Boricua artist Castorillo discusses the crisis, diaspora, and the enduring significance of the Young Lords Party for Puerto Rican social movements today using illustrations:
In the 1970s, Jaime Lerner, the former mayor of Curitiba, Brazil, transformed six blocks of the main downtown shopping street into a pedestrian zone in 1972, despite fierce objections from the merchants. He quickly accomplished this change in just three days by installing paving, lighting, planters, and furniture. The once-resistant merchants were impressed by the increase in their business and soon demanded an expansion of the traffic-free district.
Right before the presidential elections in Mexico, planned for July of 2012, a local software enterprise has developed a smart-phone game that shows how to commit fraud at the elections.
Thousands of Indigenous activists and environmentalists have converged in one of the Amazon’s biggest cities to voice their hopes and fears about the future of the world’s biggest rainforest.
The Brazilian city of Belém will this week host a two-day conclave bringing together the presidents of eight Amazon nations including Brazil, Colombia, Peru and Venezuela.
The work of Marcela Cantuária (b. 1991, Rio de Janeiro; lives in Rio de Janeiro) often portrays female figures who navigate regional, international, and social boundaries. Often highlighting symbols from tarot and astrology as well as themes that reflect political and environmental activism in Latin America, she weaves narratives of social spheres, political associations, and ethereal wishes.
On August 16, 2019 thousands of women marched in various cities across Mexico. One particular case may have triggered them, but these marches were an answer to the systematic violence against women and girls in our country.
When the last detention facility in Guantanamo Bay was officially decommissioned in 2010, an international team of artists, curators and architects began planning and designing a museum that would take the place of the detention facility - a little less than two years later, their work became reality.
At Carnival, Where Challenging Normal Is the Norm
By NADIA SUSSMAN and TAYLOR BARNES
New York Times MARCH 2, 2014
RIO DE JANEIRO — Standing high atop a truck rigged with speakers, André da Silva Lisboa cried out to hundreds of drummers, dancers and costumed revelers gathering in the sun-drenched avenue below.
“Carnival has arrived,” shouted Mr. da Silva Lisboa, 38, a samba singer. “Come to the streets! We’re freaking out!”
It was a long time coming - but it was worth the wait.
Nearly two years ago, more than a dozen of Mexico’s biggest performing artists came together in a mega-event aimed at saving Wirikuta, one of the country’s most sacred sites, from devastation at the hands of Canadian gold and silver mining operations.
During the 2020 and 2021 social protests in Chile, Colombia, and Peru, Latin American fans of K-pop, Korean popular music and culture that mixes rhythms, styles, dance routines and has a defined aesthetic, went from using social networks to support their favorite artists to using them to sabotage the hashtags of conservative influencers that discredited the mobilizations.
Prison inmates in Mexico have suffered from coronavirus infections at a higher rate than the country as a whole, and pandemic lockdowns have reduced their already limited contact with the outside world.
But one group of women inmates at a prison west of Mexico City have managed to benefit, as the lockdown spurred a wave of professionals with time on their hands to donate online classes.
Cheril Linett is a female artist from Chile, with a background in performance art and stage performance, who primarily focuses her artwork on feminist issues in Chile, especially ones involving violence, murder, hate crime and different kinds of oppression and assault, but also creates artwork reflecting issues in other parts of Latin America.
After the economic crisis of December 20, 2001 in Argentina, there was a growth in the participation in all types of protests and claims of the different sectors affected by the crisis (against banks by savers, roadblocks and mobilizations of picket movements, state employees in municipalities and government houses, neighborhood assemblies, etc). The situation that was experienced led the protesters to seek new and varied reporting strategies.
Estados de excepción (States of Exception) is series of participatory cultural interventions created for women to freely and joyfully exercise our rights in public and secure environments, currently being produced in Mexico and abroad.
HAVANA (AP) — A U.S. agency's secret infiltration of Cuba's underground hip-hop scene to spark a youth movement against the government was "reckless" and "stupid," Sen. Patrick Leahy said Thursday after The Associated Press revealed the operation.
Non-profit organizations and a multitude of Guatemalan girls protested together demanding justice and security from the government. Guatemala's insecurity and cases of girls' disappearances have increased over the years. The protest started outside the Government Ministery (Ministerio de Gobernación) early in the morning, where protestors gathered riding their bikes.
Vem Pra Rua is a nonpartisan, democratic, and pluralist movement that emerged in response to society’s fight for a better Brazil. Brazilians of all regions, social classes, and ages began mobilizing at the end of 2014—building on the 2013 marches that protested corruption, inequality, and other socio-economic and political problems.
The Search for Identity in a Country of ‘Disappeared’
By Marcela Valente
‘Theatre for Identity’ is the theme of a novel undertaking in the Argentine capital, where 41 plays are being put on every Monday in 14 theatres.
Last month, on the International Day for the Elimination of Violence Against Women, dozens of women gathered outside the supreme court building in Santiago, Chile—a country now beset by popular uprisings against inequality—for a feminist flash mob.
The Atacama Desert in northern Chile — the setting of Patricio Guzmán’s transfixing cinematic essay “Nostalgia for the Light” — is a place where heaven and earth converge. Or some might say heaven and hell.
El Estudiante Militante is a giant puppet built by the members of Papel Machete and students of the University of Puerto Rico during the first three days of the 2010 student strike at a cultural camp established by the theater group in solidarity with the striking students. The puppet was built with materials inside the campus of the University.
A collective endeavor of Greek antiquity — no less than eighty different artists worked on the frieze alone — the Parthenon was built between 447 BC and 438 BC under the orders of Pericles, following a democratic debate, and overseen by the sculptor Phidias. It measures ten meters high and approximately seventy meters long by thirty meters wide.