The war against London's "anti-homeless" spikes escalated today from sign-waving to radical criminal action In the small hours of the morning, some activists dressed as builders poured concrete over the metal spikes outside a Tesco Metro on Regent Street, before vowing to strike again.
Creative Time, Social Practice Archive: In 2000 Heavy Trash, an anonymous arts organization of designers, architects, and urban planners, implemented its Aqua Line project throughout various parts of Los Angeles. The project involved the installation of false "Future Station Location" signs in the downtown area, notifying passersby of the impending construction of a subway that would connect the downtown to the Westside.
Western Flag depicts the site of the 'Lucas Gusher' - the world's first major oil find - in Spindletop, Texas in 1901, now barren and exhausted. The site is recreated as a digital simulation the center of which is marked by a flagpole spewing and endless stream of black smoke.
As you walk through Paris and especially in the Montsouris Park, one cannot help but notice the blue busts that appear to be rising from under the surface of the water. This artwork is known as Where the Tides Ebb and Flow created by Pedro Marzorati , an Argentinian artist.
Throughout the weekend, big box stores across the country were stocked with an unexpected item: “The Justice Kavanaugh Boof Kit.” The item, an alcohol enema kit (known as “boofing” or “butt chugging”), appeared on dozens of retailer’s shelves over the weekend in New York, Los Angeles, San Francisco, Minneapolis, and Detroit. Some of the stores included Walmart, Target, Bevmo and other major super market chains.
A new exhibition titled “Afrofuturism: A History of Black Futures” will debut at the National Museum of African American History and Culture (NMAAHC) to examine Afrofuturist expression and culture as it relates to music, activism, art, and more.
In May 2020, a team of artists, activists, folklorists, and people who lost loved ones to Covid-19 came together to make monthly memorial sites in New York City to remember victims of the Covid-19 pandemic. They continued installing memorials around New York City every month during the summer of 2020.
Luzinterruptus turns their art activism towards the overabundance of dog doo littering the city’s streets.
The studio inflated 500 poop-scoopin' plastic bags and placed a lightbulb inside each one.
Installation lasted nine hours.
The "Democracy Wall" in the Carroll Gardens section of Brooklyn, New York was established in 2009. This wall is a long-term, community art activist project that is part wall mural, part past information archive.
In 1984, a group of women in New York gathered outside the Museum of Modern Art as part of a protest. A group show, An International Survey of Recent Painting and Sculpture, was showing 165 artists, 152 male artists exhibited alongside just 13 women.
Outraged, they attended the protest, bringing placards and chanting outside the museum. But a handful of women within the larger crowd learned something.
Activism imitated art when Justice 4 Grenfell protesters drove three provocative signs through the streets of London. In a clever nod to Three Billboards Outside Ebbing, Missouri, the Oscar-nominated film directed by Martin McDonagh, the billboards were bright red, with black letters that read:
71 DEAD
AND STILL NO ARRESTS?
HOW COME?
With a grand total of 0 permanent residents and an average winter temperature of --56.2°F, Antarctica is a bit more than your average “no man’s land.” This didn’t deter artist duo Lucy + Jorge Orta, however, who took an expedition to the territory in 2007 on commission from The End of the World Biennale. Nine years later, the duo’s cumulative work created during the program is finally on display in NYC at Jane Lombard Gallery.
In the "D", "D" doesn't really stand for "Detroit", but "Demolition." Take a look around and you'll notice a great number of buildings marked on the front with a circled "D" in faint chalk. Off to the side, many of these same buildings will also have a noticeable dot, courtesy of our own native son, Tyree Guyton.
Student loan debt in the US today totals over 1.7 trillion dollars and is collectively borne by more than 44 million Americans, including artist kelli rae adams. With her installation Forever in Your Debt, adams converts this abstract burden into a tangible volume. She has crafted hundreds of wheel-thrown vessels, sized to collectively hold the average individual student debt —$37,000—in the form of coins.
The Repellent Fence is a social collaborative project among individuals, communities, institutional organizations, publics, and sovereigns that culminate with the establishment of a large-scale temporary monument located near Douglas, Arizona and Agua Prieta, Sonora. This 2 mile long ephemeral land-art installation is comprised of 26 tethered balloons, that are each 10 feet in diameter, and float 100 feet above the desert landscape.
Decolonizing Architecture/Art Residency (DAAR) is an art and architecture collective set up by Alessandro Petti, Sandi Hilal and Eyal Weizman, based in Palestine. Their work is a critical examination of the role played by architecture in the occupation of the Palestinian territories.
A crew of occupiers makes a home of a Bank of Americalobby with a couch, a coffee table, a rug and a pottedplant. "Bank of America took our homes so we though we'dmove in here!"
RACC Satellite Space in Garden City
1205 Franklin Avenue, 3rd Floor, Garden City, NY 11530
June 26, 10 am – July 28, 7 pm
Monday – Friday, 10 am – 7 pm, free admission
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
An exhibition of textile-based work by disabled artists, organised in protest at the inaccessibility of an exhibition by a popular artist, when it came to Leeds.
Felix Gonzalez-Torres produced meaningful and restrained sculptural forms out of common materials. “Untitled” (Portrait of Ross in L.A.) consists of an ideal weight of 175 pounds of shiny, commercially distributed candy. The work’s physical form and scale change with each display, affected by its placement in the gallery as well as audience interactions.
"Sun Mu is not the artist’s actual name. It’s a nom de plume that uses a combination of two Korean words that translate to ‘The Absence of Borders’. It not only represents what he feels is the transcendence of art but also the literal military demarcation line that keeps the Korean people separated.
IT all looked so normal: a dozen diners chatting over coffee and hash browns at an outdoor cafe near the waterfront here on an August morning. The cook flipped eggs, a dog sniffed for scraps, and the young woman in the black sweater suspected nothing of the spies and confederates sprinkled throughout. They’d been studying her life for four months and were finally preparing to pull it through the looking glass they’d constructed.