NAME OF PROJECT: ‘CHILDREN SHOULD BE SEEN AND HEARD’
TEAM MEMBERS: Caroline, Yasir, Sile, Audrey & Mary
GLOBAL CHALLENGE: To give children a voice and create empathy
among adults for children
♯childrenshouldbeseenandheard
Yesterday, I procrastinated my way to watching the Savage X Fenty Show, and I was left in complete awe of Rihanna. She truly is a powerhouse, but on top of that, all her brands; Fenty Beauty, Savage X Fenty and Fenty have intentionally left no one behind.
The average crow takes less than two hours to travel from Sing Sing maximum-security prison to the Whitney Museum of American Art, institutions separated by just 32 miles of land along New York’s Hudson river. Yet few humans journey between them – museums and prison are at opposite ends of our society’s self-imaginings, and their populations tend not to intersect.
This month, the art of Chinese dissident Badiucao has finally seen the light of day in Melbourne — more than a year after the Australian artist's Hong Kong exhibition was cancelled due to threats reportedly made by Chinese authorities.
An Israeli member of the Taiji Dolphin Action Group, with a red body painting to evoke blood, is curled up on a sheet depicting the Japanese flag, during a January 30, 2014 protest against the killing of dolphins, notably in the Japanese city of Taiji, held outside the building housing the Japanese Embassy, Tel Aviv. Similar rallies outside Japanese consulates and embassies were expected to take place worldwide.
Alzayer put cages around Boston's "Make Way for Ducklngs" statues, separating the baby duckling statues from the mother. The original statues were created in 1987 by Nancy Schon and the mallard family is based on the children's book by Robert McCloskey.
A 20ft by 9ft scoreboard that reads "Capitalism Works For Me!" and allows visitors to vote on whether Capitalism works in their lives by pressing a button for True or False.
Lynn Neuman, director of New York City–based Artichoke Dance, became preoccupied with single-use disposability after she started wondering about waste and who was responsible for it. For some of her performances, she has collected massive quantities of discarded plastics, like bags and six-pack rings, and invited community members to contribute their own. “There’s a real aha moment when people see how quickly plastic amasses,” she says.
hot pink see-saws installed along the US-Mexico border where one person on each side can sit and see-saw with the other. installed at Sunland Park, nine miles northwest of El Paso, on the 18 feet slats border wall between Mexico and the United States. It is at this site where the US Border Patrol detained about 300 migrants from Mexico. (Public Delivery) the installation lasted only 1 day and was done without permission.
Howardena Pindell presented her solo exhibition, “Rope/Fire/Water”, her first video in 25 years and a project utilized by the artist since the 1970s that The Shed commissioned and displayed in late 2020 and into early 2021. “Rope/Fire/Water” mines the history of violence against African-Americans and features Pindell’s personal anecdotes and anthropological and historical data related to lynchings and racist attacks in the United States.
At the same site where Dr. Martin Luther King, Jr. delivered his "I Have a Dream" speech, we lit thousands of candles - one for each signature on our petition - to commemorate the legacy of brave freedom fighters Andrew Goodman, James Chaney, and Michael Schwerner and to stand up for the rights that are once again in peril.
Women to the Front: Perspectives on Equality, Gender, and Activism is an exhibit that showcases 15 female artists with ties to Utah who infuse their art with activism. The exhibit commemorates the centennial of the 19th Amendment and the 150th anniversary of the first vote cast by a woman in Utah.
Caucus-goers in Des Moines will arrive to a disturbing sight on Monday, with dozens of chain-link cages appearing to hold migrant children cropping up across the city overnight.
In August 2015, Weston-Super-Mare - a sleepy seaside town in Somerset, England - suddenly became the top destination for the metropolitan elite, welcoming celebrity guests like Brad Pitt, Jack Black and Mark Ronson. Overnight this quaint town, just 18 miles from Bristol, was transformed by anonymous street artist Banksy when he opened his very own dystopian Disneyland style theme park called ‘Dismaland’.
Renowned French artist JR and Oscar-nominated American filmmaker Darren Aronofsky have collaborated on The Standing March, a major public artwork exhibited in Paris during the UN’s COP21 climate conference. The video projection will remind leaders that the world is watching as they gather to negotiate a deal aimed at keeping global warming below 2°C.
If the way to one’s heart really is through the stomach, Rirkrit Tiravanija must have more than his share of admirers. Now at GAVIN BROWN, the Buenos Aires-born artist with a history of dishing out tasty edibles in his exhibitions invites viewers to enjoy a bowl of soup in his interactive show, Fear Eats the Soul.
An exhibition of textile-based work by disabled artists, organised in protest at the inaccessibility of an exhibition by a popular artist, when it came to Leeds.
The mischievous posters began appearing all over London in the past two months.
On the side of an East London bus stop, one of them shows Elon Musk, the world’s richest man, emerging from a Tesla’s roof with his hand pointing upward in a straight-armed salute. “Goes from 0 to 1939 in 3 seconds,” the ad reads. “Tesla. The Swasticar.”
In São Paulo, just like in many other metropolitan regions, public transport is not as effective as it could be. Buses and trains usually run overcrowded, late and on limited hours, so that owning a car increases a lot one’s comfort. But not everybody can afford to have one, so a clear and recurrent class distinction occurs: public transport is mostly used by poor people.
For the past few years, I've been creating what I call "art of social conscience:" tv spots, viral emails, paintings and posters, but none of it has engaged viewers as much as this series of "historical" markers, each one a small story containing a discrete point of view.
"Los Palcos del Descubridor" (The Discoverer's Box Seats) was a project created by Sebastian Burga and José Aburto in 2012 that consisted of a large-scale installation on the street and a media campaign on the Internet.
The work simulated the upcoming construction of an apartment building that would replace Lima's Teatro Colón, a historical landmark.
Activism imitated art when Justice 4 Grenfell protesters drove three provocative signs through the streets of London. In a clever nod to Three Billboards Outside Ebbing, Missouri, the Oscar-nominated film directed by Martin McDonagh, the billboards were bright red, with black letters that read:
71 DEAD
AND STILL NO ARRESTS?
HOW COME?
Colombian ad agency Lowe SSP3 is starting a Christmas-themed campaign to entice guerrilla fighters out of the jungle to turn themselves in. The agency may have created an advertising-to-guerrillas award category after winning a gold Cannes Lion in the outdoor category and half a dozen Grand Prix awards at other shows this year for its first holiday effort, last December.
Power Call is a nomadic, interactive energy commons in San Francisco to the Bay Area. Using low-tech systems, Power Call harnesses, stores and dispenses energy for recharging a variety of cell phones. Anyone can contribute to the energy commons by spending a few minutes pumping the machine, creating a charge for yourself or a future person in need.