“I really wanted to highlight the strength of the human condition. When we work together we’re stronger,” Meredith Stern says of her exhibition “Cooperation Cats: 10 years, 20 prints” at AS220’s Project Space, 93 Mathewson St., Providence, from Feb. 1 to 29.
The artist conceived the project as a collaborative exhibition featuring five art-as-response pieces to the student loan crisis and the pressure it causes upon graduates. In its original version, Öğüt invited Natascha Sadr Haghighian, Superflex, Dan Perjovschi, Martha Rosler to present sculptures as collection points for public contribution to The Debt Collective, a student-debt canceling initiative launched by Strike Debt's Rolling Jubilee.
"WILD: Act I" is a film demonstrating the power of creativity in constraint. Using moving choreography performed by Elijah Lancaster and vivid imagery displayed on three walls in a mock cell, Jeremy McQueen gives voice to young Black and Brown men caught in the criminal 'justice' system.
MonsterSanto extolls the virtues of GMO's while his Money Head Clones offer the crowd free samples. President Bomblast entertains the crowd attempting to juggle Peace, Jobs, and Truth. A food fight breaks out.
In early 2016, I began paying attention to reports about the incredible number of unarmed black people being killed by the police. The posts on social media deeply disturbed me, but one in particular brought me to tears: the killing of Alton Sterling in my hometown Baton Rouge, La. This could have happened to any of my family members who still live in the area. I felt furious, hurt and hopeless.
Actionplay, a theatre company dedicated to providing autistic, neurodivergent, and disabled teens and young adults equal access to the theatre-making process, is pleased to announce their next production, the new musical comedy The Surface (or, That One Time Atlantis Washed Up On the Beach).
In the fall of 2011, Urbano’s teen artists and artist-in-residence Neil Horsky partnered with professional artists,
educators, librarians, and historians to undertake a critical investigation of
Boston’s Freedom Trail. During the
investigative process teen artists questioned the assumptions, accuracy,
comprehensiveness, and impartiality of public presentations of the city’s
Low-income tenants at a public housing project in Rhode Island — many of them working mothers with young children — wanted an affordable day care center in their building. With petitions, pickets, and letters to the city council, they built up a steady drumbeat of pressure on the key decision maker, the local Housing and Urban Development (HUD) director. At a certain point they decided to escalate with direct action.
The project provides somatic rituals to solve the problems of creative makers, offering specific somatic instructions for how to deal with breaks in (or lack of) creativity. Rituals available as a live, interactive performance and as limited-edition chapbooks, and broaden an understanding of creative “results,” “ends and means,” and the idea of a muse/magic as relates to creative labour.
To protest unethical labor practices in Bangladesh, specifically unsafe working conditions, 99 Pickets, The Illuminator, and Ismail Ferdous took action during New York Fashion Week.
The Howling Mob Society has created ten
historical markers representing history from the perspective of the working class. In particular, these markers detail events and significant locations from the
Great Strike of 1877 - a historical event in Pittsburgh's labor history that ignited a popular uprising of workingmen, families, and
neighbors alike as citizens stopped train services, burned railroad
At the press preview for Sharon Hayes’s new full-floor exhibition “There’s So Much I Want to Say to You” at the Whitney Museum there was a podium and a microphone set up in the center of the gallery that would eventually be used by director Adam Weinberg and curator Chrissie Iles to introduce the artist and her restless work.
Four days before the U.S. presidential election, three Ukrainian activists gathered at a stranded fence in New York City’s East Village to hang an expansive information poster. “19546+ Ukrainian Children Abducted by Russia,” reads its headline in bold. From a black canvas, white letters jump out at the passersby, a haunting reminder of the toll the Russian invasion continues to inflict on Ukrainian families.
Carlos Hernández Chávez is a Mexican-American muralist who brings the spirit of 20th-century Mexican muralism into modern New England. Chávez’s murals address key social justice themes, including immigration, workers’ rights, and cultural identity, challenging viewers to acknowledge and reflect on pressing societal issues.
After eight days of fall/winter New York Fashion Week, the most prominent trend—pervading both the runways and streets—has been social and political activism. To outsiders, New York Fashion Week may seem trivial in a time of more pressing news, but beyond being an escape, it’s a representation of how art can comment on social and political issues.
Shine, written by Stoneman Douglas students Sawyer Garrity and Andrea Peña in response to the tragic shooting at their school on February 14, 2018 to inspire unity, hope, and change. MSD alum Brittani Kagan collaborated with students and faculty to create this music video to honor the victims and the school.
The federal DREAM Act is back. This week Illinois Sen. Dick Durbin, the longtime champion of the bill, chaired the first ever Senate hearing on the narrow legalization effort that would allow a select population of undocumented youth a pathway toward citizenship.
Immersing in the art is what they are known for. As they slowly reopen, so is their annual public art and performance festival. Their mission statement says:“AiOP reminds us that public spaces function as the epicenter for diverse social interactions and the unfettered exchange of ideas.” The title of NORMAL is to push the boundary of what is.
Whose Chinatown? Examining Chinatown Gazes in Art, Archives, and Collections, brings together an art history of Chinatowns and their communities by historical and contemporary Canadian artists such Emily Carr, Unity Bainbridge, Yucho Chow, Fred Herzog, Paul Wong, Mary Sui Yee Wong, Morris Lum, and aiya哎呀, among others.
"Late last night, an autonomous group of activists placed posters throughout the subway system, blocking out advertisements with their own materials protesting Israel's bombing campaign in Gaza.
Ghostbikes.org is intended to be a site for the worldwide cycling
community where those lost on dangerous streets can
be remembered by their loved ones, members of their local communities,
and others from around the world. They also hope to inspire more people to
start installing ghost bikes in their communities and to initiate
changes that will make us all safer on the streets.
Susan Speirs fed four dollars into the Amend-o-matic Stamp Mobile. After spiraling up the "Tower of Corrupted Power," gliding past a clanging gong and sliding down hairpin turns on a roller coaster-style track to a final stamping station, the bills came out with bright red lettering in all caps.
Now, they read, "Stamp money out of politics."
The Brat Summer movement can be directly traced back to the release of Charli XCX's album "Brat" in 2024. Known for her boundary-pushing pop sound and fierce persona, Charli XCX used "Brat" as a platform to explore themes of defiance, self-empowerment and the rejection of societal expectations.
Independent blogger, Kristy Powell, decided to begin a digital action, beginning on January 3rd, 2011 and ending on January 3rd, 2012, where she would wear one dress for an entire year to call attention to the politics of fashion's dominance over our quotidian lives and relationships with our own bodies.