Projects tagged "Immigration"

North Korean Artist Hopes Reverse Propaganda Will Change Lives Back Home
Practitioner:
Song Byeok
Date:
Jan 1 2018
Song Byeok is one of the most acclaimed Korean artists living today. He is from North Korea, where he was a propaganda artist for the North Korean government for two decades. After defecting in 2002, Byeok has turned his prolific creativity into powerful, satirical art using North Korea’s ruling culture as motifs.
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Journey of a Yellow Man
Practitioner:
Lee Wen
Date:
Sep 1 1992
Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.
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Raising Awareness of Migration and COVID 19 through Graffiti and Street Art in Accra
Practitioner:
Ghana Graffiti Collective, Accra Metropolitan Assembly
Date:
May 29 2020
In a bid to fight the spread of COVID-19, the EU Delegation to Ghana on Wednesday 27 May joined the International Organisation for Migration (IOM), the Accra Metropolitan Assembly (AMA) and artists from the Ghana Graffiti Collective, to launch an initiative to use street art and graffiti to create awareness about coronavirus and migration. The artwork created by the Ghana Graffiti collective speak about hope, tolerance, love and solidarity.
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The Flood: Gilgamesh and the quest of immortality
Practitioner:
Center for Cultural Decontamination, Belgrade & Theater Zoukak, Beirut
Date:
May 15 2015
The project associating the contemporary movement of the people with the Gilgamesh journey focuses on the contemporary global crisis of the political systems and humanistic values, with the goal to contribute to the prevention of radicalization of our respective societies mobilized around recent conflicts, enhancement of the wellbeing of immigrants, through opening a space for creative expression and questioning the role of culture in contemporary polit
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Step Into My Shoes And Sit In My Seat
Practitioner:
Participants of the Creativity and Change course Cork City
Date:
Mar 11 2017
Topic: Displaced people Concept: Explore and communicate some of the issues around displacement in a global, European and Irish context. Date of action: 11th March 2.30 to 4.20 pm Place: Emmett Place, Cork City, Ireland
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Call out sites displaying ICE recruiitment adverstising
Practitioner:
Various independent actors in Santa Cruz, CA.
Date:
Sep 8 2025
ICE [Immigration & Customs Enforecement] is now heavily recruiting, in part with offers of a $50,000 signing bonus. ICE has run roughshod over the Constitution, targeting people via racial profiling, failing to give people their constitutional rights of due process, and whisking them off to prisons abroad.
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MAY DAY MARCH- "TRUMP UNWANTED"
Practitioner:
MAY DAY MARCH Community
Date:
May 1 2016
GAME ON! Its gonna be a good Spring!" Connie Bacon. Activists and the politically aware will march with the message that Donald Trump and his beliefs are "UNWANTED".
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Border Crosser
Practitioner:
Chico MacMurtie/Amorphic Robot Works (ARW)
Date:
Feb 3 2016
ZERO1 is thrilled to commission artist Chico MacMurtrie/Amorphic Robot Works(ARW) Border Crosser during the week leading up to SB50. Rising 40 feet from the ground and arching across an imaginary border before forming a bridge and touching down on the “other side,” Border Crosser is the first of a series of large-scale inflatable robotic sculptures that poetically explore the notion of borders by artist Chico MacMurtrie/ARW.
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Future Internment Camps
Practitioner:
Plastic Jesus
Date:
Mar 7 2017
Over the weekend, Plastic Jesus affixed 50 signs to construction sites throughout the country that read, “Lot reserved for: Future Internment Camp.”
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Immigrant Movement International
Practitioner:
Tania Bruguera, Partnership with Queens Museum of Art
Date:
Jan 1 2011
Tania Bruguera, in partnership with the Queens Museum of Art, began a long term art project in form of an artist initiated socio-political movement. Immigrant Movement International is an organization headquartered in the multinational neighborhood of Corona, Queens. The organization engages local, national and international audiences and focuses on the issues of immigration reform.
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César Chávez and the Migrants
Practitioner:
Teatro SEA
Date:
Jan 1 2023
The play celebrates the life and legacy of the Mexican-American labor activist César Chávez. His early life as well as his partnership with Dolores Huerta, activism with the National Farm Workers Association, the 1968 grape boycott, and his ongoing commitment to nonviolent civil rights work.
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Immigrant Movement International
Practitioner:
Tania Bruguera
Date:
May 31 2011
Immigrant Movement International (IM) is a community space in the heavily immigrant neighborhood of Corona, Queens.
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Europe's First Underwater Museum Offers A Stark Reminder of the Refugee Crisis
Practitioner:
James DeCairas Taylor
Date:
Feb 5 2016
Strap into your scuba gear — this museum is worth it. Installation began on Museo Atlantico — the latest project of underwater sculptor James deCaires Taylor — this week, 14 meters underwater in Lanzarote, one of the Spain’s Canary Islands off the coast of West Africa. Taylor, whose creations have spanned the waters from the Bahamas to London, calls it the first underwater contemporary art museum in Europe and the Atlantic Ocean.
