South Korean artist Do Ho Suh is internationally known for his ghostly, diaphanous architecture and fabric-made objects, which create imaginary spaces that are physically present yet impossible to inhabit. His large-scale, immersive, but impermanent installations serve as “acts of memorialization,” exploring themes of identity, home, and the tension between personal and public space.
Trade School is a self-organised, alternative learning space that runs on barter. It was started in 2010 in New York’s Lower East Side by Rich Watts, Louise Ma, and Caroline Woolard of OurGoods.org, a creative barter network. Over 800 students participated in 76 single-session classes during 35 days. Anyone can teach a class, and students sign up by agreeing to meet the barter requests of teachers.
A Chinese Independent Photographer, Xiyouxiu (Twitter ID@xiuxiukong) published a set of photos called "Father" on both Chinese social platforms like Weibo and Little Red Book, and international platforms like twitter.
On February 19, 2012, the Chinese young feminism leaders, included Maizi Li and Churan Zheng, initiated an activity, "Occupy the Men Bathroom." The protesters occupied the male public restroom and invited the women waiting for the women restroom to use the male one.
Established in 2015 in the Tennōzu neighborhood of Tokyo, and attracting industry professionals and art enthusiasts from both Japan and abroad, PIGMENT TOKYO has emerged as an art supply store specializing in the materials and tools used in traditional Japanese painting, such as mineral pigments, washi paper, and brushes. However, it’s more than just a store.
Song Tao and Ji Weiyu, established their collaborative named Birdhead in 2004. Both natives of Shanghai, their work is deeply rooted in their hometown and its evolution amid China’s growth into a global power. The duo takes diaristic snapshots, highlighting their everyday lives in the quickly changing city.
On June 26, contemporary artist Cai Guo-Qiang released the daytime firework display ‘When the Sky Blooms with Sakura’ at Yotsukura Beach in Iwaki City, as commissioned by Saint Laurent’s creative director Anthony Vaccarello.
Art of the Umbrella movement refers to artistic works created as part of the Umbrella Movement in Hong Kong which demanded democracy in the election of the territory's top leader. Most of the physical works of art are located within the three main protest sites of Admiralty, Causeway Bay and Mong Kok.
During the public vacation of May Day, also called International Workers’ Day, “For People, Food is the First Necessity: Qiu Zhijie’s Writing in a Market” was launched at the crowded Sanyuanli market in Beijing.
A mainland couple allowed their 2-year-old son to relieve himself by the road at Mangkok, Hong Kong and conflicted with local pedestrians who took photos of the child caused quite a stir among Chinese netizens. While the majority of mainland netizens show understanding for the couple, HongKongers think differently.
The immediate prototypes of Zhang Xiaogang’s Big Family series are formal group photographic portraits from the 1950’s and 60’s, including those of Zhang’s own family, a source of the painter’s “endless reveries.” From these old black-and-white pictures Zhang Xiaogang derived the series’ paradigmatic features: a subdued, nearly monochromatic palette; a thickly layered but flat surface, without overt evidence of brushwork; a general compositional restric
World Microphone (世界麦克风) is an organization created by students (most of them are Chinese) located in London. The organization has an account in RED, which is a popular social media in China. It often holds interviews and movements on the street in London, talking about world culture, food, and travel. Then, it makes short videos based on these interviews and movements and posts the videos on RED.
On October 16, 1964, the artist collective Hi Red Center, clad in sanitation masks and white uniforms and wielding small brooms and toothbrushes, spent several hours meticulously cleaning the streets of the Tokyo district of Ginza, amid the hustle and bustle of a “normal” day.
In early January, constructions workers in Wuhan, China staged a Gangnam Style protest in front of their employer's building. Using the Gangnam Style dance, the men sought to bring media attention to their mounting unpaid wages.
The Wuming Painting Collective, formed in Beijing during the Cultural Revolution (1966–1976), was a clandestine group of artists who defied the authoritarian control over art and expression. In a time when all art was harnessed as propaganda to glorify the state and Chairman Mao, Wuming artists turned their gaze toward everyday life, painting still lifes, street scenes, human figures, and most iconically, serene landscapes.
A performance art piece by a student who sat in a cage to protest a draconian lockdown of the Beijing Film Academy (BFA) recently went viral, and was censored just as quickly. Like many other Chinese citizens, university students have been living under strict lockdowns, and are beginning to chafe at the restrictions—and at administrators’ lack of responsiveness to students’ concerns.
Direct Cause: Students' freedom to enter and leave the campus has been restricted for two weeks, but the university has not even issued an official document, only a verbal rule of "not leaving the campus unless necessary."
Objective: To protest the arbitrary closure policy of Beijing Film Academy.
A Straight Journey is a documentary of Chinese homosexual people. It is the first time for Chinese gays and lesbians to make their debut and speak out via one of the largest Chinese Internet service providers. Two Chinese photographers Masa and Mojo took a journey across 11 China's cities making portraits of 48 gays, lesbians and their families from 2014-2015.
Fang Si-Qi’s First Love Paradise, a 2017 novel by Taiwanese writer Lin Yi-han, has become one of the most haunting and politically charged literary works in the Chinese-speaking world. Although presented as fiction, the novel closely mirrors Lin’s own lived experience of being groomed and sexually abused by a private tutor during her adolescence.
In 2009, the dissident artist created a work to honour the thousands of children who died in the Sichuan earthquake. He recalls how the project, Remembering, angered China’s rulers – and changed his career for ever
This is an edited extract from The Start podcast
A few dozen women, wearing white masks, held up signs protesting against pornographic deepfakes. On the afternoon of Friday, August 30, several South Korean feminist collectives demonstrated in Seoul to fight these sex crimes that are flooding the country.
Xiao has organized and participated in a series of activities that combine performance art with a strong social message. Despite a well-known Chinese maxim expounding that women "hold up half the sky," feminism has largely been an underground movement in the country. Xiao and her cohorts' mission is to change that by taking up the cause in public, even if it means going to extreme and controversial lengths.