Rights Network.
Both shows are supported by funds from New York State Council on the Arts, New York City Department of Cultural Affairs in partnership with the City Council, and Materials for the Arts (MFTA).
"Printing Lost Culture of Ukraine" November 13 – December 15, 2023
Monday – Friday, 10 am – 7 pm, free admission
Ukraine House New York, 360 Merrick Road, 3rd Floor, Lynbrook, NY 11563
In 2016, The New York Times enlisted Jay-Z to voice a video about the War on Drugs. Aside from his recognizable cadence, Jay-Z has his own history with drugs; the now music mogul is open about his past of selling crack while growing up in Brooklyn, New York. The video asks, “Why are white men poised to get rich doing the same thing African-Americans have been going to prison for?”.
The Bread and Puppet Theater was founded in 1963 by Peter Schumann on New York City’s Lower East Side. Besides rod-puppet and hand puppet shows for children, the concerns of the first productions were rents, rats, police, and other problems of the neighborhood. More complex theater pieces followed, in which sculpture, music, dance and language were equal partners. The puppets grew bigger and bigger.
Two artists have repurposed the presidential candidate’s campaign bus in order to critique his controversial views.
In October 2015, the artists David Gleeson and Mary Mihelic purchased a Donald Trump tour bus on Craigslist.
Back after a five year hiatus, V-Day Sedona joins with hundreds of other productions across the globe in celebrating V-Day’s 20th anniversary with an act of artistic activism. For its 20th anniversary, V-Day is calling on activists around the world to Rise, Resist and Unite.
The artist conceived the project as a collaborative exhibition featuring five art-as-response pieces to the student loan crisis and the pressure it causes upon graduates. In its original version, Öğüt invited Natascha Sadr Haghighian, Superflex, Dan Perjovschi, Martha Rosler to present sculptures as collection points for public contribution to The Debt Collective, a student-debt canceling initiative launched by Strike Debt's Rolling Jubilee.
Six months before Hurricane Maria wreaked havoc in the Caribbean, a group of Puerto Rican artists were invited to participate in a residency program in Miami by local art organizations. The artists were offered abandoned storefronts-turned-studios at a historic downtown mall, where they’d exhibit their work during Miami Art Week in December to engage an art world that often overlooks the island territory.
In 2012, Sandra Fluke stood up in front of Democratic members of the House Oversight and Government Reform Committee to advocate for the mandatory inclusion of birth control coverage in health insurance. Republicans on the committee refused to allow her to speak.
Activism through print media is often done through duplication: posters, flyers, magazines, manifestos. But with these media, each individual duplicate holds the same, political message.
In Felix Gonzalez-Torres's "Untitled" (Death by Gun) (1990), a stack of posters are placed in the gallery space for people to take with them. As the pile is depleted, more posters are printed.
Moving Chains is a monumental 110-foot long kinetic sculpture that evokes the hull of a ship, built from steel and Sapele, a tree native to West Africa commonly referred to as African Mahogany. Inside of the sculpture, nine chains run overhead: rotating on a maritime sprocket system, eight of the chains represent the pace of the currents in New York Harbor, while a ninth central chain moves more quickly, mimicking the pace of a ship in transit.
When I watched them kill Elijah McClain, I couldn’t make any art for days. It had been week after week after week of gut-wrenching stories of Black lives taken from this earth too early. I wasn’t sure if I could handle another one. After seeing the way Elijah pleaded for his life while walking home from the convenience store, it was so hard for me to watch and process.
"Cat House for Dogs," said an ad in the Village Voice, "featuring a savory selection of hot bitches..." Along with this ad, a press release was sent to the media saying that if your dog graduated from obedience school, if it was his birthday, or if he was just horny, for $50 you could get your dog sexually gratified. This was not a breeding service, but purely a sexual pleasure service.
On Sunday morning, a puffy, Michelin Man-like figure trudged through Times Square in New York, panting from the exertion of trying to move while wearing 27 hazmat suits.
Inside the white cocoon was Zhisheng Wu, a Chinese artist who staged the street performance to criticize China’s unrelenting zero-Covid policy.