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MIS(S)PLACED WOMEN?
Practitioner:
Tanja Ostojić
Date:
May 10 2009
Mis(s)placed Women? (2009-2022), is a collaborative art project, consisting of performances, performance series, performance art workshops and delegated performances, including contributions by over 180 individuals from six continents. Many of them are artists, mainly identifying themselves as women from diverse backgrounds. Mis(s)placed Women?
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Colectivo Sublevarte Retrospective
Practitioner:
Colective Sublevarte
Date:
Nov 10 2012
Sublevarte, a Collective of Mexican artists, was born out of the ENAP (National School of Fine Arts) of UNAM (the National Autonomous University of Mexico), during the student strike of 1999-2000, the longest student strike in history.
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The Sacred Art of Ori
Practitioner:
Laolu Senbanjo
Date:
Apr 27 2017
The story of an artist. Laolu Senbanjo grew up surrounded by the culture and mythology of the Yoruba, an ethnic group from the southwest of Nigeria, but he never imagined how it would influence the artist he is today. After a career as a human rights attorney, Senbanjo moved to New York City to pursue art full time. “With my art, I like to tell stories, I like to start a conversation,” says Senbanjo, but life as an artist in New York was tough.
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Phillip Lim on Asian-American Activism in Fashion
Practitioner:
Phillip Lim
Date:
Mar 20 2021
In the wake of hate crimes against Asian-Americans, the New York designer has moved his studio to Chinatown and refocused his energies toward advocacy and fundraising on behalf of the AAPI community. As he said, ‘I can no longer separate Phillip the person from Phillip Lim the brand.'
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Teeter-Totter Wall
Practitioner:
architecture studio Rael San Fratello
Date:
Jul 1 2019
An installation by architecture studio Rael San Fratello, which connected children in the US and Mexico via a trio of seesaws slotted into the countries' border wall, has been crowned the Design of the Year. Dubbed the Teeter-Totter Wall, the project was in place for only around 40 minutes in July of 2019 and hoped to foster a sense of unity at the divisive border, which was highly politicised under the Trump administration.
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Belgium Disappears
Practitioner:
Jason Applebaum
Date:
Dec 15 2006
For a brief moment on Wednesday night it appeared that Belgium had disappeared. The main French language television station hoodwinked the country into thinking that it had split in two when it reported that Flanders had issued a unilateral declaration of independence.
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Erasing the Border
Practitioner:
Ana Teresa Fernández
Date:
May 6 2011
From Public Delivery:
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QUINCEAÑERA PROTEST: Texas teens protest against SB 4 at Capitol
Practitioner:
Texas Teens
Date:
Jul 17 2017
Highlights: A handful of teens donned puffy quinceañera dresses to protest against the “sanctuary cities” ban. The teens gave paper flowers to lawmakers who voted against SB 4 and flyers to those who voted in favor. Texas teens took part in a quinceañera-themed protest on the south steps of the Capitol to voice their opposition to Senate Bill 4, the so-called sanctuary cities ban.
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"We stand in solidarity"-Asian American Artist Confront Racism
Practitioner:
Mike Keo, Monyee Chau, Godzilla: Asian American Art Network
Date:
Apr 2 2020
Unleashed by anxiety over the pandemic, the nationwide rise in anti-Asian hate has served as a call to action for many Asian American artists to take a stand: To actively challenge the historic negative stereotype of the vice- and disease-ridden Yellow Peril; to dismantle the pernicious and divisive myth of the model minority that pits achievements by Asian Americas as judgements against other communities of color; and to advocate for social justice, eq
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Chicano Murals
Practitioner:
Emiliano Zapata, Tierra Y Libertad
Date:
Apr 22 2014
In El Paso more than 100 murals have been painted since the mid-1960s. The murals, located throughout the city's various corridors, often depict themes common to Chicano muralism, such as mestizo heritage or social problems, but they also tell unique stories about the "merging of ideas, cultures, and dreams" along the United States-Mexico border.
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COUNTERSPACE
Practitioner:
Cristina Morales
Date:
Aug 1 1919
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
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Turning a New Page: Ukrainians in Moldova Celebrate Culture, Create Community
Practitioner:
Moldova’s Media and Communications Unit, Riccardo Severi, Ana Gnip-Balan, and Olga Derejovschi and edited by Amber Christino
Date:
Apr 9 2025
Republic of Moldova – “Before the war, Eva was a happy, carefree little girl, a first-grader full of joy who loved going to school, practicing taekwondo and drawing,” Olga recalls. Determined for her six-year-old daughter to have a joyful, stable childhood, Olga did all she could to help Eva thrive.
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